Category Archives: universe

Judy Garland and The Banana Tree, an essay


illustration judy somewhere over the rainbowillustration banana tree

A banana tree is a metaphor for life, really… it dies after it bears fruit. It gives its life to produce the next generation. Banana leaves are so useful. Useful when they’re green, and useful when they’re brown. Generation upon generation. That really is a sacred word, generation. WE generate ideas, too. So can’t WE generate more peace, rather than more war? Can’t OUR fuel be love, not hate? Yes, just like the banana tree, sometimes destruction is necessary to create new life… recycling? Reincarnation?

One way of looking at things is to take a leap of faith – decide that when WE die, nothing will be lost; everything will be gained. WE leave behind US a legacy, all of US, shaping the reality of the UNIVERSE. The UNIVERSE is alive through US! The UNIVERSE writes songs and stories and mathematics and music through US! WE are engines! WE are alive! WE are organic! WE, human beings, are evolving right this second! LIFE doesn’t stand still! LIFE adapts, or ceases! LIFE IS EVOLUTION. Trying to cling too desperately to the past is to entomb the SELF in stone, alone, buried alive, dying. WE’RE alive until WE’RE dead.

Value this opportunity. Don’t throw it away. Take care of OUR home, planet Earth. Take care of OUR fellow travelers. Send not a sword, but an olive branch to OUR enemies as well as OUR friends. OUR bitterest enemy may turn out to be OUR best companion. Only time will tell. WE live within moments, WE exist within history, and WE are passionate within the spirit. Train that energy! Use passion to create, not to destroy! Destructive passion, combined with weapons of all kinds, might kill US all. Respond to life with logic AND emotion. Let US use OUR brains and OUR gut. Instead of the falling abyss of dread, the rising flutter of joy… and at the end of life, may WE all have truly, truly, truly found PEACE.

Cue Judy Garland, “Somewhere Over The Rainbow.”

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Happy December!

illustration compassionThe root of compassion is this:  there, but for the grace of god, or the luck of the draw, go I.  Treat others the way you would want to be treated, were you to wake up one morning inside their life.  Let morning, and let hope, break inside your soul.

For a number of reasons, I have been called away from writing, and I have missed it terribly… and I have also missed so much here on WordPress, a truly valuable (and for me, essential)  community of dedicated writers and artists of every variety.  When I read the work of others, listen to the work of others, see the work of others in my creative “family,” I feel the reinvigoration of my own essential spark, that soul’s brightness which I cannot live without.  It is as important as air:  the eternal conversation between Minds… the desire to communicate and affect one another in a very human, very tangible, and very undefinable way.

Another writer told me once that the way you know you’re a writer is you HAVE to write!  You cannot NOT write.  You must write as you must breathe, or drink water, or eat, or sleep.  If you don’t, you become wretched, fearful, at squandering the opportunity being called into this life has given to you.  And we must not waste our time here.  There is no sin but the giving up of hope.  Without hope, we become desperate, suffering creatures indeed.

I am deeply worried about the world right now.  All of it.  All the people, all the creatures, all the natural beauty.  There is an albatross, named Wisdom, who at 64 years old is raising another chick.  We have lost 70% of our seabirds on this planet.  We risk losing Wisdom, and wisdom.  Children are suffering from endless war.  Climate change is disrupting what little stability we have managed to achieve as humans.  Violence, bombs, bullets, hatred, racism, sexism, greed… let this not be our most lasting legacy.

In December, Christians celebrate the birth of a man they believe came to save the world… if only it were that simple.  Whatever faith or philosophy or moral compass you hold within you, realize that the saving of the world begins with each one of us.  Spirit exists whether you think it’s permanent or not.  The spirit of a human life can be broken.  And yet, some people who have been through unimaginable horrors manage to go on and create, and experience, hope and happiness and human connections.

The root of compassion is this:  there, but for the grace of god, or the luck of the draw, go I.  Treat others the way you would want to be treated, were you to wake up one morning inside their life.  Let morning, and let hope, break inside your soul.

I love you all, without conditions.

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Temporal Lobe Epilepsy With Localized/Partial Seizures, a personal essay

illustration temporal lobe epilepsy

I couldn’t go to work today. COULD NOT go. Me. Me! Me!!! The Me I know as Miss Responsible (at least before), or Miss “Took Copious Notes and Asked Earnest Questions of Every Professor She Ever Had” (at least before), or Miss Order of the Coif & Law Review (at least before), Miss Top 5% (at least before)… I COULD NOT go. I could not go, as surely as if I had been very heavily & securely shackled and chained to my bedroom floor with no tools of any kind within reach.

Then, abruptly at 12:11 p.m. – perhaps because Miss Self-Blaming loves to make Miss Responsible feel horrible because she has not done anything productive on this (fucking difficult) day, I am suddenly ORDERED (by a part of myself I don’t know, and, frankly, do not ever want to know) to write about “temporal lobe epilepsy with localized/partial seizures.” This particular moment — Wednesday, August 12, 2015, 12:11 p.m., convinces me that my entire universe — the physical, the emotional, the intellectual, and the creative — has turned into one long, very long, seemingly endless, “temporal lobe epilepsy with localized/partial seizures” episode… at least for right now.

Helpless to help myself, mostly, except for a stubborn, almost instinctual, ability for self-care, feeding & watering. I’m conscious, but either (1) not able to speak aloud, or (2) uncontrollably babbling each & every random thought my storming brain generates. That’s how you can think of a seizure: an electrical storm in the brain. Complete, sometimes, with inner thunder & lightning & high winds. I sometimes wear earplugs, or I sometimes listen to the music I love — and there is a lot of music I love — loud enough to drown out all the sounds that go along with being in a room in a house in a city on planet Earth in the calendar year 2015. Block out the loud, the abrupt, the frightening; nurture the calm, the logical, the safe.

