Category Archives: peace

War, a very short story

illustration war very short story cats and dogs illustration war very short story cat and dog backwards

The woman thought of God a hundred times a day. A thousand. An infinite number of times. Consciousness on the quantum level. And each day, she grew unhappier. More discouraged. Bleaker. Uglier. Sadder. More uncertain. In the trenches. Wanting to know for sure, and be done with it. The big picture… could anyone see it… could anyone imagine it… could she, or anyone she knew, ever have a clue to its subject… its matter. Most people seem strong until something goes wrong. Could time really heal?

Her belly grew heavy and cold, a dizzying pit of endless space. Would she ever be able to see it through to the end? Where was the end? When was it reasonable to stop trying. When was it the right time to stop trying… too hard. Where were people when you needed them. Bullets never did any body any good. The first human-killing weapons led to more, and more deadly, machinery for war… cannons and tanks and bombers. Land mines. Napalm. Nukes. Propaganda. Poison. Secrecy. It all boiled down into the same rotten thing, in the end.

Terror. The dog barked and barked and yelped and whined and barked some more. He was single-minded; his existence that moment was all about the cat, the cat behind the sofa. She refused to be ruled by terror. She growled and hissed back. She sat just outside his reach and baited him. Sometimes it worked. Sometimes it backfired. Sometimes the dog came so close to her, his mouth closed in on the long, silky fluff of her tail. He bore a complex pattern of red scratches on his black and white snout. The man wanted the cat gone in the morning. What if he insisted? The man, or the cat? She preferred the cat tonight. No telling about tomorrow.

 

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When Things Got Too Weird For Ripley (Believe It Or Not)

hiroshima & nagasaki survivor

When Things Got Too Weird For Ripley (Believe It Or Not)

Notwithstanding the fact that he still received more letters every year than anyone on earth, including Santa Claus (Believe It Or Not), his sinking fits of despair started to occur with frightening regularity, after the war. On his way to the far East, for the first time since Pearl Harbor Day, he stood on the naked, turkey-breast hull of the sunken battleship Arizona, looking down at his own well-shod feet as though the rolled steel were transparent. He could see the innocently disarrayed skeletons of the young men entombed inside (Believe It Or Not). His full, delicate lips, firmly closed, covering his distinctive, protruding teeth. He was speechless for the first time, in fifty-odd years.

Oddly, he couldn’t take his mind off his Tibetan skull-bowl, back home. He felt the hinged roof of the bowl under his cold fingers, he tasted warm, sacramental blood and wine, mixed in equal parts, sharp and bitter against the roof of his mouth like the blade of a rusty, iron sword. For the microphones, he read aloud the notes he had with him, but his voice wasn’t Ripley’s anymore, it was the gentle, quavery voice of an old, old man.

Since his first success, he had been a hard-working, hard-playing man, with the immodest tastes of an oriental emperor. He earned a million dollars a year, and knew how to spend it. On better days, he’d have six smart, well-dressed women under his roof, for energetic conversation, for private fun and games. Out on his secluded spit of land in the middle of Oyster Bay, they’d barbecue whole pigs, split sides of beef, and the flavor of the smoked flesh he tore into was marvelous, marvelous.

Later that day, continuing his flight from Hawaii to Japan, he lost track of where he was for a few moments, and through his puffy, heavy lids, the woman bending over him with the pitcher of pink lemonade looked exactly like the love of his life, dead ten years that month of cancer. Dear, sweet, Ola, he almost said, but caught himself. Though his temples sweated copiously, he refused to soil his handkerchief, letting his shirt become wet, stiff with his salt.

His live radio broadcast, next morning, from Hiroshima’s approximate ground zero, wasn’t easy, not with him sitting at a card table, fumbling with watches frozen at the moment of detonation, staring at a vaporized child’s wool-and-silk-ribbon slippers, retrieved intact from the dunes of sticky ash (Believe It Or Not); the only artifact to survive the blast for many thousands of square yards. He haggled over price and bought it for his newest museum, opening the next month in Las Vegas.

As long as he could remember, he’d been happily locked in an embrace with the whole odd, eclectic world, savoring each one-of-a-kind moment his physical bulk passed through. Here at Hiroshima, for the first time, that innocent enthusiasm which had brought him so very far from Riverside, California seemed to encircle his tired neck like one of the great unwieldy money-stones of New Zealand, giving little joy.

Upon reaching his final destination, Shanghai, he saw his dearest, most beloved city in a panic: everyone knew the Reds were marching down from the hills. It was only a matter of time before the soul of China became engorged and insensible with Mao’s revolution. Voracious appetite of old absent, he forced down a quart of sticky rice with Seven Delicacies for show, for form, so as not to upset his agent.

