Category Archives: transitions

When Things Got Too Weird For Ripley (Believe It Or Not)

hiroshima & nagasaki survivor

When Things Got Too Weird For Ripley (Believe It Or Not)

Notwithstanding the fact that he still received more letters every year than anyone on earth, including Santa Claus (Believe It Or Not), his sinking fits of despair started to occur with frightening regularity, after the war. On his way to the far East, for the first time since Pearl Harbor Day, he stood on the naked, turkey-breast hull of the sunken battleship Arizona, looking down at his own well-shod feet as though the rolled steel were transparent. He could see the innocently disarrayed skeletons of the young men entombed inside (Believe It Or Not). His full, delicate lips, firmly closed, covering his distinctive, protruding teeth. He was speechless for the first time, in fifty-odd years.

Oddly, he couldn’t take his mind off his Tibetan skull-bowl, back home. He felt the hinged roof of the bowl under his cold fingers, he tasted warm, sacramental blood and wine, mixed in equal parts, sharp and bitter against the roof of his mouth like the blade of a rusty, iron sword. For the microphones, he read aloud the notes he had with him, but his voice wasn’t Ripley’s anymore, it was the gentle, quavery voice of an old, old man.

Since his first success, he had been a hard-working, hard-playing man, with the immodest tastes of an oriental emperor. He earned a million dollars a year, and knew how to spend it. On better days, he’d have six smart, well-dressed women under his roof, for energetic conversation, for private fun and games. Out on his secluded spit of land in the middle of Oyster Bay, they’d barbecue whole pigs, split sides of beef, and the flavor of the smoked flesh he tore into was marvelous, marvelous.

Later that day, continuing his flight from Hawaii to Japan, he lost track of where he was for a few moments, and through his puffy, heavy lids, the woman bending over him with the pitcher of pink lemonade looked exactly like the love of his life, dead ten years that month of cancer. Dear, sweet, Ola, he almost said, but caught himself. Though his temples sweated copiously, he refused to soil his handkerchief, letting his shirt become wet, stiff with his salt.

His live radio broadcast, next morning, from Hiroshima’s approximate ground zero, wasn’t easy, not with him sitting at a card table, fumbling with watches frozen at the moment of detonation, staring at a vaporized child’s wool-and-silk-ribbon slippers, retrieved intact from the dunes of sticky ash (Believe It Or Not); the only artifact to survive the blast for many thousands of square yards. He haggled over price and bought it for his newest museum, opening the next month in Las Vegas.

As long as he could remember, he’d been happily locked in an embrace with the whole odd, eclectic world, savoring each one-of-a-kind moment his physical bulk passed through. Here at Hiroshima, for the first time, that innocent enthusiasm which had brought him so very far from Riverside, California seemed to encircle his tired neck like one of the great unwieldy money-stones of New Zealand, giving little joy.

Upon reaching his final destination, Shanghai, he saw his dearest, most beloved city in a panic: everyone knew the Reds were marching down from the hills. It was only a matter of time before the soul of China became engorged and insensible with Mao’s revolution. Voracious appetite of old absent, he forced down a quart of sticky rice with Seven Delicacies for show, for form, so as not to upset his agent.

A week later, back in New York, for the second time he faltered while on the air, then passed out, slithering to the floor in his fine wool suit like a large scrubbed potato, hands scrabbling against the studio floor, grasping the taped microphone cords with a syncopated rhythm, his young female assistant staring at him like a ritual mask, her mouth a lipsticked slash of fear, babbling nonsense until they thought to turn the mike off: the perils of live broadcasting.

That very night, Rip called his next-door neighbors from the hospital; I’m getting out of here tomorrow morning, he said. I’m taking us on a long vacation, God knows we all deserve it. He hung up the black phone and leaned back, dead before his head touched the pillow. Years later, his dearest friends all said it was a blessing he didn’t live to see how the world changed. The world changed and made his collection of physical oddities seem, by comparison (Believe It Or Not) warm, safe, what we dream of when we dream of heaven, not one of us doubting for a minute, anymore, that fact is stranger than fiction.

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The Song of Women of Jaded Time, a poem

la voix humane simone signoret

The Song of Women of Jaded Time
(for François Villon)

Talk to me this instant, or don’t ever bother
talking to me again. You think your sorrow
is like a flower, you beautiful, pitiful Italian;
but you are not a paragon, not crying like this.

Underneath my foot you shall find perfection.
You are like an echo of my own will, you shall
learn to speak of my brutality all the time,
and love it. Under this river or in your hands

I shall drown — how beautiful is too much human pain.
May you sing your own black heart forever!
Listen to what I say, but don’t hear it with your ears.
Listen with your heart, you are like a blooming flower,

you wild, beautiful fool. Your injured foot is far more
beautiful than my own. Don’t repeat me, speak only
of my brutality all the time. Under the water I will drown,
or under your hands. How beautiful is too much fever,

or human pain? May you sing your black song forever!
Or, perhaps you are like the wise, able Heloise,
and my blessed foot will kick you hardest
when you are already down. Like her dim-witted

Abelard — for love, he ceased breathing. Love,
I think you resemble the king that commands
none but the harridan. First, jettison your silly bag
of river water. Long may you sing your black heart!

