Category Archives: nature

The War of the Roaches

illustration war of the roaches

The War of the Roaches

It began on May 30th.  The Aggressor made a completely unprovoked attack using a 16‑oz. spray bottle of Professional Strength Roach Killer, which took many of the Roaches by surprise and weakened their forces considerably.  However, some survived and began planning their strategy.

The next move on the part of the Aggressor  was the purchase of roach motels late Monday night (June 1st).  These were strategically placed at many crucial roach strongholds.

The roaches decided it was time for outside aid. Roaches from neighboring apartments were duly contacted and a force of millipede mercenaries was also engaged.  The battle escalated the next day with the attacker’s purchase of boric acid  This was sprinkled carefully over many major transportation routes, forcing the development of alternate modes of roach army movement.

Feeling even more intense weaponry was needed, the Aggressor purchased (on the morning of June 3rd), additional roach motels.  The insect army was getting decimated quite rapidly, and the Aggressor noticed it was composed mainly of adolescent roaches.

Just when it seemed the tide was turning in favor of the Aggressor, reinforcement battalions from the apartment building next door arrived. These were adults, hardy and strong.  It was time for the ultimate weapon. It had been threatened many times before in hopes of negotiating a peaceful settlement.

Oscar Wildecat, Secretary of Defense for the Aggressor, had pleaded with many roaches individually to give up the fight and order a cease‑crawl, but to no avail. The roaches had been known to be fanatical in their beliefs, and it was proven time and time again.  With a heavy, saddened heart, the Aggressor purchased insecticide room foggers.

The cans were solemn black with the appropriate warnings lettered in red and white. The Aggressor knew this was a last resort and tried one last time for a victory using conventional weapons. A spoonful of crunchy peanut butter was put on the kitchen counter, and around it was sprinkled a circle of boric acid. If this did not succeed, the buttons would have to be pressed — releasing the familiar mushroom‑shaped clouds of insecticide and bringing with it the awful stench of death and destruction.

The Aggressor retired for the evening and hardly slept a wink. The Secretary of Defense was up all night, trying dutifully up to the last moment to settle the conflict peacefully.  It was to no avail. The fanatical roaches spit in the Secretary’s face, and not one fell for the peanut butter.

The buttons on the Aggressor’s foggers were pressed, and the she fled the apartment. In less than an hour, the last major roach strongholds were obliterated. With tears in her eyes and a handkerchief over her nose and mouth, the Aggressor relentlessly bombarded major cities and small villages. Roadways were destroyed, and innocent civilian moths and ants also fell in the wave of carnage that swept through apartment number Seven.

Although some isolated guerrilla roaches remained, there was no hope for what was once a mighty nation. There was a minor skirmish here and there, but the tide turned, and the Aggressor conquered vast amounts of territory.

Secretary of Defense Oscar Wildecat took a hard line against the pleas of remaining survivors. Some called him cold and merciless, but he had been humiliated many times by individual roaches and perhaps his actions were understandable, even defensible.

Victory was not without cost.  Vigorous sanctions were extended to the Aggressor by the UA (United Arthropods).  Butterflies no longer engaged in free trade with her petunia plants, and bees no longer pollinated her azalea bush.  Only time could heal the psychological scars suffered by both sides in the debilitating and awful conflict.

Valuable lessons were learned by all involved, however.  The Aggressor learned the merits of preventive negotiation.  She no longer left scraps of edible organic material lying about.  That was an unwarranted and needless provocation to the UA, and led to many misunderstandings as to possession of territory.  The UA, in turn, accepted the fact that their only legal place of residence was the great Outdoors ‑‑ and in abiding by established inter‑organism rules and customs, they were able to carry on perfectly normal and unaffected lives.  The Aggressor and the UA learned to coexist peacefully.

We must hope relations between other global entities will not go to such extreme lengths. We must learn not by trial and error, but by bringing our resources together to prevent conflicts before escalation to unmanageable levels.  Hope.  That was, and still is, the key word. If all of us believe in peace strongly enough ‑‑ if we don’t lose hope ‑‑ perhaps one day the world will live in peace.  Just like the Aggressor and the UA!

