Category Archives: black

Ruby Bridges, Civil Rights Icon

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Pretzels & Chocolate, a poem

jim-valvis

PRETZELS & CHOCOLATE

(rented room, cigarettes)

I am eating pretzels
and they are hard
but splinter into salty crumbs

with the merest bite
they only satisfy
part of my tongue

(rented room, cigarettes)

so I pick up the chocolate
greedy for it to melt
against my palate

sucking the firm square
feeling it mold to me
the way I imagine

my body molds to yours

(rented room, cigarettes)

retaining the character of sweetness
to complement the salt
to balance my mouth

I am eating chocolate
thinking of us
together

(rented room, cigarettes)

illustration mockingbird mimus polyglottos

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How Art Thou Received? (a prayer for refugees)

How Art Thou Received? (a prayer for refugees)

Imagine: suddenly, without warning (because that is how war arrives) you are a war refugee! Simply running away from being murdered. And how are you received when you can finally stop running, when you are out of range of the guns, the bombs, the blood? No countries to take you. No one to feed you. You are a skeletal pawn in a skeletal game.

Embalmed corpses declare war on the living and fight for their “territory” against other embalmed corpses using armies of young people; embalmed corpses feeding on fresh, young blood.

I know something is very wrong, somewhere. It must be addressed, and addressed properly. Our prayer, our incantation, our spell to heal, must be more powerfully crafted, more distilled, more essential, than was the horrid spell we are trying to break: a tradition of might over right, strong but wrong, a spell of ignorance which has caused so much harm, and is trying to do more… powered by the love of power, the love of control over people.

The scarred parts of the heart can be replenished; the broken parts, glued; the weak parts, strengthened; the fear assuaged, the pain relieved. But the desire to change, to truly alchemize oneself, spin that straw into gold… the gold of the sun… the silver of the stars… the red planet… the North Star… primal navigation by looking not at the ground, but by looking up, to the sky… that kind of desire doesn’t visit often.

If you want to know where you are going, be sure your map is accurate, or at least doesn’t kill you. Migrating birds know this. Power & Liberation. Slave & free. Joy & Suffering. High & low.

Craving slaves, some are trying to roll us back to serfdom, only they can use our own science & technology to rape us! Serfdom: tied by birth to land. You are a pawn, a source of income; in thrall to your Lord and Master. Freeing serfs is always a struggle. Brute force arm-wrestles the human race, and brute force often pins people to the mat, but… you cannot keep people down for long. The oppressed will continue to spring up and defend their inalienable human rights. All people are created equal: including our ancestors, who existed long before the self-anointed first “private property” owners. Human beings are endowed by their creator with certain inalienable rights, yes? The earth cannot belong to any one of us. Period. We own this planet. All of us.

 

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Meet Nana Awere Damoah: The Ghanaian Voice of Objectivity and Reason

A great interview, an interesting dialogue, a thought provoking interviewer! Hallelujah!

Mum C writes

Nana Awere Damoah is my guest post for today. He is a man with brains and an objective voice. I can say he is the writer with the voice of reason in Ghana. His words “Ghanamonosyncratic nsempiisims” stuck with me from his book, I speak of Ghana where he presented all things as they seem in Ghana. I am very glad to have the honour of this interview with a true Ghanaian patriot.

NANA AWERE DAMOAH NANA AWERE DAMOAH

AMOAFOWAA:

Nana, please tell us about you, from birth to now in summary.

NANA:

Thanks for this opportunity, Mum C. I was born 39 years ago in a taxi on its way from Kotobabi to Korle-bu. My brother remembers the registration number of the taxi and says someone (I can’t remember who) won the lottery with the numbers the week after I was born! My family were staying in a compound house at Abavanna…

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Hungry Baby, a short story

hungry child

Hungry Baby

Whenever Ella was feeling close to the edge, a hair’s-breadth from lunacy, she liked to shop for groceries. She went up and down all the aisles, methodically picking out food. She threw boxes and jars and bags and cans willy-nilly in her cart, always stocking up for the big one, the storm that would tear the roof off. It’s a habit, one she learned as a child. The women in her family were bony, starry-eyed drunks, with bad skin and lank hair, but by God, they knew how to grocery shop.