What has saved me thus far, mostly, is the fortunate fact that even in this fucked-up state I can still write — albeit with tons of spelling, punctuation, and grammar errors. At these moments, in particular, I thank God for the generations of computer whiz kids, who gave us things like word processing, complete with editing capabilities, and pretty good grammar & spellcheck. I thank them for these things because another aspect of these seizures is a barely functioning short term memory, and a dreamlike, almost hallucinatory perception of myself and my surroundings… very vivid while it’s happening, and very ass-kicking after it’s over. I do not recommend it as a way of life, or even as a temporary experiment.

I think, but do not yet know for sure, that my “temporal lobe epilepsy with localized/partial seizures” may be permanent, and treatable only with an alarming number of drugs, needing to be taken as many as four times a day. This entire state of affairs is due to the fact that I required brain surgery for a nonmalignant, though large, tumor, which was between, or around, or next to, my frontal and temporal lobes, and as a special bonus, was wrapped around the main aorta of my brain and my right optic nerve. The other permanent souvenir of my tumor and surgery is a 50% vision loss, more or less, in my right eye, and a funky-looking scar on my head that usually isn’t visible (thank god!) because I have very thick, coarse, wavy hair. Horsehair, I used to call it, and I am profoundly grateful for it now, for without it I would remind people of Frankenstein, and quite possibly frighten some children.

I’ve tried to write this without it sounding like a 30’s blues song… what comes to mind is “Down The Big Road Blues,” by Mattie Delaney (born 1905). When I am in this state I find myself missing my daughters… when they were children especially. I miss so many things about them! I miss listening to music or watching a movie or playing a game or just talking with them. They love music, and singing, and laughing, and playing Scrabble intensely. Aren’t the intimate connections, with our intimates & beloveds, what make life worth living? I am so humbly grateful for my beloved partner, my daughters, my dearest human & animal friends, my fellow creatives & nonconformists.

Without all of you, I would be lost. As part of a team — even if it’s only a team in my imagination — I am able to keep doing the next necessary thing, whatever that may be. Sometimes it’s cleaning the floor. Sometimes it’s snuggling my dog. Sometimes it’s work. Sometimes it’s reading. Sometimes it’s meditation. Sometimes it is putting my arms around a living, breathing, warm human. My daughters, as babies, taught me the value of plain old physical closeness to someone we love as we love ourselves. So, I say to myself… “Shoot The Loop,” just like the Acoustic Alchemy song my beloved partner introduced me to.

Thank you for your time and attention. May your day be blessed with clear thinking and right action and peace. May you, may I, and may all the human world keep on waking up from our “very long dream,” into a brilliant and fascinating future. Fascinating. Brilliant. All of us.

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Enlightenment, a very short story

illustration 5 enlightenment

Enlightenment, a very short story

He felt awake when he saw her sitting at the bar, as though all his previous life had been a slow, lazy dream.  She looked like a girl from one of those sex shops in Amsterdam, wholesome and perverted at the same time.  Her hair was perfectly straight and hung down her back to her waist. Her forehead was a smooth, wide dome of innocence.  Her flesh was abundant, stark white and glowing, spilling slightly over the waist of her leather skirt.  Baby fat.  He could tell she’d outgrow it.  Regeneration was her game.

She said, “I prefer to travel alone, no fluff or chatter.”   She spoke of the outer and inner journey.  She didn’t know which was the more important.  “I am my own  mysterious stranger,” she said.

When they got back to her room, he saw how her bed was opposite a huge fireplace, black; it felt like ghosts were everywhere, but especially in the fireplace, coming down the chimney. The wind made sounds around the eaves and windows, such a big wind, it was spring but the wind was fierce and strong. Her room scared him, he would rather have been anywhere else. But he couldn’t leave, the girl was already undressing on the bed.  She looked at him from under her fall of hair.  The now-naked girl lay back on the pillows and smiled.  He felt as awake as the Buddha under the bodhi tree.

 

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September 5, 1980, a letter to my Nana

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September 5, 1980

Dear Nana,

I am sorry I didn’t send you a birthday card on time. I didn’t forget, I bought a card and addressed it and put a stamp on it and everything, I just neglected to drop it in the mailbox. And since it was late anyway, I figured I would just save up some money and get you a present to go along with it. So just prepare yourself for an extra-special present. I won’t give you any hints, either. So just sweat it out.

Everything is going just fine. My job is going well, except the work is not all that interesting. But at least I have plenty to do. Mr. Perkins is in Canada right now, doing some work for the Canadian government, so that’s why I can write this letter at work. Because there’s not all that much to do.

Has Mom gotten me an application for the U. of Fla.? I’m going to apply to U.C.L.A. also. Then when the time comes I will have two options. But no matter what I decide I will be home for Christmas. So don’t worry about that. I wouldn’t miss another Christmas with all of you. I’ve already missed two. So no more.

I almost got a dog the other day. They keep dogs at work, two of them, and there was this other dog that started hanging around. He was a stray and he was really skinny. Then about two days ago he showed up limping. His hip was all out of joint, and he was scared of everybody. So I told Mr. Perkins about it and he said that if I could catch him and take him to the vet’s that he would pay the bill if it wasn’t too much. So I caught him by feeding him and then grabbing him. I took him to the vet’s and they X-rayed his hip but it was too badly crushed and it would cost over $300 to fix it. So we had him put to sleep. I felt so bad about that. I cried and cried. You know how I am about animals.

I have decided to major in prelaw. It’s a big decision but it’s something that I want to do. A lot of reasons persuaded me. And besides, lawyers run in our family. This is the fourth generation – your dad, mom’s dad, and my dad, and now me. I’m the first woman to do it. It’s about time the women in this family took advantage of their brains. Grandpa Geremia says that we’re smarter than all the men anyway.  Look at Mom!   She’s got a lot upstairs, and the only reason she didn’t get a chance to take advantage of it is because she’s a woman and women are the ones who get the short end of the stick always. I’ve really been getting interested in promoting women’s rights lately.

