Category Archives: spirit

War, a very short story

illustration war very short story cats and dogs illustration war very short story cat and dog backwards

The woman thought of God a hundred times a day. A thousand. An infinite number of times. Consciousness on the quantum level. And each day, she grew unhappier. More discouraged. Bleaker. Uglier. Sadder. More uncertain. In the trenches. Wanting to know for sure, and be done with it. The big picture… could anyone see it… could anyone imagine it… could she, or anyone she knew, ever have a clue to its subject… its matter. Most people seem strong until something goes wrong. Could time really heal?

Her belly grew heavy and cold, a dizzying pit of endless space. Would she ever be able to see it through to the end? Where was the end? When was it reasonable to stop trying. When was it the right time to stop trying… too hard. Where were people when you needed them. Bullets never did any body any good. The first human-killing weapons led to more, and more deadly, machinery for war… cannons and tanks and bombers. Land mines. Napalm. Nukes. Propaganda. Poison. Secrecy. It all boiled down into the same rotten thing, in the end.

Terror. The dog barked and barked and yelped and whined and barked some more. He was single-minded; his existence that moment was all about the cat, the cat behind the sofa. She refused to be ruled by terror. She growled and hissed back. She sat just outside his reach and baited him. Sometimes it worked. Sometimes it backfired. Sometimes the dog came so close to her, his mouth closed in on the long, silky fluff of her tail. He bore a complex pattern of red scratches on his black and white snout. The man wanted the cat gone in the morning. What if he insisted? The man, or the cat? She preferred the cat tonight. No telling about tomorrow.

 

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When Things Got Too Weird For Ripley (Believe It Or Not)

hiroshima & nagasaki survivor

When Things Got Too Weird For Ripley (Believe It Or Not)

Notwithstanding the fact that he still received more letters every year than anyone on earth, including Santa Claus (Believe It Or Not), his sinking fits of despair started to occur with frightening regularity, after the war. On his way to the far East, for the first time since Pearl Harbor Day, he stood on the naked, turkey-breast hull of the sunken battleship Arizona, looking down at his own well-shod feet as though the rolled steel were transparent. He could see the innocently disarrayed skeletons of the young men entombed inside (Believe It Or Not). His full, delicate lips, firmly closed, covering his distinctive, protruding teeth. He was speechless for the first time, in fifty-odd years.

Oddly, he couldn’t take his mind off his Tibetan skull-bowl, back home. He felt the hinged roof of the bowl under his cold fingers, he tasted warm, sacramental blood and wine, mixed in equal parts, sharp and bitter against the roof of his mouth like the blade of a rusty, iron sword. For the microphones, he read aloud the notes he had with him, but his voice wasn’t Ripley’s anymore, it was the gentle, quavery voice of an old, old man.

Since his first success, he had been a hard-working, hard-playing man, with the immodest tastes of an oriental emperor. He earned a million dollars a year, and knew how to spend it. On better days, he’d have six smart, well-dressed women under his roof, for energetic conversation, for private fun and games. Out on his secluded spit of land in the middle of Oyster Bay, they’d barbecue whole pigs, split sides of beef, and the flavor of the smoked flesh he tore into was marvelous, marvelous.

Later that day, continuing his flight from Hawaii to Japan, he lost track of where he was for a few moments, and through his puffy, heavy lids, the woman bending over him with the pitcher of pink lemonade looked exactly like the love of his life, dead ten years that month of cancer. Dear, sweet, Ola, he almost said, but caught himself. Though his temples sweated copiously, he refused to soil his handkerchief, letting his shirt become wet, stiff with his salt.

His live radio broadcast, next morning, from Hiroshima’s approximate ground zero, wasn’t easy, not with him sitting at a card table, fumbling with watches frozen at the moment of detonation, staring at a vaporized child’s wool-and-silk-ribbon slippers, retrieved intact from the dunes of sticky ash (Believe It Or Not); the only artifact to survive the blast for many thousands of square yards. He haggled over price and bought it for his newest museum, opening the next month in Las Vegas.

As long as he could remember, he’d been happily locked in an embrace with the whole odd, eclectic world, savoring each one-of-a-kind moment his physical bulk passed through. Here at Hiroshima, for the first time, that innocent enthusiasm which had brought him so very far from Riverside, California seemed to encircle his tired neck like one of the great unwieldy money-stones of New Zealand, giving little joy.

Upon reaching his final destination, Shanghai, he saw his dearest, most beloved city in a panic: everyone knew the Reds were marching down from the hills. It was only a matter of time before the soul of China became engorged and insensible with Mao’s revolution. Voracious appetite of old absent, he forced down a quart of sticky rice with Seven Delicacies for show, for form, so as not to upset his agent.

A week later, back in New York, for the second time he faltered while on the air, then passed out, slithering to the floor in his fine wool suit like a large scrubbed potato, hands scrabbling against the studio floor, grasping the taped microphone cords with a syncopated rhythm, his young female assistant staring at him like a ritual mask, her mouth a lipsticked slash of fear, babbling nonsense until they thought to turn the mike off: the perils of live broadcasting.