(Secretary of Defense Wildecat would like to add one word.)

Meow!

 

 

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Where Does It Begin? a poem

.new zealand stream

Where Does It Begin?
(originally published in The Charlotte Poetry Review)

Possibly with well-steeped tea,
gooseberry jam on raisin bread,
lots and lots of idle chatter;
later, he could try daily walks

through the woods — though she
has resolved she is finished with
nature — still he persists
in pointing out the log in the creek

holding five mossy-backed turtles;
if all else fails he could try
brushing her hair in the rough manner
of a mother, offhand, impatient fussing

to decipher knots. He could place her
in a room filled with the images
of budding spring trees, on a wide,
comfortable sofa, her stockinged feet

perched lightly upon the armrest
as she reads. The sight
of the frail new leaves will work
upon her, surely? Better yet,

he could fill a bowl with fruit,
three kinds of berries,
layering green upon yellow
upon blue upon red, teasing her

with a few squares of chocolate,
protesting all the while
that he always says the opposite
of what he means. Who lived my life

until this day? she will say. I could
ask myself the same question, he will
say by way of answer, placing his hands
lightly, lightly upon her shoulders

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Conceived on Valentine’s Day, a poem

illustration-valentines-day-a-poem

Conceived on Valentine’s Day, a poem

In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,

and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,

smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.

They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother

at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare

after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.

She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Conjoined Twins, a poem

illustration-conjoined-twins

Conjoined Twins, a poem

Her entire pregnancy was uneventful until the second stage
of labor. Mother pushed and pushed, but we babies could not
budge. Surgeons came, made quick cuts necessary to disengage
us from the womb — found our joined skulls, an impudent topknot.

Mother wouldn’t let them separate us, she said the risk
outweighed the benefits. We learned to walk as best we
could; I, the taller, faced front in hopeful arabesque
while Sister followed. She didn’t mind, droll legatee

of my cranium, girl I never see. Despite our closeness,
we live in opposite ways; I view her face only in mirrors,
with my one good eye — our skin melts together, flawless,
pearly. A nice thing is, we never suffered night terrors.

We have never been alone. When they say, look, Siamese
twins, I want to scream. That is not the proper name for
our arrangement. Sister says, let them talk — I think she’s
crazy to let it pass, but I don’t say that. A big furor

won’t help at all. One trick we are good at is peace.
Negotiation has been our forte since that first incomplete
division; the moment each cell refused the other’s release.
We have minds of our own, thank god, and life is sweet

when you know where you’re bound. I go off to work,
Sister goes too. I sing while I type up my data, she reads
her mysteries, we break for lunch. My boss goes berserk
every once in a while; he’s got the same kinds of needs

for perfection we all possess. The one worry I have
not tamed is which of us will die first. I hope
it’s not me — how would she walk? I am the brave
one, the one who catches bugs. I would try to cope

without her. Once, in the night when she fell sick
with the flu, I held her until the shaking stopped,
until the fever broke. I wondered then, all dyadic
jokes aside, what if we had been cut apart, clipped

early into two separate forms? If it ever comes, will life
on my own be any easier? I’d save some of her long hair,
for sweet remembrance. She’d be a sharp phantom pain, a wolf-
gray stone with my birthday — my head a floating solitaire.

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Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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Surveyor in New England, a prose poem

Surveyor in New England, a prose poem

And so, since there were no detailed official maps, he named small lakes after himself, solitary hills, even shy, dusty lanes marked only by the great thumping hooves of his horse — a patient, taciturn beast, dun-colored, remarkable mainly for the seven white spots on its flank, arranged like the constellation Ursa Major.

Back then, a hundred years ago, electrical-survey men like him sweated gracefully during summer, their cheeks burnt into dark Scotch grain, their hairlines preserved white as milk under the dimpled felt of U.S.-issue hats. Though he was the youngest of the crew, his moustache grew enviably broad and full, waxed close at the tips, bowed under his classical nose like the extended wings of a pigeon.

Reining to a stop, as he slid down, he pulled from the saddle-bags yet another wooden stake flagged with a length of wrinkled red muslin, kneeling to pound it into the rocky Vermont ground, leaving it there for eternity.

