Category Archives: adult children of alcoholics

The Rosenbergs & Me, a reflection

ethel and julius rosenberg
The Rosenbergs & Me

Ethel arrived for court that day in a wool elf hat, beaming.  Her chin had grown double; her skin was flawless and glowing.  She wore a bit of lipstick.  Julius didn’t smile or frown — he looked like a man who had just woken up from a long, dreamless sleep.  Ethel draped her gloved hand over her belly as if to shield herself from unseen bullets.

Ethel & Julius grew up poor in New York, and came of age during the Great Depression.  They grew up going to rallies for the WPA, listening to radio broadcasts by FDR.  I grew up watching the rich debauch themselves in South Florida, and came of age during the Disco Years, the anything-goes Seventies.  John Travolta, spinning like a dervish in his white polyester three-piece suit.

Ethel and Julius and I were all politically inflamed at an early age — I wrote to Nixon at age 11 to protest lax emission control standards, and got a personal letter back, signed by Rosemary Woods, Queen of the Accidental Erasure.  Julius was contacted by the KGB and asked to spy for the U.S.S.R.  He found it flattering — was he really that important? — an offer he couldn’t refuse.  There were no KGB agents contacting me, but if they had… how would I have answered?

Unfortunately, in addition to the political, I also got inflamed past all reason by my mother’s drinking — I used to fling her gallon jug bottles of wine into the canal in the backyard.  My reaction was a type of revolution:  I wanted to throw off the chains of her alcoholism and be free at last.  I wanted to throw off the chains of her drunken love just as much, if not more, than Julius wanted working men and women to throw off the chains of their capitalist oppressors.

I had an ongoing fantasy:  a mother who could be confided in, a mother who wouldn’t judge, become angry, or load me up with confessions of her own, far greater problems than mine would ever be.  Once, I dreamed Ethel was my mother and it was a relief; I knew she’d fight for me; have my best interests at heart.  She looked to be a normal mother, cooking meatloaf and mashed potatoes in her tiny apartment kitchen, smoothing her boys’ foreheads after bad dreams, murmuring soothing words in the darkness.

My father and his left-wing ardor neatly complemented the Rosenbergs.  He once ran for Santa Monica, California city council on the Communist Party ticket.  It was only a few years after Kent State, the simultaneous apex & abyss of the “age of Aquarius.”  My father and I never discussed the Rosenbergs; we were in agreement on most things.

Ethel, Julius and I all studied Marxist doctrine, and I toyed with the idea of joining the American Communist Party.  I read the Party’s official platform (from the 60s), and decided, after considering Ethel & Julius’ fate, that joining wasn’t such a great idea.  To think was private, to act, public.  Plus?  I wanted to be a lawyer someday.

The Rosenbergs had a larger purpose — to transform society from what they viewed as unfair to something more egalitarian.  This is what most political rebels have wanted.  But who defines fair?  Those in power?  The USSR  hardly turned out to be an entity worth dying for.  Are Julius & Ethel content in their graves?  Maybe I should have been sent to the electric chair.

All of us spin out of control in some fashion; Ethel & Julius got caught committing actual crimes.  The main evidence against them was the testimony of Ethel’s brother, a man who turned State’s Evidence to protect his OWN WIFE.  He didn’t actually believe Ethel & Julius would ever be executed.  The government only wanted the Rosenbergs to name names.  They, however, remained silent.

After their deaths, Julius & Ethel were laid out in religious garb.  They didn’t look dead, just asleep.  The embalmer did an excellent job.  Three hundred people came to look at them.  The dead Rosenbergs left behind two young sons — I left behind my mother, slowly dying.  She was a child who wouldn’t grow up.  I couldn’t be her mother — her own mother couldn’t even be her mother anymore.  She had worn everyone out!  Julius, Ethel, don’t ask for God’s forgiveness — I can’t bring myself to.  God should be asking us for ours.  Our enemies have already forgotten us.

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Pretzels & Chocolate, a poem

jim-valvis

PRETZELS & CHOCOLATE

(rented room, cigarettes)

I am eating pretzels
and they are hard
but splinter into salty crumbs

with the merest bite
they only satisfy
part of my tongue

(rented room, cigarettes)

so I pick up the chocolate
greedy for it to melt
against my palate

sucking the firm square
feeling it mold to me
the way I imagine

my body molds to yours

(rented room, cigarettes)

retaining the character of sweetness
to complement the salt
to balance my mouth

I am eating chocolate
thinking of us
together

(rented room, cigarettes)

illustration mockingbird mimus polyglottos

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The Analysand, a short fiction

illustration analysand short fiction

The Analysand, a short fiction

“I’ll take your word for it,” she said.

She remembered long-forgotten moments; instances of innocence, of confidence, of hope. Her analyst wanted more from her than pages in her journal, more than frozen images which may… or may not… have actually happened. Four bundles of smooth, shiny, purple rope lay on the coffee table in his office, four beautifully coiled bundles, bound & tied with intricate, ceremonial knots. His eyes met hers; bright blue lamps of inquisitiveness and Inquisition.

