Category Archives: dream

Rain for Remembrance, a poem

illustration rain for remembrance II

Rain

The woman sits up all night, listening to it rain.  The woman  has often sat up all night waiting for one thing or another to either leave or arrive: bandaged fingers, whooping cough, her own lookalike grandchildren.  When she can, she sleeps next to her dying mother in the king-sized bed; she bangs her own shins on the high rails, climbing in.  Her arms and hands are able to lift the wasted body of her dying mother with amazing ease.

She watches & waters the great rack of African violets in the living room; grows wheat grass for her mother’s cat.  Other times, she sits in a high-backed wooden chair, needlepointing forests in wool, chain-smoking for hours.  Her mother will die very soon; then the daughter will put on her navy dress with a large, elaborate organdy collar and fail to draw a deep breath for several days.  The woman’s several brothers and their children will fly in from all over the country, and flower offerings will dwarf the grave itself.

After the burial, the woman will pack all sorts of mementoes into her mother’s old cedar “hope” chest:  yearbooks, diaries, photographs, diplomas, invitations, programs, baby booties, baby spoons, baby cups, even a rather grisly alligator purse, complete with the head, legs, tail & feet and sharp black claws.  When she has nightmares, more often now, she sits up all night, her fluffy gray tabby queen on her lap like a hot-water bottle.  The cat’s purring leads the woman away from the perilous mountain passes & rocky cliffsides inside her head and back to level ground, so she can help her mother die properly.  That is what proper love looks like, she thinks.

 

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The Iconoclast Says Goodbye, a short story

illustration the iconoclast says goodbye

The Iconoclast Says Goodbye, a short story

Dear Zarel:

It was 1977.  You’d majored in filmmaking at the same expensive, private school Stephen Spielberg went to.  You were 25, and stalled.  For entertainment, you drew a cartoon strip, Fred and Edna — they were strange four-eyed aliens, and of course all the humor was sexual.  You had another idea for a cartoon — pieces of meat talking to each other, perched on barstools.  We met at Mr. Pip’s discotheque.  I was 5’ 7” and weighed 130 pounds but thought I was fat.  Everybody was skinny then.

All that cocaine; cutting edge.  You asked me to dance, I forget whether you asked my friend first or me.  I would have been slightly offended.  I knocked your glasses off on the dance floor.  It charmed you somehow.  We were drinking, probably vodka gimlets, that was my idea.  We went off in your car, you parked at the beach.  You got my number and said you’d like it if you could be my first lover.  You cooked dinner for me at your parent’s — they were away for the weekend.  I was impressed with your cooking, the French antiques and the view of the bay.

We took a sauna in your parent’s bath.  We went upstairs; I was only slightly spooked by the huge oil painting of your mother in full jewelry regalia on the landing.  Out came your pack of Trojans; it was difficult, painful.  I can’t say I enjoyed it much the first time.  “It’s just… got… to open,” you kept saying.  My muscles were clamped tight as a vise.  You worked up such a sweat trying to impress me, later you revealed you’d slept with hundreds of women.  Over time, things improved for me in bed, but the closer you came to me emotionally, the faster I started to retreat.

I always dreamed and schemed for love then got strangely revolted when it appeared.  I thought you were too old because you were approaching thirty.  I felt typecast, imported from the sticks.  Your mother seethed, your father smiled benignly.  Every Sunday morning, you brought my mom the finest nova and bagels — but my grandmother cast a dour eye on our trysts.

For fun, we drag-raced on I-95 — always a tie.  You said I liked to dominate relationships — to me it didn’t feel like domination, only self-expression.  I didn’t want to be owned.  You weren’t romantic enough, and never romantic at the right time.  It could have been worse, for my first affair.  If only you’d given me a nicer present our first Christmas together, maybe we wouldn’t have broken up.

I just didn’t like the sugar dispenser.  Then there was your plan for my prom — you were going to wear a T-shirt printed with a tuxedo.  I was 17 — I wanted to be taken seriously.  One night, lying on my mom’s couch we discussed marriage and children — you wanted to name our first Bozo — but the next morning I knew it was over.  My heart was sheathed.

I liquefied in your arms, then dribbled away. You tried for months, told me how wonderful I was, how beautiful I was, but I didn’t believe you.  You said you were too busy for friendship.  It had to be all or nothing.  After we broke up I saw men who reminded me of you everywhere, and every time my stomach lurched.  I waffled, waffled, waffled.  I bought a plane ticket to see you, then came an attack of conscience, or memory, or both.  You wanted to be my alpha & omega.  Nice dream, love  love love.

Goodbye,

your Iconoclast

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The Song of Women of Jaded Time, a poem

la voix humane simone signoret

The Song of Women of Jaded Time
(for François Villon)

Talk to me this instant, or don’t ever bother
talking to me again. You think your sorrow
is like a flower, you beautiful, pitiful Italian;
but you are not a paragon, not crying like this.

Underneath my foot you shall find perfection.
You are like an echo of my own will, you shall
learn to speak of my brutality all the time,
and love it. Under this river or in your hands

I shall drown — how beautiful is too much human pain.
May you sing your own black heart forever!
Listen to what I say, but don’t hear it with your ears.
Listen with your heart, you are like a blooming flower,

you wild, beautiful fool. Your injured foot is far more
beautiful than my own. Don’t repeat me, speak only
of my brutality all the time. Under the water I will drown,
or under your hands. How beautiful is too much fever,

or human pain? May you sing your black song forever!
Or, perhaps you are like the wise, able Heloise,
and my blessed foot will kick you hardest
when you are already down. Like her dim-witted

Abelard — for love, he ceased breathing. Love,
I think you resemble the king that commands
none but the harridan. First, jettison your silly bag
of river water. Long may you sing your black heart!