As he rode on farther north — past the tall flowering weeds around Lovell Pond, the drunken bees bouncing off his boots — continuing along the route he’d laid out for the electric poles to follow, he thought of his mother: the way her fierce blue eyes glittered on foggy mornings, the way his father caressed her wrist at the dinner table, and, above all, how skillfully she ironed, gripping the rag-wrapped handle, fluttering the heavy, blunt-nosed tool over the damp white cotton of his shirts in rhythms as comforting and certain and lovely as the slow tick of a butterfly’s wings as it feeds from the bright center of a blossom.

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How Art Thou Received? (a prayer for refugees)

How Art Thou Received? (a prayer for refugees)

Imagine: suddenly, without warning (because that is how war arrives) you are a war refugee! Simply running away from being murdered. And how are you received when you can finally stop running, when you are out of range of the guns, the bombs, the blood? No countries to take you. No one to feed you. You are a skeletal pawn in a skeletal game.

Embalmed corpses declare war on the living and fight for their “territory” against other embalmed corpses using armies of young people; embalmed corpses feeding on fresh, young blood.

I know something is very wrong, somewhere. It must be addressed, and addressed properly. Our prayer, our incantation, our spell to heal, must be more powerfully crafted, more distilled, more essential, than was the horrid spell we are trying to break: a tradition of might over right, strong but wrong, a spell of ignorance which has caused so much harm, and is trying to do more… powered by the love of power, the love of control over people.

The scarred parts of the heart can be replenished; the broken parts, glued; the weak parts, strengthened; the fear assuaged, the pain relieved. But the desire to change, to truly alchemize oneself, spin that straw into gold… the gold of the sun… the silver of the stars… the red planet… the North Star… primal navigation by looking not at the ground, but by looking up, to the sky… that kind of desire doesn’t visit often.

If you want to know where you are going, be sure your map is accurate, or at least doesn’t kill you. Migrating birds know this. Power & Liberation. Slave & free. Joy & Suffering. High & low.

Craving slaves, some are trying to roll us back to serfdom, only they can use our own science & technology to rape us! Serfdom: tied by birth to land. You are a pawn, a source of income; in thrall to your Lord and Master. Freeing serfs is always a struggle. Brute force arm-wrestles the human race, and brute force often pins people to the mat, but… you cannot keep people down for long. The oppressed will continue to spring up and defend their inalienable human rights. All people are created equal: including our ancestors, who existed long before the self-anointed first “private property” owners. Human beings are endowed by their creator with certain inalienable rights, yes? The earth cannot belong to any one of us. Period. We own this planet. All of us.

 

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Judy Garland and The Banana Tree, an essay


illustration judy somewhere over the rainbowillustration banana tree

A banana tree is a metaphor for life, really… it dies after it bears fruit. It gives its life to produce the next generation. Banana leaves are so useful. Useful when they’re green, and useful when they’re brown. Generation upon generation. That really is a sacred word, generation. WE generate ideas, too. So can’t WE generate more peace, rather than more war? Can’t OUR fuel be love, not hate? Yes, just like the banana tree, sometimes destruction is necessary to create new life… recycling? Reincarnation?

One way of looking at things is to take a leap of faith – decide that when WE die, nothing will be lost; everything will be gained. WE leave behind US a legacy, all of US, shaping the reality of the UNIVERSE. The UNIVERSE is alive through US! The UNIVERSE writes songs and stories and mathematics and music through US! WE are engines! WE are alive! WE are organic! WE, human beings, are evolving right this second! LIFE doesn’t stand still! LIFE adapts, or ceases! LIFE IS EVOLUTION. Trying to cling too desperately to the past is to entomb the SELF in stone, alone, buried alive, dying. WE’RE alive until WE’RE dead.

Value this opportunity. Don’t throw it away. Take care of OUR home, planet Earth. Take care of OUR fellow travelers. Send not a sword, but an olive branch to OUR enemies as well as OUR friends. OUR bitterest enemy may turn out to be OUR best companion. Only time will tell. WE live within moments, WE exist within history, and WE are passionate within the spirit. Train that energy! Use passion to create, not to destroy! Destructive passion, combined with weapons of all kinds, might kill US all. Respond to life with logic AND emotion. Let US use OUR brains and OUR gut. Instead of the falling abyss of dread, the rising flutter of joy… and at the end of life, may WE all have truly, truly, truly found PEACE.