“Where do you get that kind of rope?” she asked.

“I make it,” he said. “I dye it with Tyrian purple and condition it with organic beeswax.”

She kept her face neutral; curious. She’d had enough of fake tourist traps for a dozen lifetimes; boring main highways hadn’t ever led her to anyplace she’d want to stay in for long. And the sun rises even after the darkest night. And the sun sets after the sunniest day. Night has its own charms. Her wounds were on the inside… and his? His… would be healed by helping her heal her own. The rope laid on the table, gleaming & inscrutable. Her favorite violin, a Bergonzi, sat silent & helpless on her lap.

She’d been dead so long; she’d wanted her to speak for herself for so long. Her mother had treated her like anything but a daughter; pupil, instructor, heathen, missionary, ghost, confessor, beggar, heir, therapist, patient. So strike a pose; strike a deal; strike a match. What difference does any of it make: preserving body & soul is not good enough; nurture your body and your soul. Peace arises where all paths meet; crossroads for weary travelers. Fevers can burn you up. Water can heal. She put the violin back in its case.

“Okay,” she said. “It’s worth a try.” She stood up off the couch and took off her clothes.

Dr. Zhu tied her up gently, kissing her as he did. Yes. He started at her ankles, and bound her up like a trussed bird. And then he helped her lie down on his soft purple couch and began his work. Where you find the water of life, is home.

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Edie Sedgwick Discusses Her Early Years, a Monologue/Poem/Story/Lyric.

illustration edie sedgwickI felt I was Gloria, some angel living in her own hallucination of time. We were angels on LSD, on LPS. I was cheesecake, chocolate-dribbled, sexy & asexual, pop-rocks eye candy. Wrapped in a wealthy, yet tragic, past. DEEP BREATH. With my dreamy tones; those slow, hypnotic lyrics, my subliminal heavenly chorus of all that is female, the goddess inside us. Hypnotic, larger than life.

And so were the commercials. We really were all famous for about 15 minutes, but we couldn’t see that, all we could see was right now, right then. The atom bomb age, the Cold War, suicides, the Third World starving to death… children dropping like flies in Africa from famine. India, hit by an earthquake. Viet Nam cranking up, with war profits for the conglomerating corporations; divvying up the spoils of war. Kennedy, dead in Texas.

Be the girl all the bad boys want. DEEP BREATH. Sex turned into a Technicolor rock show, pure fantasy; turned into reality. People started living according to their own fantasies of what the world was like. The awakening grew harder; grew easer; grew harder; again & again.

Material wealth. An intoxicant. A drug. Addictive behavior. Spread it around. Moderation in everything. Reasonable assumptions? No? DEEP BREATH. Spell it the fuck out. Rules-based understanding. It takes me a long, long, long time to learn all the rules, all the techniques, all the subtleties. But when I figure something out, I have fucking figured the fuck out of it! DEEP BREATH.

I’m a dreamer; I’m a practical schemer. I’m a dreamer with a BMW; I’m a bad-ass schemer; I’m a waterlogged dreamer; I give up when there is trouble; I run like a rabbit. I dig in like a lion at bay.

Falling in love is wonderful. Once you fall in, take care never to fall out. Find something to keep your love alive… anything! Fasten on & fasten hard. In every way, so they say. Rumors fly. Determining actual facts is hard. All the shit I ever believed about myself came true. DEEP BREATH.

So, my body believes, at least. Next, to make my logical mind decipher the hieroglyphs. DEEP BREATH. Then my heart shall feel; then my soul shall live. DEEP BREATH.

It’s what Andy always used to say: artists are artists, no matter their profession or occupation or job or outward circumstances, and artists are the commodities of the very wealthy. DEEP BREATH. We’re all falling prey.

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Night-Blooming Jasmine, a poem

illustration night blooming jasmine

Night Blooming Jasmine, a poem

After dark, anything could happen – each

moment was disconnected from the last.

There was no logical progression to our lives:

most events had the dramatic essence of a car

accident. One evening, my mother decided

to sneak out my bedroom window when my

stepfather cut her off. He was drunk himself,

but for some reason decided she shouldn’t have

more Scotch. I remember her butt, in white

nylon undies, decorating the center of my open

window. I both fretted and hoped that she might

fall and hurt herself. Another night, my stepfather

decided it was time to throw all the pillows away,

including mine, because to him they smelled like

“horse piss.” My mother followed, protesting

loudly, wrestling him for the pillows. She lost:

the pillows went into the garbage cart. This

happened in our front yard, on a warm night scented

with night-blooming jasmine. I watched the two

drunken grown-ups, distancing myself from the scene.

I watched it like a T.V. show or a movie. When

I try to tell people about these things now, I can’t

keep a straight face. The laughter chokes me,

renders me unable to speak. I am silenced.

They’re both long dead now… but I’m still here.

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