A week later, back in New York, for the second time he faltered while on the air, then passed out, slithering to the floor in his fine wool suit like a large scrubbed potato, hands scrabbling against the studio floor, grasping the taped microphone cords with a syncopated rhythm, his young female assistant staring at him like a ritual mask, her mouth a lipsticked slash of fear, babbling nonsense until they thought to turn the mike off: the perils of live broadcasting.

That very night, Rip called his next-door neighbors from the hospital; I’m getting out of here tomorrow morning, he said. I’m taking us on a long vacation, God knows we all deserve it. He hung up the black phone and leaned back, dead before his head touched the pillow. Years later, his dearest friends all said it was a blessing he didn’t live to see how the world changed. The world changed and made his collection of physical oddities seem, by comparison (Believe It Or Not) warm, safe, what we dream of when we dream of heaven, not one of us doubting for a minute, anymore, that fact is stranger than fiction.

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The Rosenbergs & Me, a reflection

ethel and julius rosenberg
The Rosenbergs & Me

Ethel arrived for court that day in a wool elf hat, beaming.  Her chin had grown double; her skin was flawless and glowing.  She wore a bit of lipstick.  Julius didn’t smile or frown — he looked like a man who had just woken up from a long, dreamless sleep.  Ethel draped her gloved hand over her belly as if to shield herself from unseen bullets.

Ethel & Julius grew up poor in New York, and came of age during the Great Depression.  They grew up going to rallies for the WPA, listening to radio broadcasts by FDR.  I grew up watching the rich debauch themselves in South Florida, and came of age during the Disco Years, the anything-goes Seventies.  John Travolta, spinning like a dervish in his white polyester three-piece suit.

Ethel and Julius and I were all politically inflamed at an early age — I wrote to Nixon at age 11 to protest lax emission control standards, and got a personal letter back, signed by Rosemary Woods, Queen of the Accidental Erasure.  Julius was contacted by the KGB and asked to spy for the U.S.S.R.  He found it flattering — was he really that important? — an offer he couldn’t refuse.  There were no KGB agents contacting me, but if they had… how would I have answered?

Unfortunately, in addition to the political, I also got inflamed past all reason by my mother’s drinking — I used to fling her gallon jug bottles of wine into the canal in the backyard.  My reaction was a type of revolution:  I wanted to throw off the chains of her alcoholism and be free at last.  I wanted to throw off the chains of her drunken love just as much, if not more, than Julius wanted working men and women to throw off the chains of their capitalist oppressors.

I had an ongoing fantasy:  a mother who could be confided in, a mother who wouldn’t judge, become angry, or load me up with confessions of her own, far greater problems than mine would ever be.  Once, I dreamed Ethel was my mother and it was a relief; I knew she’d fight for me; have my best interests at heart.  She looked to be a normal mother, cooking meatloaf and mashed potatoes in her tiny apartment kitchen, smoothing her boys’ foreheads after bad dreams, murmuring soothing words in the darkness.

My father and his left-wing ardor neatly complemented the Rosenbergs.  He once ran for Santa Monica, California city council on the Communist Party ticket.  It was only a few years after Kent State, the simultaneous apex & abyss of the “age of Aquarius.”  My father and I never discussed the Rosenbergs; we were in agreement on most things.

Ethel, Julius and I all studied Marxist doctrine, and I toyed with the idea of joining the American Communist Party.  I read the Party’s official platform (from the 60s), and decided, after considering Ethel & Julius’ fate, that joining wasn’t such a great idea.  To think was private, to act, public.  Plus?  I wanted to be a lawyer someday.

The Rosenbergs had a larger purpose — to transform society from what they viewed as unfair to something more egalitarian.  This is what most political rebels have wanted.  But who defines fair?  Those in power?  The USSR  hardly turned out to be an entity worth dying for.  Are Julius & Ethel content in their graves?  Maybe I should have been sent to the electric chair.

All of us spin out of control in some fashion; Ethel & Julius got caught committing actual crimes.  The main evidence against them was the testimony of Ethel’s brother, a man who turned State’s Evidence to protect his OWN WIFE.  He didn’t actually believe Ethel & Julius would ever be executed.  The government only wanted the Rosenbergs to name names.  They, however, remained silent.

After their deaths, Julius & Ethel were laid out in religious garb.  They didn’t look dead, just asleep.  The embalmer did an excellent job.  Three hundred people came to look at them.  The dead Rosenbergs left behind two young sons — I left behind my mother, slowly dying.  She was a child who wouldn’t grow up.  I couldn’t be her mother — her own mother couldn’t even be her mother anymore.  She had worn everyone out!  Julius, Ethel, don’t ask for God’s forgiveness — I can’t bring myself to.  God should be asking us for ours.  Our enemies have already forgotten us.