Cue Judy Garland, “Somewhere Over The Rainbow.”

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The Latest Fashion: New Toilettes, a poem

illustration new toilettesThe Latest Fashion:  New Toilettes, a poem

(title and subtitles from an essay by Mallarmé)

 I.  An At-Home Gown in Garnet Velvet.

I receive you at my front door, formally, immaculately dressed, delicately arrayed, impeccably scented.  You think of me as I last appeared at the beach, tousled, salt-encrusted, and burned by the sun, dusted from scalp to toe with golden sand.  You see underneath my gown a double exposure — the natural, the cultivated — which rises up so that my two brown eyes turn to four, eyes within eyes, nudity within garnet velvet.

You think of wine, the vintner’s trembling hands caressing grapes, silently pleading with them to reveal when they will give up their most perfect secrets.  We live for moments such as those, we live to take up our wine in a crystal goblet and put it to our lips and breathe the scent of rain, sun, earth and sweetness.  Sweetness which has by virtue of aging embraced its opposite — sweetness which has given birth to tart recognition.

We are both innocent as three-year-olds and jaded as madams.  You touch the supple velvet, but what you are feeling is the smoothness of my insides.  I remember the sound you made, long ago, an explosive sound which you tried so valiantly to muffle.  The report of your exhalation was echoed in each cell of my body.  Garnet velvet becomes a skin I will shed.  Nothing before was unskinned.  I will turn myself inside out, only for you.

II.  A Hostess Gown in Gray Russian Satin.

 Together, we receive cadres of admirers — come to look upon our glowing faces, hear the way we laugh, breathe in the air of passion which surrounds us.  We understand this loveliness we display is not ours, rather on loan merely, a magnification of the same electric forces which keep every atom together, proton and electron and neutron dancing their way in a wild mazurka.  Those atomic particles, those rapscallions.

My gray dress hugs my body tightly, exposing each curve, revealing my body but keeping it a magnificent secret at the same time.  When your fingertips slide across my shoulders, the fabric moans, and the assembly gasps.  I can take no credit for my beauty, only for the courage to allow it free rein.  And I count every electron of your body, I feel the whirling clouds as they circle your atomic nuclei, endlessly proclaiming not beauty, not usefulness, but truth.

Please be advised you are in the presence of ananda.  Or at the very least, maple syrup.  Even the trees know.  How the sparks flew when first we met!  We confused the friction with dislike, at least until you saw me lick my lips.  Gray satin reminds us of the cries of mourning doves, the way they’d scatter as your car pulled into my driveway.  Such murmurings as felt like satin threads, pulled through my heart.  You came to me.  I will stay found.

III.  A Frock for Paying Calls in Plum-colored Faille.

We deign to visit the world, after a twenty-three year sabbatical, and everywhere we go the air matches my dress.  The moon becomes a large opal, the sky an onyx abyss into which I fall upward, tethered only by your voice.  When you laugh, I hear my father.  I hear the way he held me, our skin where it touched on fire with longing only for more bare skin.  He died too soon, and so did I.

My skirt is cut on the bias — when I walk it moves as the tops of the Australian pines moved that day you first kissed me, at the beginning of hurricane season.  You and I ask our hosts if they are prepared, but they don’t understand.  Once, you lusted for books — 27,000 of them — 19 cartons fit into your truck, each trip.  The hardwood shelves groaned under the beautiful weight of your hope.  Please, don’t read too much into the facts.  What do the pages tell you?  Do you remember when you hated me?

It is so difficult to construct a garment on the bias, I must consult experts in the field.  I show them the dress I wear, ask, can you make me the same dress, in the same fabric, over and over.  I want nothing varied, because in this dress is all the world.  My father has been dead now for longer than I knew him.  I still see his hair, iridescent red-gold feathers, under my fingertips, my nails painted purple.  I asked for you.  I found your succulent eyes.

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