Throughout history, men have had all the power. And I’m tired of it. I heard on the radio that women comprise 53% of the population, yet in the Senate there are only two women. 2 out of 100. That’s certainly not even close to equal representation. Women don’t even get respect. At work here, I’m treated like some cute little girl who is just learning to tie my shoes. And I resent it. Of course, I don’t complain because I need to get along with these people, but I resent it all the same. I read in a book called The Women’s Room that “people may hate niggers and Puerto Ricans and Chinks, but at least they are afraid of them. Women don’t even get the respect of fear.” And it’s so true. Look at you, Nana. You have the makings of one hell of a politician in you. You’re a terrific leader. You have charisma. But you haven’t done it. Maybe because you didn’t want to, but maybe because you were afraid. Oh, I don’t know. Remember when they wanted you to run for City Council? You could have won easily. You could still win. I think you ought to do it. After all, Reagan’s over 68 years old and he’s running for public office.

By the way, do you know what I’ve heard about Reagan?

  1. He believes in astrology.
  2. He accused Carter of being in cahoots with the KKK when he himself refused to address the NAACP.
  3. When he was governor of California, he wanted to cut down the Sequoia trees in the parks because he thought that “once you’ve seen a tree, you’ve seen a tree.”
  4. He set troops out to quell student protest when the students had stated their pledge of nonviolent demonstration.
  5. He’s against abortion even in cases of rape. True, not many women who get raped conceive a child due to the trauma of it, but it does happen. And why should a woman give birth to a child of rape?

True, Carter is in many ways no better than Reagan. But I don’t want to vote for Carter, either. I want to vote for Barry Commoner. Barry Commoner believes in solar power, he wants to bring back the railroad system as a form of mass travel, he doesn’t believe in war and huge military budgets for no reason, and he believes in letting people come first in government. He believes in the nationalization of the energy industry. No one is perfect, though, and I realize that campaign promises are sometimes just that, but I feel that Barry Commoner is a better candidate than either Carter or Reagan. But he’s not perfect, either. I’m not being swayed by some Godlike figure or anything. He’s just an ordinary person.

Let’s talk about the nationalization of the energy industry for a moment. (Don’t I sound grown up, Nan?) Did you know that one of the reasons nuclear power plants are becoming more widespread even though they’re so dangerous is that the oil companies own all the uranium minds? The reason no one has developed solar power yet is because the oil companies can’t buy the sun.

Let’s face it, sooner or later we’re going to run out of everything – coal, natural gas, oil, even uranium. The only thing we will have for billions of years is the sun. Everything on this planet was created by the sun. The oil was made from algae deposits that were fueled by the sun. The sun is a clean, safe source of energy. So why don’t we use it? Because it’s also free. There’s no way to rent sunlight because it’s free. No one can own it. So the people who control this country, i.e., the huge conglomerate corporations, aren’t too thrilled over the prospect of unlimited amounts of free energy because they’ll go bankrupt.

Now, don’t get me wrong. I’m not against free enterprise or anything. What I am against, though, is when the profit margins of Exxon go up 200% in one year. That’s going too far. Profit is fine, but 200%, when the whole world is being squeezed dry because of the high prices of fuel? That’s un-humanitarian, and disgraceful.

Did you know that Nestles, the chocolate corporation, also manufactures infant formula? In third world countries like Nigeria and India and the like, they were telling uneducated mothers that infant formula was superior to mother’s milk. At precisely the same time, doctors in this country were finding out that mother’s milk was in fact the best thing for babies. That nothing was superior for infants. But did Nestles stop telling them that? No. Their profits in this country were going down because of the drop in sales, so they had to make it up somewhere else. By fooling poor, uneducated, starving people. That’s the kind of thing I’m against.

I guess I’m getting more political in my old age.  That’s why I have decided to major in prelaw. So I can do something about the things that I feel are unfair. Or at least I can try. Like I said, I’m not against free enterprise. What I am against is exploitation and un-humanitarianism.

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Violet Crown, a fable

illustration just me and god

Violet Crown, a fable

It took a long time for the dreams to come back.

(The dreams took a long time to come back.)

Her parrot knew before anyone.

The city of the violet crown.

No one escapes the labyrinth. Not even the dissolute rich.

The oracle sighed, and filled her pen with blue ink:

I know you intimately; I know the way your eyes move,
across the landscape. I realize how we live.  It’s not a sin;
you want the love you got in the beginning.  You want to
change your size, your shape, and your life. Where you
will be drawn, and in what order?  One woman you know
will stop at the color green, another woman dreams
of strangers as she sleeps next to her husband of fifty years.
That man will drink his coffee black, that one will slap
his daughter so hard she feels her cheekbones vibrating
for hours. Remember before you were born; remember
not having to breathe?  Imagine that stillness, that beauty
of the womb.  Let me remind you.  It was shielded
from the world, no sharp edges anywhere.  You and you
and you and you… your taut plum of a heart beat.
One day we will be there again, our blood will soar,
the sparkle sparkle sparkle of life.  The moonlight there
will be as pale and as reflective as new snow.
Your worry-lines will gradually fall away. To forget
your longing, you agonize daily, hourly: the beans
or the meatloaf?  The blue shirt or the yellow?  Toward the sea…
or the mountains?  Marry Paul or James?  As the crow flies,
or the long, winding road? We were together, you and I,
even when you thought no one could see — I watched
the way you lied, cooked the books, phoned for drugs,
delivered Chinese take-out.  You made yourself
important, taller, richer, more attractive.  Time for courage,
time for facts.  You have always been, are, will be loved.

