Empire State Building
Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —
you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,
discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest
building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you
forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed
no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,
my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?
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Now a day man is impatience in the earth. We have no sympathy to others. Though we need to be kind as a greatest creature in nature. Because we are not beast. But lot of our activity is as like as animal. We are same blood colored human. Whereas we need to bond strong […]
via Scatter Peace & Love — Monjur Alam Rubel
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Conceived on Valentine’s Day, a poem
In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,
and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,
smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.
They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother
at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare
after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.
She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.
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(Statements in italics taken from Ethics, by Baruch de Spinoza)
Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet. Put the anger back in its bottle. These trees are generous. Hatred can never be good.
Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor. Hatred is increased through return of hatred, but may be destroyed by love.
When have you not been afraid? The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough. Anything may be accidentally the cause of either hope or fear.
These trees have plenty of time. As a child, you stared at Jesus’ sad face for hours, wishing you could marry him — wondering what it was that made him love you. Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed. Devotion is love towards an object which astonishes us.
Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different. These trees have plenty of time – more time than you. If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.
Your nerves are suddenly frozen, by the unaccustomed richness of perfect light. Your guide is tall & slender, hesitant to speak. Her mother has the tattooed forearm of a Polish Jew of a certain age. The knowledge of good and evil is nothing but an idea of joy or sorrow. Sorrow is [a hu]man’s passage from a greater to a less perfection.
These trees have plenty of time. She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever. Shyly, she picks up a tiny pinecone, smaller than a toy. You both laugh when she tells you this is their seed. Joy is [a hu]man’s passage from a less to a greater perfection.
These trees have plenty of time. And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints. Childlike, you understand a wish to die here, never to leave this hush. They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts. Love is joy, with the accompanying idea of an external cause. Love and desire may be excessive. When the mind imagines its own weakness, it necessarily sorrows.
Is there anything we have less power over than our own tongues? These trees have plenty of time, growing wise as the Buddha, in their silence.
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Notes From The Unconscious
Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.
I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.
The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.
How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.
A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.
For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.
No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.
He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.
Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…
Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…
Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.
Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.
Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.
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Poetry On A Roll
I’ve looked within myself
curious as to what I may find.
I’ve managed to bypass the secrets and unhappy days,
jogging to the good memories,
and jotting down my findings.
Unpleasant things I’d much rather forget,
laughter and love I open up like presents.
I’m surprised by the little it takes to make me truly happy.
A roof over my head.
Clothes on my back.
Shoes on my feet.
Food on the table.
Surrounded by families and friends;
Yes, this is what happiness is.
This is what happiness should feel like everyday,
before and after the hustle and bustle of
working my fingers to the bone,
trying to make ends meet.
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Kimberly Townsend Palmer
(originally published in Burning Word)
Doctor’s Report: Patient A, a short story
Patient A is a living museum of femininity, and serves as transitory evidence of extensive neo-geo-psycho-socio-eco-political movement. Designed and built in the second half of the twentieth century, she first gained philanthropic prominence with a cynical, witty, overeducated man eight years her senior, Charles F. She stayed faithful to Charles F. for six months, but the intriguing tales of his former romantic partners, then numbering in the several hundred, irretrievably seized her imagination. She left, and never looked back. She shops for new men the way other women shop for new shoes.
She invariably rejects both the too-easy conquest and the too-stubborn resistance. Every season countless men flock near to witness her fleeting, hormonally-induced states of passion, and observe for themselves her classic “XX” architecture.
If it seems that everything has already been said about Patient…
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