Tag Archives: mother

Empire State Building, a poem

Manhattan Office Vacancy Rate Drops In Second Quarter

Empire State Building

Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —

you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,

discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest

building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you

forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed

no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,

my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?

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She Hates Numbers

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Pretzels & Chocolate, a poem

jim-valvis

PRETZELS & CHOCOLATE

(rented room, cigarettes)

I am eating pretzels
and they are hard
but splinter into salty crumbs

with the merest bite
they only satisfy
part of my tongue

(rented room, cigarettes)

so I pick up the chocolate
greedy for it to melt
against my palate

sucking the firm square
feeling it mold to me
the way I imagine

my body molds to yours

(rented room, cigarettes)

retaining the character of sweetness
to complement the salt
to balance my mouth

I am eating chocolate
thinking of us
together

(rented room, cigarettes)

illustration mockingbird mimus polyglottos

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Night-Blooming Jasmine, a poem

illustration night blooming jasmine

Night Blooming Jasmine, a poem

After dark, anything could happen – each

moment was disconnected from the last.

There was no logical progression to our lives:

most events had the dramatic essence of a car

accident. One evening, my mother decided

to sneak out my bedroom window when my

stepfather cut her off. He was drunk himself,

but for some reason decided she shouldn’t have

more Scotch. I remember her butt, in white

nylon undies, decorating the center of my open

window. I both fretted and hoped that she might

fall and hurt herself. Another night, my stepfather

decided it was time to throw all the pillows away,

including mine, because to him they smelled like

“horse piss.” My mother followed, protesting

loudly, wrestling him for the pillows. She lost:

the pillows went into the garbage cart. This

happened in our front yard, on a warm night scented

with night-blooming jasmine. I watched the two

drunken grown-ups, distancing myself from the scene.

I watched it like a T.V. show or a movie. When

I try to tell people about these things now, I can’t

keep a straight face. The laughter chokes me,

renders me unable to speak. I am silenced.

They’re both long dead now… but I’m still here.

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Things We Never Said, a short story

img058 alcoholics anonymous big blue book

Things We Never Said, a short story

She was beautiful, as all mothers are to their children, but it was far more than that. Total strangers told me how beautiful my mother was. She was particularly fine-boned and delicate. Her skin was the softest I’ve known, her arms and hands the most stubborn, the most lethal.

Mom was an alcoholic, of course, and the most gruesomely stubborn person I’ve ever known. She went past simple denial and created her own alternative universe. Once, some quack psychiatrist she was seeing told her she wasn’t a “true” alcoholic — that she only drank out of boredom. She clung to that unfortunate phrase of absolution, repeating it like a robot in a variety of situations, until the day she died at 44 from alcoholic pancreatitis.

The only way we ever got her into rehab was when we threatened to call the police about obtaining drugs by false pretenses. She’d call the drugstore and tell them it was Dr. So-and-so’s office, would they please fill a prescription for such-and-such, three refills, please.

She got stiff all over when she drank, not like a normal drinker who gets loose. Stiff, and with a duck-legged walk that made my flesh crawl. I can’t tell you how many times I just let her lay there on the floor where she’d stumbled in a drunken stupor. I couldn’t bring myself to touch her.

If only Mom could have been more like Charity Hope Valentine, the taxi dancer in “Sweet Charity” who, after being pinched, pawed at, fondled, ridiculed, robbed, tattooed, thrown from a bridge, trapped in an elevator, and deserted at the altar, rather meekly accepts the cheery and somehow redeeming gift of a single daisy from a group of 60s flower children, pulling herself out of her misery yet again, and living “hopefully” ever after.

My mother and I both said “I love you,” a lot, and to no avail. Neither of us believed in love. We believed only in self-preservation. Trust was unknown. I have never learned the reasons for staying with another. All I can think of, now that I’m married, is what I’m missing, giving up for the other. How short life is, and how unhappy.

I took a developmental psychology course once, while my mother was still alive. The teacher explained that no child ever actually dreams of killing the mother. Infantile rage exists, yes, murderous anger exists, yes, but the true desire to kill can never be resident in the child’s subconscious. “The instinct for preservation is too great,” she said.

When I told her, later and in private, how I’d dreamed that very act, how in my dreams I’d taken the great butcher knife out of the kitchen drawer and stabbed it viciously and repeatedly into my mother’s fine and delicately boned chest, she shook her head skeptically.