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The Song of Women of Jaded Time, a poem

la voix humane simone signoret

The Song of Women of Jaded Time
(for François Villon)

Talk to me this instant, or don’t ever bother
talking to me again. You think your sorrow
is like a flower, you beautiful, pitiful Italian;
but you are not a paragon, not crying like this.

Underneath my foot you shall find perfection.
You are like an echo of my own will, you shall
learn to speak of my brutality all the time,
and love it. Under this river or in your hands

I shall drown — how beautiful is too much human pain.
May you sing your own black heart forever!
Listen to what I say, but don’t hear it with your ears.
Listen with your heart, you are like a blooming flower,

you wild, beautiful fool. Your injured foot is far more
beautiful than my own. Don’t repeat me, speak only
of my brutality all the time. Under the water I will drown,
or under your hands. How beautiful is too much fever,

or human pain? May you sing your black song forever!
Or, perhaps you are like the wise, able Heloise,
and my blessed foot will kick you hardest
when you are already down. Like her dim-witted

Abelard — for love, he ceased breathing. Love,
I think you resemble the king that commands
none but the harridan. First, jettison your silly bag
of river water. Long may you sing your black heart!

You are wise, and blessed, as are all ill-fated lovers.
For love, we cease living — we all resemble royalty
in this way. I command the bitch who is my deepest
self: first throw away everything you hold dear.

May you sing with your thick blackness in my life.
The queen of white is coming to lie — she chants
regally in a serene voice. I was born of Bertha
with her grand feet, she of Beatrice, Alice,

harem dancers all, colored in the main for beauty rather than wisdom.
And we come, too, from Joanna, the beautiful Swiss girl.
The English back then were belligerent, though mainly
in Rouen. Or do I see in your sad eyes, your oldest

unforgotten queen? May you sing of your black, tight
heart until the words choke you with regret, with forgiveness.
I was once a queen, of all I surveyed.
I sang with a stilted voice. My mother,

my grandmother, my great-grandmother
were all such foolish harem dancers,
too lovely to look at and let live.
And the beautiful maid who cleaned

my rooms… I was always bitchiest
to her just before the dawn. O, your
sharp eyes went through me like a sword.
May you sing your own praises until nightfall!

O Prince, do not ask to love me except for cruelty,
do not wonder where those other ladies are, this year —
what a sad refrain your unshaven face reminds me of.
I used to know someone, he was a lot like you.

May you sing lullabies to your faithless black heart!
O my lord, do not ask me to come to you out of
kindness — do not ask where I have lived until now.
What an ancient sorrow you have reopened!

May you sing this pain into the book of all eternity.

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Columbus Park

Older Chinese men playing Chinese chess, Columbus Park, Mulberry Street, Chinatown, New York City, New York USA.

Columbus Park

Layers, on this island the pearly nacre of creation — darkness,
light swirl for my attention. Walled around the park are giant
buildings, shades of gray and brown, windows glinting,
dark mirrors. I traveled a thousand miles to get here,

to find something, the heart of something, heaven,
earth, sore feet, my own heart. I am a dry sponge,
tramping from one street to the next, darting eyes
quick to latch on, transcend movement, freeze-frame

all in memory. The benches call out to me; I can’t refuse,
down low in Manhattan, where Chinese congregate,
playing some fast game. Like mah-johngg, like dominoes,
like poker, like checkers.  And a wino passes out on the bench

next to me — his mouth gapes, his teeth darkened with decay,
his tongue moving as he breathes. I am here on my bench
otherwise alone, trying to remember my divine nature.
The fact I don’t feel full of knowledge is sure evidence

I am. Nobody ever talks about how in his twenty-ninth
year, the Buddha left his wife and child in the middle of the night
without even saying goodbye. Nobody speaks of the tears
they shed next day. Buddha’s sobbing wife

is the mother of all things, and I have never known
her name. And I know without knowing I have two
souls — the one that will die with my body, the other that will
wander the world. Everything here becomes holy;

I take the wino in my arms, feeling his foul breath
grow sweet, becoming perfume of heaven. The world blooms;
I am its soul, dancing upon the knife-blade, bleeding, but not
falling. No, not falling. As I understand, so shall I be delivered.

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Scatter Peace And Love, a prayer

Now a day man is impatience in the earth. We have no sympathy to others. Though we need to be kind as a greatest creature in nature. Because we are not beast. But lot of our activity is as like as animal. We are same blood colored human. Whereas we need to bond strong […]

via Scatter Peace & Love — Monjur Alam Rubel

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Hate crimes against Muslims rose 67% last year, FBI says

http://www.abajournal.com/news/article/hate_crimes_against_muslims_rose_67_percent_last_year_fbi_says/

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“The politics of 2016 breaks entirely along lines of identity: first race or ethnicity, followed by gender, level of education, urbanization and age.”

What Trump Exposed About the G.O.P. – The New York Times

https://apple.news/AocAVFxmuSpWor6IikXVhow

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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