 

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Have You Ever Met the Love of Your Life?, a short story

illustration have you ever met the love of your life

Have You Ever Met the Love of Your Life?, a short story

Nasreen, Marion’s dance teacher, was short, dark and wide. She wore black leotards under her frothy, voluminous gold-threaded saris, and glowing silver rings on her largest and smallest toes, which were connected to ankle bracelets by delicate jeweled chains. When she moved, and the big belt of coins around her hips started to sing, Marion often thought of a curtain of water emerging from an alabaster frog’s curving mouth. Nasreen’s lips and toenails were always painted fiery orange, and the air near her smelled of cardamom, nutmeg, and cloves. Nasreen had been famous in her youth — she treated all her students with exaggerated courtesy but for some reason, took a special interest in Marion.

From the start, Eleanor, Marion’s sister, thought Marion was crazy, and the whole Oriental-dance notion (she couldn’t bring herself to say the word “belly” out loud) ridiculous. “Why on earth do you want to get up on stage and wiggle back and forth like a cat in heat?” she had asked.

“I’ve always thought it looked so graceful,” said Marion. “It sort of mesmerizes you, it’s so soothing to watch.”

“Soothing? Graceful?” Eleanor rolled her eyes and tossed her head. Her neat French twist bobbled, and a wisp of hair fell to tickle her cheek. She shuddered and tucked it behind her ear. “Grotesque is more like it. I’ve always thought those women looked like they were trying to eliminate peach pits from their digestive tract.”

The two sisters lived together — they had always lived together — in an apartment across the street from the house they’d grown up in, a gaunt, three-story Victorian. After Mother died, as soon as could be considered decent, they had sold the big place and gotten rid of the ponderous mahogany furniture. They kept only Eleanor’s player piano, some threadbare Persian rugs, and their mother’s elderly miniature pinscher. Marion filled the apartment with pickled-pine French country and delicate ruffled draperies in red toile.

Soft-hearted Marion said the rosary thrice daily and didn’t care much if her clothes matched; Eleanor, the younger, was a late-blooming atheist, but knew how to dress. Eleanor had been engaged once years ago but they had never managed to decide on a wedding date — the hopeful young man had insisted she keep the ring anyway, a flawless one-carat diamond set in platinum. She looked at it every night, sitting in her jewelry box, but never wore it.

***

Marion’s first formal belly-dancing costume was to be hand-tailored by her teacher Nasreen’s younger brother, Ahmet. He was known all over the world belly-dancing community for his brilliant costume designs; the only reason she was able to afford him at all was Nasreen’s incessant wheedling on her behalf — as one of his sister’s most deserving pupils, Ahmet finally agreed to let Marion have the outfit at cost.

“I see you in red,” said Nasreen.

“I was thinking of pink. Maybe powder blue?” said Marion.

“Red, it must be red,” said Nasreen. “Ahmet, what do you suggest?”

He leaned back, folded his arms across his chest, and squinted first at his feet, then at Marion, then at the stacked bolts of silk gauze rising to the ceiling, and then at his sister. “Yes, red for the trousers and the outer sari,” he said with a faint smile. “And the front of the bustier heavily sewn with pierced and gilded centimes.”

“Perfect!” said Nasreen, and she and Ahmet gave each other conspiratorial smiles. “Remember the one you made for me so many years ago?” she asked.

“Of course!” said Ahmet. “Now get up on the stool. I need to get your measurements,” he said to Marion, his smooth, warm fingertips galvanizing her arm as he prodded her into compliance with the tape measure.

When Marion described Ahmet’s fitting and design process, Eleanor was incredulous. “You’re going to wear red see-through pants and a bra made of nothing but gold spangles and call yourself Ayita?” she asked.

“It’s my stage name,” said Marion. “It means dancer.”

“Well, isn’t that cute!” said Eleanor, slapping the kitchen table with a rolled-up newspaper she’d been using to pursue a small green fly. “I suppose next you’ll be getting your nose pierced and wearing a veil.”

“Good Lord, no,” said Marion.

“I hope you won’t ever expect me to come see you make an idiot out of yourself,” said Eleanor.

“No way,” said Marion. “You’d make me a nervous wreck. I’d never be able to concentrate on performing.”

“Ah, yes — the great artiste needs her concentration! What a load of manure!” said Eleanor.

“I just want to have some fun. I need a change.” asked Marion. “Why are you making such a big deal?”

“Because I think a woman your age parading around dressed like a harem girl is absurd,” said Eleanor. “Because every Arab I’ve ever met treated women like second-class citizens. Because I know you’re doing this just to irritate me. Hobby, my eye. Why couldn’t it have been needlepoint, or gardening?” Eleanor glared, but Marion just shrugged and continued eating her toast.

Marion’s finished dance outfit was a huge success. As a precautionary measure, she danced privately in Ahmet’s workroom for Nasreen. Nasreen stood with her arms folded across her chest. As the music started and Marion began to dance, Nasreen’s eyes narrowed and her lips grew thin. She tilted her head and stared. Marion felt awkward, but after the first few seconds, the music and soothing movements overwhelmed everything else. The glittering red costume transformed Marion; she lost herself to something bigger, her hands were two white birds flying, twirling, graceful on the fluid stalks of her arms. Her smile was steady, effortless. The glittery silk billowed around her legs like cool wind. For the first time, her body moved on its own, strong and agile. “That’s it, you’re ready,” said Nasreen.

“For what?” asked Marion, wiping her damp forehead with a jingly forearm.

“A trip. To Paris. A month from Saturday. I’m putting an international dance exhibition together. I want you to go with me, to dance.”

Marion protested. “I couldn’t. I’m not that good.”