That very night, Rip called his next-door neighbors from the hospital; I’m getting out of here tomorrow morning, he said. I’m taking us on a long vacation, God knows we all deserve it. He hung up the black phone and leaned back, dead before his head touched the pillow. Years later, his dearest friends all said it was a blessing he didn’t live to see how the world changed. The world changed and made his collection of physical oddities seem, by comparison (Believe It Or Not) warm, safe, what we dream of when we dream of heaven, not one of us doubting for a minute, anymore, that fact is stranger than fiction.

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The Song of Women of Jaded Time, a poem

la voix humane simone signoret

The Song of Women of Jaded Time
(for François Villon)

Talk to me this instant, or don’t ever bother
talking to me again. You think your sorrow
is like a flower, you beautiful, pitiful Italian;
but you are not a paragon, not crying like this.

Underneath my foot you shall find perfection.
You are like an echo of my own will, you shall
learn to speak of my brutality all the time,
and love it. Under this river or in your hands

I shall drown — how beautiful is too much human pain.
May you sing your own black heart forever!
Listen to what I say, but don’t hear it with your ears.
Listen with your heart, you are like a blooming flower,

you wild, beautiful fool. Your injured foot is far more
beautiful than my own. Don’t repeat me, speak only
of my brutality all the time. Under the water I will drown,
or under your hands. How beautiful is too much fever,

or human pain? May you sing your black song forever!
Or, perhaps you are like the wise, able Heloise,
and my blessed foot will kick you hardest
when you are already down. Like her dim-witted

Abelard — for love, he ceased breathing. Love,
I think you resemble the king that commands
none but the harridan. First, jettison your silly bag
of river water. Long may you sing your black heart!

You are wise, and blessed, as are all ill-fated lovers.
For love, we cease living — we all resemble royalty
in this way. I command the bitch who is my deepest
self: first throw away everything you hold dear.

May you sing with your thick blackness in my life.
The queen of white is coming to lie — she chants
regally in a serene voice. I was born of Bertha
with her grand feet, she of Beatrice, Alice,

harem dancers all, colored in the main for beauty rather than wisdom.
And we come, too, from Joanna, the beautiful Swiss girl.
The English back then were belligerent, though mainly
in Rouen. Or do I see in your sad eyes, your oldest

unforgotten queen? May you sing of your black, tight
heart until the words choke you with regret, with forgiveness.
I was once a queen, of all I surveyed.
I sang with a stilted voice. My mother,

my grandmother, my great-grandmother
were all such foolish harem dancers,
too lovely to look at and let live.
And the beautiful maid who cleaned

my rooms… I was always bitchiest
to her just before the dawn. O, your
sharp eyes went through me like a sword.
May you sing your own praises until nightfall!

O Prince, do not ask to love me except for cruelty,
do not wonder where those other ladies are, this year —
what a sad refrain your unshaven face reminds me of.
I used to know someone, he was a lot like you.

May you sing lullabies to your faithless black heart!
O my lord, do not ask me to come to you out of
kindness — do not ask where I have lived until now.
What an ancient sorrow you have reopened!

May you sing this pain into the book of all eternity.

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Empire State Building, a poem

Manhattan Office Vacancy Rate Drops In Second Quarter

Empire State Building

Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —

you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,

discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest

building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you

forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed

no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,

my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?

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Columbus Park

Older Chinese men playing Chinese chess, Columbus Park, Mulberry Street, Chinatown, New York City, New York USA.

Columbus Park

Layers, on this island the pearly nacre of creation — darkness,
light swirl for my attention. Walled around the park are giant
buildings, shades of gray and brown, windows glinting,
dark mirrors. I traveled a thousand miles to get here,

to find something, the heart of something, heaven,
earth, sore feet, my own heart. I am a dry sponge,
tramping from one street to the next, darting eyes
quick to latch on, transcend movement, freeze-frame

all in memory. The benches call out to me; I can’t refuse,
down low in Manhattan, where Chinese congregate,
playing some fast game. Like mah-johngg, like dominoes,
like poker, like checkers.  And a wino passes out on the bench

next to me — his mouth gapes, his teeth darkened with decay,
his tongue moving as he breathes. I am here on my bench
otherwise alone, trying to remember my divine nature.
The fact I don’t feel full of knowledge is sure evidence

I am. Nobody ever talks about how in his twenty-ninth
year, the Buddha left his wife and child in the middle of the night
without even saying goodbye. Nobody speaks of the tears
they shed next day. Buddha’s sobbing wife

is the mother of all things, and I have never known
her name. And I know without knowing I have two
souls — the one that will die with my body, the other that will
wander the world. Everything here becomes holy;

I take the wino in my arms, feeling his foul breath
grow sweet, becoming perfume of heaven. The world blooms;
I am its soul, dancing upon the knife-blade, bleeding, but not
falling. No, not falling. As I understand, so shall I be delivered.

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Scatter Peace And Love, a prayer

Now a day man is impatience in the earth. We have no sympathy to others. Though we need to be kind as a greatest creature in nature. Because we are not beast. But lot of our activity is as like as animal. We are same blood colored human. Whereas we need to bond strong […]

via Scatter Peace & Love — Monjur Alam Rubel

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Conceived on Valentine’s Day, a poem

illustration-valentines-day-a-poem

Conceived on Valentine’s Day, a poem

In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,

and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,

smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.

They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother

at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare

after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.

She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.

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