You are wise, and blessed, as are all ill-fated lovers.
For love, we cease living — we all resemble royalty
in this way. I command the bitch who is my deepest
self: first throw away everything you hold dear.

May you sing with your thick blackness in my life.
The queen of white is coming to lie — she chants
regally in a serene voice. I was born of Bertha
with her grand feet, she of Beatrice, Alice,

harem dancers all, colored in the main for beauty rather than wisdom.
And we come, too, from Joanna, the beautiful Swiss girl.
The English back then were belligerent, though mainly
in Rouen. Or do I see in your sad eyes, your oldest

unforgotten queen? May you sing of your black, tight
heart until the words choke you with regret, with forgiveness.
I was once a queen, of all I surveyed.
I sang with a stilted voice. My mother,

my grandmother, my great-grandmother
were all such foolish harem dancers,
too lovely to look at and let live.
And the beautiful maid who cleaned

my rooms… I was always bitchiest
to her just before the dawn. O, your
sharp eyes went through me like a sword.
May you sing your own praises until nightfall!

O Prince, do not ask to love me except for cruelty,
do not wonder where those other ladies are, this year —
what a sad refrain your unshaven face reminds me of.
I used to know someone, he was a lot like you.

May you sing lullabies to your faithless black heart!
O my lord, do not ask me to come to you out of
kindness — do not ask where I have lived until now.
What an ancient sorrow you have reopened!

May you sing this pain into the book of all eternity.

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Empire State Building, a poem

Manhattan Office Vacancy Rate Drops In Second Quarter

Empire State Building

Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —

you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,

discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest

building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you

forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed

no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,

my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Conjoined Twins, a poem

illustration-conjoined-twins

Conjoined Twins, a poem

Her entire pregnancy was uneventful until the second stage
of labor. Mother pushed and pushed, but we babies could not
budge. Surgeons came, made quick cuts necessary to disengage
us from the womb — found our joined skulls, an impudent topknot.

Mother wouldn’t let them separate us, she said the risk
outweighed the benefits. We learned to walk as best we
could; I, the taller, faced front in hopeful arabesque
while Sister followed. She didn’t mind, droll legatee

of my cranium, girl I never see. Despite our closeness,
we live in opposite ways; I view her face only in mirrors,
with my one good eye — our skin melts together, flawless,
pearly. A nice thing is, we never suffered night terrors.

We have never been alone. When they say, look, Siamese
twins, I want to scream. That is not the proper name for
our arrangement. Sister says, let them talk — I think she’s
crazy to let it pass, but I don’t say that. A big furor

won’t help at all. One trick we are good at is peace.
Negotiation has been our forte since that first incomplete
division; the moment each cell refused the other’s release.
We have minds of our own, thank god, and life is sweet

when you know where you’re bound. I go off to work,
Sister goes too. I sing while I type up my data, she reads
her mysteries, we break for lunch. My boss goes berserk
every once in a while; he’s got the same kinds of needs

for perfection we all possess. The one worry I have
not tamed is which of us will die first. I hope
it’s not me — how would she walk? I am the brave
one, the one who catches bugs. I would try to cope

without her. Once, in the night when she fell sick
with the flu, I held her until the shaking stopped,
until the fever broke. I wondered then, all dyadic
jokes aside, what if we had been cut apart, clipped

early into two separate forms? If it ever comes, will life
on my own be any easier? I’d save some of her long hair,
for sweet remembrance. She’d be a sharp phantom pain, a wolf-
gray stone with my birthday — my head a floating solitaire.

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Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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Oprah’s Closet, an essay

O_Magazine_cover

August 14, 2016

Oprah’s Closet, an essay on priorities

It’s Super Soul Sunday on OWN, Oprah’s personal TV network. She sits with an author on a self-help book & discusses how, she, Oprah stands inside her walk-in closet & decides it’s not making her happy anymore.

Assumption number one: we, the viewer, can stand inside our closet.

Assumption number two: we, the viewer, are far enough ahead in the game of “net worth” to be able to discuss whether or not our large walk-in closet makes us “happy.”

Oh, Oprah. And just as I was just about to feel really good about you & your legitimately valuable achievements again! I mean, come on. You name EVERYTHING after yourself, and then justify it by saying it’s inspiring others to reach what you define as their “full potential” or some shit.

What the fucking fuck? Seriously? You just snatched defeat out of the jaws of victory. Who gives a fuck about whether their closet makes them “happy?” Oprah, when did you get lost?

Priorities. Resources. Allocation. Social goals. Civilization. Society. Government. All people are created equal, and deserve at least a level playing field. A level playing field. Let our society make sure that every child starts the game on a level playing field. What we agree upon as humane. HUMANE treatment for humanity. Imagine that, Oprah!

Forget your closet! Let no child go hungry; unwashed; unloved; uneducated. Let no child languish in the care of a family which cannot care for them. NO child. Not just yours. Not just some theoretical children, in the abstract. Real, live, actual, living children, sitting in their living rooms, none of which should be scary, or dirty, or smelly, or empty. We are all equally entitled to the resources of this particular planet. And any other that anybody reaches.

Ain’t nobody owns the moon. Or the sea. Or the stars. Or the air. Or the water. But they WOULD LIKE TO. Therein lies the problem.

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