“You didn’t really dream that,” she insisted. “You only think you did.” I didn’t argue. I was still too afraid it might happen in reality to insist that it had happened in dreams.

She was never a very good mother. I was never a very good daughter. After she died, I went to confess my guilt over my record as a daughter once, to an Episcopal priest. “I let my mother down,” I told him.

“No, you didn’t,” he insisted. “You were the child. You had the right to go off and live your own life.” I was angry at him, and never went back.

I still feel guilty about the first time I knew I’d hurt her feelings. She made me a bunny rabbit salad – a scoop of cottage cheese for the bunny’s face, cut up vegetables for the bunny’s ears, eyes, nose, and whiskers. It was adorable. But I hated cottage cheese, and salad. I was four years old. “I don’t like cottage cheese,” I told her.

“Just try it,” she said.

“No.” I refused over and over again. Finally, she ran out of the kitchen, to the bathroom, and I knew she was crying. I sat in the kitchen, staring at the rabbit, not eating it. I didn’t follow her, I didn’t apologize, and I sat there until someone, probably my grandmother, covered the plate with a piece of plastic wrap and put it in the refrigerator. I knew I was never going to eat that bunny rabbit salad.

I mailed the invitations to my own daughter’s birthday party today. She’ll be four in sixteen days. Oddly enough, all I could think of as I wrote out the cards was how much my own mother would have enjoyed seeing my child, her first grandchild. I know exactly what my mother’s face would look like if she were at the party — lovely, tremulous, inevitably a little weepy. I also know half of my pleasure would come from seeing the tenderness in my mother’s wide brown eyes as together we would watch my little Katie blow out all her candles.

 

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Blood Mother, a poem (sculpture in the Orsay Museum, Paris)

illustration blood mother
Blood Mother, a poem (sculpture in the Orsay Museum, Paris)

She is made of wood, a silken hardness that begs touching.
Should anyone reach, trail a fingertip across her flesh,
the man in straps would speak, his mumbled words rasping
through the stopped air, turning beating cells boorish,

piercing desire’s heart, killing a love so old, so pure,
it has no real name. Such is obvious from the way she stands,
lifting her heavy hair, each hand the careful cynosure
of being — she drapes the primal fiber like garlands,

letting it flow free only to capture the thickness of trees.
Her eyes are closed. Under abraded lids resides the look
everyone knows: pupils enlarged by pain; simple refugees
from knowledge received of the body, woman’s final textbook.

The belly asks first. It says come, reside here within me,
neither cold, nor afraid, nor desirous — twirl and dream
of nothing but this spare salt universe, wear only veins, silky
wisps of hair, discreet, pale limbs enfolded by soft cream.

Her feet nourish the ground, her head becomes the forest.
Walk where her shadow falls, seek the margin of her arms,
soothe your tired neck in mother’s lucid heat, hedonist
entity you have become, set in blind motion under charms

worked by no laboratory scientist in a trim white robe.
Rather, you emerged redly from a thousand other deaths,
one messy cauldron holding shapes; the patient, springy web
of chosen elements drawn together, joined by many faiths.

The breasts want, too. Child, they sing in unison, nourish your
body with our thin white blood — suckle, cradle the nipple deep
against the palate, pull the flow from a dozen small pores, gnaw
strong like a velveted vise, drink true until you swallow sleep.

The need to believe is more than skin. Need is the whole glossy
image on this lonely wall; what it means to be such a mechanism!
She never schemed for her fey power — nor does she expect mercy.
You exist, mere fragile accident, in perfect jeweled synchronism.

Not as simple as punishment, nor as complex as grace, her skills
for life reside at a place men cannot enter, no fault of their
own. They build instead the world, of brick, stone; shy stabiles
meant to appease longing, courageous memorials to light, to air.

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Hungry Baby, a short story

hungry child

Hungry Baby

Whenever Ella was feeling close to the edge, a hair’s-breadth from lunacy, she liked to shop for groceries. She went up and down all the aisles, methodically picking out food. She threw boxes and jars and bags and cans willy-nilly in her cart, always stocking up for the big one, the storm that would tear the roof off. It’s a habit, one she learned as a child. The women in her family were bony, starry-eyed drunks, with bad skin and lank hair, but by God, they knew how to grocery shop.