You are wise, and blessed, as are all ill-fated lovers.
For love, we cease living — we all resemble royalty
in this way. I command the bitch who is my deepest
self: first throw away everything you hold dear.

May you sing with your thick blackness in my life.
The queen of white is coming to lie — she chants
regally in a serene voice. I was born of Bertha
with her grand feet, she of Beatrice, Alice,

harem dancers all, colored in the main for beauty rather than wisdom.
And we come, too, from Joanna, the beautiful Swiss girl.
The English back then were belligerent, though mainly
in Rouen. Or do I see in your sad eyes, your oldest

unforgotten queen? May you sing of your black, tight
heart until the words choke you with regret, with forgiveness.
I was once a queen, of all I surveyed.
I sang with a stilted voice. My mother,

my grandmother, my great-grandmother
were all such foolish harem dancers,
too lovely to look at and let live.
And the beautiful maid who cleaned

my rooms… I was always bitchiest
to her just before the dawn. O, your
sharp eyes went through me like a sword.
May you sing your own praises until nightfall!

O Prince, do not ask to love me except for cruelty,
do not wonder where those other ladies are, this year —
what a sad refrain your unshaven face reminds me of.
I used to know someone, he was a lot like you.

May you sing lullabies to your faithless black heart!
O my lord, do not ask me to come to you out of
kindness — do not ask where I have lived until now.
What an ancient sorrow you have reopened!

May you sing this pain into the book of all eternity.

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Columbus Park

Older Chinese men playing Chinese chess, Columbus Park, Mulberry Street, Chinatown, New York City, New York USA.

Columbus Park

Layers, on this island the pearly nacre of creation — darkness,
light swirl for my attention. Walled around the park are giant
buildings, shades of gray and brown, windows glinting,
dark mirrors. I traveled a thousand miles to get here,

to find something, the heart of something, heaven,
earth, sore feet, my own heart. I am a dry sponge,
tramping from one street to the next, darting eyes
quick to latch on, transcend movement, freeze-frame

all in memory. The benches call out to me; I can’t refuse,
down low in Manhattan, where Chinese congregate,
playing some fast game. Like mah-johngg, like dominoes,
like poker, like checkers.  And a wino passes out on the bench

next to me — his mouth gapes, his teeth darkened with decay,
his tongue moving as he breathes. I am here on my bench
otherwise alone, trying to remember my divine nature.
The fact I don’t feel full of knowledge is sure evidence

I am. Nobody ever talks about how in his twenty-ninth
year, the Buddha left his wife and child in the middle of the night
without even saying goodbye. Nobody speaks of the tears
they shed next day. Buddha’s sobbing wife

is the mother of all things, and I have never known
her name. And I know without knowing I have two
souls — the one that will die with my body, the other that will
wander the world. Everything here becomes holy;

I take the wino in my arms, feeling his foul breath
grow sweet, becoming perfume of heaven. The world blooms;
I am its soul, dancing upon the knife-blade, bleeding, but not
falling. No, not falling. As I understand, so shall I be delivered.

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Scatter Peace And Love, a prayer

Now a day man is impatience in the earth. We have no sympathy to others. Though we need to be kind as a greatest creature in nature. Because we are not beast. But lot of our activity is as like as animal. We are same blood colored human. Whereas we need to bond strong […]

via Scatter Peace & Love — Monjur Alam Rubel

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Conceived on Valentine’s Day, a poem

illustration-valentines-day-a-poem

Conceived on Valentine’s Day, a poem

In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,

and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,

smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.

They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother

at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare

after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.

She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.

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Ruby Bridges, Civil Rights Icon

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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Oprah’s Closet, an essay

O_Magazine_cover

August 14, 2016

Oprah’s Closet, an essay on priorities

It’s Super Soul Sunday on OWN, Oprah’s personal TV network. She sits with an author on a self-help book & discusses how, she, Oprah stands inside her walk-in closet & decides it’s not making her happy anymore.

Assumption number one: we, the viewer, can stand inside our closet.

Assumption number two: we, the viewer, are far enough ahead in the game of “net worth” to be able to discuss whether or not our large walk-in closet makes us “happy.”

Oh, Oprah. And just as I was just about to feel really good about you & your legitimately valuable achievements again! I mean, come on. You name EVERYTHING after yourself, and then justify it by saying it’s inspiring others to reach what you define as their “full potential” or some shit.

What the fucking fuck? Seriously? You just snatched defeat out of the jaws of victory. Who gives a fuck about whether their closet makes them “happy?” Oprah, when did you get lost?

Priorities. Resources. Allocation. Social goals. Civilization. Society. Government. All people are created equal, and deserve at least a level playing field. A level playing field. Let our society make sure that every child starts the game on a level playing field. What we agree upon as humane. HUMANE treatment for humanity. Imagine that, Oprah!

Forget your closet! Let no child go hungry; unwashed; unloved; uneducated. Let no child languish in the care of a family which cannot care for them. NO child. Not just yours. Not just some theoretical children, in the abstract. Real, live, actual, living children, sitting in their living rooms, none of which should be scary, or dirty, or smelly, or empty. We are all equally entitled to the resources of this particular planet. And any other that anybody reaches.

Ain’t nobody owns the moon. Or the sea. Or the stars. Or the air. Or the water. But they WOULD LIKE TO. Therein lies the problem.

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