“Yes, I’m afraid you are.” Nasreen pulled a passport application out of her cavernous black purse. She shook Marion’s shoulder. “Why did you want to learn to dance in the first place? What are you waiting for?”

            ***

Eleanor wouldn’t let Marion travel to Paris with only Nasreen and Ahmet for company. Eleanor put her foot down; Marion hadn’t been able to say “no” loud enough. It was Marion’s first overseas journey: she’d underestimated jet lag. She awoke abruptly at 2 a.m., trembling through her arms and legs as if on amphetamines. Eleanor – she’d been to Ireland and Spain, she knew better, she’d taken four different pills to zonk herself out — was sound asleep, mouth open, a tiny puddle of saliva glistening on her pillow. Nasreen also slept, lying curled on her side, hands tucked under her chin, emitting the most genteel and melodious of snores. Marion didn’t want to turn on the lamp and produce chaos, there was enough of that within her; instead she went downstairs to seek light and order in the lobby.

The desk clerk on duty — a tall, thin Algerian graduate student — was very eager to demonstrate his grasp of English. His dissertation was going to be about the evolution of American street slang, curse words or something. He announced himself to be Muslim; this formality alarmed her briefly, but he seemed to possess abundant humor, lightness, reason. His name was Badr, which meant “full moon.” The image suited him. His smiling face was boyish, benign; his moustache highlighted the fact his skin was silken as a girl’s. Dark chestnut hair lay in soft curls against his cheeks. His clothes were rumpled and mismatched, like an absentminded schoolboy’s.

The small lounge area was arranged with delicate birch wood cafe tables and slippery turquoise-upholstered armchairs. She noticed Ahmet sitting over in the farthest dark corner, wearing a long yellow silk tunic over his rumpled jeans, pretending to read the newspaper. Marion raised her hand in greeting; Ahmet nodded. Badr served her mineral water and orange juice. She tried to read the French newspaper lying open in front of her, understanding only every third or fourth word. Every time Marion glanced over to see if Ahmet was still there, his eyes were upon her. He folded, inspected, and re-folded his own paper for several odd minutes, then picked up his drink and wandered over to the bar.

“May I sit here?” he asked, pointing to the stool next to her. He seemed embarrassed, or shy, or ill.

“Sure,” she said, shrugging.

“Can’t sleep?” he asked.

“Not a chance. They’re both sound asleep, though.” She adjusted herself on the stool, crossed her legs at the ankle, then at the knee, and then rested her elbows atop the bar. Her hands clung to each other like nervous gerbils.

***

“You’re jealous,” said Marion four hours later, when she finally got back to the room she shared with her sister and found Eleanor livid with rage. “For once I’m having a good time, and you just can’t stand it. It’s not my fault you’re so lonely.”

“I’m not lonely,” said Eleanor, glaring at Marion with laser beam eyes of death.

“Yes, you are,” said Marion. “We both are.” She thought then of the way Ahmet’s lips had tasted when she kissed him goodbye before opening the door to the brightly lit hallway. She thought of the way his hands felt, stroking the small of her back, running down her hips past the hipbones down to the upper thigh. She thought of the way he held her when he came, murmuring her name into her ear like a tiny puff of wind, carrying a sound she couldn’t quite recognize at first. Her name. The man knew how to say her name.

“Have you ever met the love of your life?” Marion asked Eleanor.

“Oh my god! You’re in la-la land,” said Eleanor.

“Have you ever met the love of your life?” Marion asked again.

Eleanor stared at her, her lips moving, but no sound coming forth. Her hand struck out quick as a venomous snake and slapped Marion’s forearm viciously, which hurt like the devil — but Marion was so amused she laughed, which only made Eleanor slap her arm again and again, harder and harder. The harder Eleanor slapped her, the harder Marion laughed. Suddenly Marion grabbed both Eleanor’s wrists and twisted them so hard Eleanor shrieked.

“Have you ever met the love of your life?” Marion whispered. A full minute ticked by in silence. Marion waited. She felt Eleanor’s arms relax and go limp.

“I’ve never even thought of asking that question,” said Eleanor.

When both sisters shocked themselves by starting to cry, they pulled each other close, each of them bear-hugging the other — grouchy/beatific, horrified/overjoyed — as though both their lives depended on it – which they suddenly realized was now, always had been, and would always be, the truth. Marion and Eleanor had finally let each other in, all the way in.

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Muir Woods, a poem

illustration muir woods

Muir Woods, a poem

 

The eye is drawn, farther and farther

toward thin blue sky until the green feathery

 

tops of the trees are like the northern pole

on some dream planet. Your carsickness

 

from the ride up the mountain begins to fade,

leaving behind a breathless, weepy echo

 

not unlike your first religious fervor.

Then, you stared at Jesus’ sad face for hours,

 

wondering what it was that made him

love you. Here, it is the usual paralysis,

 

nerves made dumb by the unaccustomed

richness of perfect light. Vague, starry eyes

 

like yours feel at home. The air is weighty,

burdensome, solemn. Tall and slender, your guide

 

touches your wrist, and for a moment, you too

want to leave the surface of the earth

 

forever. Shyly, she picks up a tiny

pinecone, smaller than a toy. You laugh

 

when she tells you this is their seed:

all around, their ravaged, hollow

 

corpses litter the ground

like the bones of God.

 

In this place you feel helpless,

childlike, and you can understand a wish

 

to die here, never leave this hush.

They’re only trees, you tell yourself.

 

Yes, only trees, you think, standing still with

your neck bent back; wondering if they hear you.

 

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The Nearness of Heroism, a short story

illustration the nearness of heroism cracker-jack-eversillustration the nearness of heroism

(Originally published in The Paumanok Review)

The Nearness of Heroism, a short story

They tell me he was the first man I ever saw nude; that when I asked him, pointing, in my high, three-year old’s simper, what “that thing” was, he didn’t even flinch. He stood in the big tiled shower stall, holding the door ajar with one hand, toweling himself off with the other.