She was in this twitchy, nervous state because her mother had showed up again last night. She would never know if it was just a dream: she hoped it was. Ella opened her eyes and saw her mother standing next to the bed, almost touching the mattress. She didn’t smile or speak, but simply shook her head. Mama seemed angry; Ella could tell her mother wanted to hit her. Mama was jealous that Ella was still alive, driving Mama’s car, watching her TV, wearing her jewelry. Ella met her fierce gaze without moving, then closed her lids against the image like hurricane shutters.

The room was so dark, and her mother was like a column of gray smoke, rising over Ella. Meeting death hadn’t changed Mama’s face one bit. How was it that Ella still missed her? That was an embarrassing, childish pain, an overgrown mouth sucking a rubber pacifier. There would never be a second chance for Mama and Ella; Ella wished she could believe in heaven like she believed in hell. If her mother had loved herself, or Ella, even a little, maybe she’d have pulled through the dark waters. But poor Mama was so full of self-hate there was no room for anything else. Now Ella was afraid her mother’s habits were coming after her.

Ella confessed it; often she had hated her mother too, while she lived. She even killed her mother once, in a dream. She stabbed Mama many times with a kitchen knife, and it felt right, like it was the only graceful way out for both of them. There wasn’t as much blood as Ella expected, though there was still enough to soak her mother’s nightgown all the way through. When she woke, clammy and trembling, Ella hurried to Mama’s room to make sure she still breathed. Ella knelt at the side of her bed, watching her mother’s scrawny chest. At first, it didn’t stir, and Ella almost cried out. Then she saw movement, enough to know her mother lived. Forever after, she feared the terrible anger in herself. It was always waiting, a tiger with ivory teeth and steel claws — waiting for her to stumble, to lose her grasp on mercy, on forgiveness, and throw open its cage.

Wishing her mother was dead half the time didn’t keep Ella from breaking down the door in a panic when she thought she’d overdosed. After the first incident, Ella wasn’t all that worried, she knew her mother to be too much of a bumbler, she would screw it up, or not finish, like she did everything else. The door became only an excuse for Ella to use her rage, to make her hatred tangible, give it life, a physical existence. She used a heavy folding chair, swinging it over and over again, watching first the splintered crack appear, then the bit of light, marveling at how the door-frame itself gave way all at once and the entire door fell cleanly into the room. Mama sprawled on her bed, half-clothed, her knobby knees the bulkiest part of her, her huge, brown, doe-like eyes looking puzzled. Even with all the noise, Mama was so out of it, she couldn’t figure out how Ella had gotten in the room. Later, sober, she realized she’d underestimated her daughter, she hadn’t known what Ella was capable of. Much later, a couple of years after Ella left home, after a hundred false starts, Mama managed to finish what she’d begun.

Ella shopped hours for the perfect funeral dress; pulled grimly through all the racks, looking at everything dark. No, not dark, black. “Nobody wears mourning black anymore,” the saleslady said, but for her own mother, Ella insisted. In photographs, she appeared the proper, bereaved daughter. She spent three days wearing the black dress, feeling grimy by the day of the burial, and glad of it.

They buried her mother in front of a croton bush, God, how Mama had hated those things, crotons. Ella stared at the shiny marble urn where it sat in the little hole, the tacky brass plaque glued to the top. She couldn’t object to the shrubbery, not with the priest standing there, tall and lean and handsome like some Marlboro Man, chanting and swinging his billowy canister of incense on its copper chain, the black robes clinging to him under the harsh weight of the sun, his hand so big and hard when she shook it, her knees almost gave way.

That night, Ella left the house long after dark, she walked in shaky high heels down the street and around the corner, ruining the delicate heel tips on the asphalt. She decided to keep walking until she dropped; to walk forever if no one came running after her. She stopped only a couple of miles away, limp from the humid August air. Crickets vibrated, frogs exhaled, stars flickered; the glowing, yellow windows of strangers were her last comfort, her final safe haven. Nothing but love for those strangers kept her from leaving for good, nothing but fear of the anger-tiger kept her from going any farther after her mother; Ella stood alone in the velvet grief of that hot summer night, calling her mother’s name over and over again like a stupid, hungry baby.

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