She was in this twitchy, nervous state because her mother had showed up again last night. She would never know if it was just a dream: she hoped it was. Ella opened her eyes and saw her mother standing next to the bed, almost touching the mattress. She didn’t smile or speak, but simply shook her head. Mama seemed angry; Ella could tell her mother wanted to hit her. Mama was jealous that Ella was still alive, driving Mama’s car, watching her TV, wearing her jewelry. Ella met her fierce gaze without moving, then closed her lids against the image like hurricane shutters.

The room was so dark, and her mother was like a column of gray smoke, rising over Ella. Meeting death hadn’t changed Mama’s face one bit. How was it that Ella still missed her? That was an embarrassing, childish pain, an overgrown mouth sucking a rubber pacifier. There would never be a second chance for Mama and Ella; Ella wished she could believe in heaven like she believed in hell. If her mother had loved herself, or Ella, even a little, maybe she’d have pulled through the dark waters. But poor Mama was so full of self-hate there was no room for anything else. Now Ella was afraid her mother’s habits were coming after her.

Ella confessed it; often she had hated her mother too, while she lived. She even killed her mother once, in a dream. She stabbed Mama many times with a kitchen knife, and it felt right, like it was the only graceful way out for both of them. There wasn’t as much blood as Ella expected, though there was still enough to soak her mother’s nightgown all the way through. When she woke, clammy and trembling, Ella hurried to Mama’s room to make sure she still breathed. Ella knelt at the side of her bed, watching her mother’s scrawny chest. At first, it didn’t stir, and Ella almost cried out. Then she saw movement, enough to know her mother lived. Forever after, she feared the terrible anger in herself. It was always waiting, a tiger with ivory teeth and steel claws — waiting for her to stumble, to lose her grasp on mercy, on forgiveness, and throw open its cage.

Wishing her mother was dead half the time didn’t keep Ella from breaking down the door in a panic when she thought she’d overdosed. After the first incident, Ella wasn’t all that worried, she knew her mother to be too much of a bumbler, she would screw it up, or not finish, like she did everything else. The door became only an excuse for Ella to use her rage, to make her hatred tangible, give it life, a physical existence. She used a heavy folding chair, swinging it over and over again, watching first the splintered crack appear, then the bit of light, marveling at how the door-frame itself gave way all at once and the entire door fell cleanly into the room. Mama sprawled on her bed, half-clothed, her knobby knees the bulkiest part of her, her huge, brown, doe-like eyes looking puzzled. Even with all the noise, Mama was so out of it, she couldn’t figure out how Ella had gotten in the room. Later, sober, she realized she’d underestimated her daughter, she hadn’t known what Ella was capable of. Much later, a couple of years after Ella left home, after a hundred false starts, Mama managed to finish what she’d begun.

Ella shopped hours for the perfect funeral dress; pulled grimly through all the racks, looking at everything dark. No, not dark, black. “Nobody wears mourning black anymore,” the saleslady said, but for her own mother, Ella insisted. In photographs, she appeared the proper, bereaved daughter. She spent three days wearing the black dress, feeling grimy by the day of the burial, and glad of it.

They buried her mother in front of a croton bush, God, how Mama had hated those things, crotons. Ella stared at the shiny marble urn where it sat in the little hole, the tacky brass plaque glued to the top. She couldn’t object to the shrubbery, not with the priest standing there, tall and lean and handsome like some Marlboro Man, chanting and swinging his billowy canister of incense on its copper chain, the black robes clinging to him under the harsh weight of the sun, his hand so big and hard when she shook it, her knees almost gave way.

That night, Ella left the house long after dark, she walked in shaky high heels down the street and around the corner, ruining the delicate heel tips on the asphalt. She decided to keep walking until she dropped; to walk forever if no one came running after her. She stopped only a couple of miles away, limp from the humid August air. Crickets vibrated, frogs exhaled, stars flickered; the glowing, yellow windows of strangers were her last comfort, her final safe haven. Nothing but love for those strangers kept her from leaving for good, nothing but fear of the anger-tiger kept her from going any farther after her mother; Ella stood alone in the velvet grief of that hot summer night, calling her mother’s name over and over again like a stupid, hungry baby.

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