“I’m a little teapot,” he sang, in his exuberant tenor. “Short and stout. This is my handle, this is my spout.”

They say I stared, and then frowned, running out to demand of my grandmother on the spot — I want to be a little teapot! Show me my spout! Where is it? Where is my spout?

Where, indeed? If only the gulf could have been reduced to those dimensions. Am I wrong to feel we would have been closer, had I been a boy? Would he have loved me more, or less?

***

I liked to sneak up on him while he used his glove, just out of the shower, a white towel tight around his waist, his hair slicked back, parted precisely. Even from my earliest memories, the old baseball glove was missing one or two fingers, the ball deprived of whole sections of its leather wrapping, worn through to the string-mended core in several spots. Both glove and ball had darkened to the color of cured tobacco, carrying a sheen of sweat-polished grime that lent a gleam akin to the finest shellac. Arms moving, hands a blur, he would move in automatic rhythms of meditation, pounding gloved fist with clenched ball as his lips moved, the words inaudible, his gray eyes focusing up and out at an angle, viewing a corner of patterned plaster, seeing something I wanted to share but couldn’t.

Then he’d notice me. He’d stop in mid-pound, his mouth open for an abrupt chuckle, too embarrassed to be embarrassed. “Hey there, lady,” he’d say, the broad vowels of his Brookline childhood making his words seem exotic.

He kept the glove and ball on the highest shelf of his closet, a level I couldn’t reach, not even with a step-stool.

***

He was, in fact, the only male presence in my life, even after I started to dwell on the concept of boys, the one I ran to in the early morning — crawling into his bed, burrowing deep under the covers, where he sang the old songs he’d learned from his Irish mother and held me in his arms, my nose burrowing into his soft feather pillow, into his wrinkled cotton pajamas, seeking out his bitter-tea-with-lemon smell, seeking out his body’s distinctive shape and radiating warmth, which possessed a steely eloquence no less comforting than my grandmother’s padded torso. Since he was home with us every day, having retired years before I was born, I didn’t realize he was different from other men, other fathers, who were defined not by their presence but by their absence.

“Oh, you dirty little devil,” he’d sing, “Does your mother know you’re out? With your hands in your pockets and your shirttail out?”

I would hear my grandmother fuming from across the room, not speaking but moving the various brushes and trinkets around on the glass-topped surface of her dresser with snappish clinks and taps. At other times, whenever he knew she disapproved, he’d make disrespectful rubber-faces behind her back until my face couldn’t keep a secret any more, and, looking at me, she’d see some sign of what was going on, then wheel indignantly, catching him in some fish-lipped, pouting impersonation of her, their demeanor so ridiculous, so upside-down, that for a moment it seemed that he was a small boy again, no one’s husband, and she his strict governess, no one’s wife.

***

He was related to me by marriage, not by blood, something that seemed to bother him a lot more than it bothered me, especially near the end of his life. From the very beginning, I had pledged my allegiance to him, had given him that affirmative declaration of the heart, and for a short time, during childhood, it seemed that he had pledged the bond in return and accepted me as his own. Not even in dreams did I measure him any differently than I measured his wife, my grandmother. As I grew older, however, and he grew more and more frail, the absence of an actual cell between us appeared to chip away at his feelings. “I don’t have any family of my own, you know,” he’d say, gazing at me as if for sympathy, never knowing how caustic the mild-sounding words were to my ears.

“I’m your family, aren’t I?” I asked him, the first time he brought it up, but he shook his head, smiling at me with a thin-lipped yet dreamy smile.

“It’s not the same,” he answered.

***

On various occasions, as his health became less certain, I promised him one of my eyes, one of my ears, one of my kidneys, half my heart, half my liver, half my stomach: everything and anything he needed to survive, anything he might need to be comfortable, which I swore to give to him when he got “old.”

***

In my last year of college, I had a boyfriend who got physical with me on several occasions. Nothing serious, no marks: a thump on the head with one knuckle, a scuffle in the yard, pushing matches. One day I reacted badly, bolting my apartment door and calling home. He answered on the first ring, but, having expected my grandmother, I found I couldn’t stop the tears. His voice deepened, becoming rough around the edges as he interrogated me. An old man, on six kinds of heart medication, he swore he’d drive the four hundred miles and teach the boy a lesson.

“No, Grampa,” I said. “It’s all right. I’m breaking up with him. Don’t worry.”

“Call the police if he comes to the door again,” he said. “Have him arrested.”

This reaction, despite his often-repeated joke: “Never hit a woman,” he’d say, shaking his head, staring at my grandmother’s back. “Use an axe.”

***

His fourth heart attack came only days before my wedding. He managed to walk me down the aisle anyway, spiffy and broad-shouldered in his plain black dinner jacket, a single pink rosebud clipped to his lapel. Since both my parents were dead, he was “giving me away” to my fiancé, a practice I found offensive on feminist grounds, because it seemed to exclude my grandmother from the giving. So we compromised: when asked by the priest, “Who gives this woman?” he was to answer, “Her grandmother and I do.” Except, when the moment came, he said only “I do.” My grandmother, standing in the front row in her baby blue satin lace and picture hat, whacked the prayer rail with her wedding service programme in frustration. The sound echoed off the front wall of the small church and stayed with me for the rest of the day.

Later, at the reception, he was critical of the music we had selected without consulting him: a wandering string quartet. “All your guests are leaving,” he said, after his fourth or fifth glass of champagne took hold. “Why didn’t you have a real band? Some dancing. It’s like a funeral in here.” I trembled all over from the exertion of holding my tongue. Only if I had screamed at him, my face reddening under its halo of white silk flowers, would he have been happy.

***

I was home for a long-overdue visit when the last battle came. Semi-invalided, by then, Grampa moved only from the bed to his recliner, spending the day reading the paper in a slow, deliberate rustle. The television blared for hours each evening, his expensive hearing aids — the same kind Reagan used, he’d told me — plucked from his canals and discarded, tossed into a dainty porcelain ashtray: hand-painted with a rising, twisting phoenix, it was the only memento he had kept from his service in Germany during the war.

He didn’t like going to bed at night, waiting until two or three in the morning to call for my grandmother to help him to his room. Arising no earlier than noon the next day, he’d swear he hadn’t slept a wink. “He snored like a baby all morning,” my grandmother would whisper.

His appetite was slight too, and then one day, nonexistent. Supper waited out in the dining room: over my grandmother’s objections I took him in a bowl of ice cream. He lay against his pillows while I spooned it into his mouth, noticing how he lipped the spoon as I withdrew it, sucking it like a baby. The bowl finished, he thanked me, his voice hoarse with exhaustion. Turning to leave, I heard him start coughing, a deep cough that seemed to come from his gut, his eyes widening under the thick cataract glasses, his cheeks bulging, seemingly an imitation of his old comic fish-face. For a moment I laughed, thinking it a joke, but he put his hand over his mouth and made as if to hold his lips together with his fingers. He was trying to keep from throwing up all over the bed, I realized, running for a basin, almost too late.

After Gran and I cleaned him up, I felt his forehead. It was hot, dry, but the rest of him was clammy and covered with an oily sweat. As I took his temperature, Gran called the doctor, who told us to get him to the hospital right away. When we told Grampa where we were taking him, he shook his head. “Now what’d you go and do that for?” he said.

He looked so small and frail laying there it was a surprise to find I couldn’t carry him — what remained of him was deceptively heavy, as if his bones were filled with lead. It took both of us to get him out to the car. Each step seemed so difficult, so impossible — by the time he lowered himself clumsily into the front seat, he was glistening with a symmetric pattern of droplets, the sweat beading his skin like opalescent sequins.

***

At the hospital, an orderly dressed in green surgical scrubs helped Grampa from the car into a wheelchair. The orderly was tall and long-limbed, and moved with an ease, a lean fluidity born of professional indifference. His arms were the color of imported chocolate, warm coppery highlights underlying the pigment. His arms were like a god’s: so full of life and possibilities, I held my breath as he lifted the skeletal, ashen old body of my grandfather out of the car. I couldn’t say what the orderly’s face looked like other than that it was — like the motion of his limbs — devoid of both pity and scorn. His eyes remained downcast, looking only at Grampa in the chair — and I wanted to speak, but nothing came to mind, only regret at not being permitted to be similarly borne away, out of my own uncertainty and into a place defined by someone else’s ministrations.

The young man’s arms, in that moment, seemed to emit forensic signals, speaking without words to a pain I hadn’t realized was there, the arms themselves justifying birth, justifying suffering, justifying death: paying for perfection all over again — skin so smooth it looked hairless, poreless, as if it smelled of allspice and cinnamon and blood and salt. The arms were immaculately sculpted; the bones just long enough, granting a perfect inertia between muscularity and leanness. The miracle of such arms and skin held my attention like a time-release dose of whatever manna makes heaven heaven, and so it was that I found myself spiraling into an upward-rushing eddy of panic when the orderly left, forever, just seconds later, rolling my grandfather to the admitting desk like so much cargo, then vanishing into the angular whiteness and pulsing fluorescence of the hospital corridors.

***

We left Grampa there, in the midst of a cotillion of duly licensed strangers — what choice did we have, not knowing, not wanting to know, not capable of that knowledge? By not speaking, we maintained a positive attitude. His room seemed comfortable, his nurses kind. His glasses glinted, the reflection obscuring his eyes, as we waved goodbye from the doorway.

By the next morning, he had been moved to the intensive care unit. He was comatose, hooked up to a ventilator, stripped of his pajamas, gleaming plastic tubes invading his throat, his nose, his bladder, his veins — his heart had stopped in the night, from the pneumonia: the doctors speculated he might have had irreversible brain damage before they got it going again.

Machines everywhere, whirring, beeping — my grandmother and I couldn’t even touch him. His chest shook under the ventilator’s control, his whole body quivered. The vent itself hissed, clicking, coaxing his reluctant breath, forcing it when it hesitated. Pushing his lungs in and out without his body’s permission. The respirator had a device to allow him to breathe for himself, if he could, like training wheels on a child’s bicycle, and sometimes he did, but even that primitive desire for oxygen would vanish, and the machine would kick in to bring him the next breath.

We were there when the respiratory people had to change his breathing tube. With the most well-meaning, tender sort of violence, they ministered to the tubes, his whole body curling into a fetal position with the deep, gaglike coughing that resulted. They couldn’t say if he’d ever wake up, or whether he’d come off the ventilator. His arms were twisted, contorted, the hands grasping at nothing with a desperation that made my shoulders quiver in an involuntary spasm of sympathy. I bought him a tiny teddy bear, uncurling his stiff fingers to place the bear against the taut, unyielding palm. His other hand appeared to relax once the toy was in place, but perhaps it was only my imagination.

***

My grandmother and I, without speaking, understood our own feelings clearly enough. We wanted him gone; this kind of life was too painful to watch. We wanted it to come:   but at the same time felt wicked and evil. Who knew what he himself would have wanted? In the end, she signed the thick sheaf of papers authorizing no further “heroic measures.” Each place for her signature was marked with special red removable tabs.

***

In a sort of minor miracle, in several days he did awake, and they removed the intrusion of the ventilator. He was himself, more or less, and knew who we were, but underlying that surface was a terrible confusion. “How’s Jessie?” he asked me calmly, the name of my great-grandmother, dead long before I was born. His memories suffered no restraint; no contradictions existed in his inner flow of time. “Seeing you’s the best present I could have gotten,” he told us. “I’m going to take us all on a vacation when I get out of here.”

He seemed better than he had in years: I left for home, knowing it wouldn’t last; for the first time not wondering whether he would live or not. Later that day, I called him at the hospital from a thousand miles away and let him speak to my husband and my daughter. Say I love you, I told them. Say I love you, Grampa.

***

The next day he slipped back into unconsciousness, gently, easily, as a bar of soap floats downward in warm water. Notwithstanding the papers, the hospital wanted to put him back on the ventilator. No, Gran told them, no ventilator. No more.

***

I asked her what he had looked like, at the end. He lay on his side in the bed, she said, breathing shallowly. He didn’t seem to be in pain. He panted a little, she said, not moving, his face smooth.

I feared perhaps we had decided it the wrong way. Grampa’s doctor, without saying anything, seemed to look at us as if we were bad people, as if we cared more about ourselves than Grampa himself. As if we were selfish.

***

It wasn’t until a couple months after the funeral I thought to look for his glove and ball. I searched his closet first: most of his clothes and things were already gone, and the closet seemed a different space, altered by no longer containing him. When I couldn’t find them I didn’t panic — I knew Gran had put them away somewhere safe for me.

“Where’s Grampa’s glove and ball?” I asked her, not wanting to reveal how much I wanted to have them, now that he wasn’’t there to keep them away.

“What, those old things?” she asked, incredulous. “You wanted me to save those?”

I gaped at her then. The floor under my feet got soft; my knees turned into grating stone stubs lashed together by rusted wire. She was right, in a way, since at the last the glove hadn’t been a glove, just a thumb, the ball not a ball, either, but a roundish wad of wrapped string, its leather covering gone. That was all he’d had left, all I’d wanted: a piece of him I’d thought I was entitled to.

I would have kept them in a little box and looked at them every now and then, touched them with my finger. Maybe, if I was feeling daring, I would have taken the glove thumb and slipped it on, holding the ball in my hand, sliding the brittle thumb piece back and forth over the grimy string. I would have smelled them: a few tentative whiffs of the powdery leather.

***

I didn’t yell at her, there was no point. It was over. In spite of my outward act of forgiveness, I couldn’t help thinking that perhaps what Grampa had said all along was true — maybe people did reserve the deepest sort of caring for their own blood, maybe that kind of caring was inseparable from cells, inalienable from life. Gran hadn’t cared as much about his feelings about the glove as she had about mine, for example. Or was it just that she didn’t care as much about the archival, historical things as I did? Whatever the explanation, it was done: she had not even understood enough to realize the issue existed.

“Why didn’t you tell me not to throw them out?” she asked later. “Why didn’t you tell me you wanted them?”

It was simple: I thought she knew. “I just assumed you’d keep them,” I said. “They meant so much to him.”

“They were ratty old things,” she said. “Just pieces, really. They were unrecognizable.”

***

I told myself that perhaps it was a good thing that the glove thumb and string ball were gone. I’d wanted them for the wrong reasons. I’d wanted something I didn’t deserve. I felt hungry — empty — but without focus, without specific appetite. He — damn him! — was leaving me all over again, and for the third time: the person I’d wanted him to be; the person he’d been; the person I’d wanted him to remain.

I thought of all the other useless things I already had in my personal archives, from my father’s crocheted baby blanket to clothes worn by my mother in college. I thought of letters they’d written to each other before I was born, airmail letters on thin blue tissue, drawn in irregular strokes of faded ink. I thought of brittle brown paperbacks and the curling edges of photographs. We are naked in our mourning, we cannot speak, and we cannot touch.

Grampa was gone; the glove and ball were gone; I was still here. The hell with it — I didn’t want to know, I didn’t want to hear what the dead had to say anymore. Only in dreams would the dead be able to seek me out again.

The dead never say much, anyway, not even in dreams. They look into my eyes, mainly, their own abrim with a solitary sort of gentleness, hoping to inoculate me against what they know is unnecessary sorrow — unnecessary love? — hoping to protect me from whatever it is that only they can see: all the while, nodding their heads in a slow, assured rhythm, a rhythm nearly invisible to the unaided eye.

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Going To Sea, a poem

Apache, 105-foot D. Presles and J. Pierrejean charter yacht

illustration barry huplits high school photo

 

Going To Sea

(for Barry Huplits)

 

She is a great white boat, carved

of wood, lacquered to a blinding

sheen, her sails immense, floating

 

over my head like the wings

of a fearsome angel. I sit

on her prow, clinging to the slight

 

metal rail, and together we leap

over the waves like some illiterate,

dangerous god. I am a mermaid,

 

a brightly colored figurehead,

thrust into the salt spray to bring luck.

The power of the water flings me to and fro,

 

but I hold fast, panting, the rich smell

of the sea making me drunk. As we pass

the ragged rock walls of the inlet,

 

I see the towering dwellings of men,

though these quickly fall behind our path,

growing tiny, frail to the elements

 

I have momentarily harnessed. We brush

great clumps of weeds, then the color beneath

changes from murky green to depthless indigo,

 

the froth of the peaks suddenly

light, riddled airy like the childish,

gladdened heart inside my chest.

 

In my net are jerking glass shrimp,

Tiny, tassled fish that look like

bits of leaf, one lone needle-nosed

 

eel, sinuous even in his distress,

and when I have stared long enough,

I fling them back to their wet lives

 

without regret. Under the sharp

edges of the sun, skin grows heated,

reddened as if by love’s rough brush,

 

yet we keep on, moving into the horizon,

towards the vanished place of wildness,

full of an impeccable, golden light.

 

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