Tag Archives: women

Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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I’m one of those women who didn’t negotiate her salary — Quartz

You have to understand how embarrassing this is for me to admit. As far as people go, I’m an alpha male. I speak my mind. I work hard curb my desire to best other people for the sake of besting them. I will probably fight you. And I take pride in who I am, warts…

via I’m one of those women who didn’t negotiate her salary — Quartz

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Latin Epidemics, a poem

mane-placidus-et-gnosce-latinLatin Epidemics

Everyone’s caught this bug, talking to the dead, palms upturned.
Hope, long dead, the naked white bones a comfort; leaving homes,
wives, husbands, dreaming toward love; signs of birth.

People so disciplined, so filled with the rules of grammar; staying
married for life, or at least a day. A good day, kiss-filled; warm,
moist lips, not bloodless, cold & grey. How did we catch the fever?

Dreams uncatchable, passion withers; too much hope, too much
trust. Not much honesty; not much logic; a man wanted his wife
to talk to him. A woman wanted her husband to stroke her cheek

with his finger as if she was a flower, a child wanted her mommy
to drink less, wanted his daddy to stay longer… words come easier,
etched on lead sheets thrown into a sacred spring, asking favors of gods.

May he who stole my dog be plagued with gout; may she who
laughed at my husband grow warts on her nose… in a millennium,
nothing has changed except the curses, the fashion, the cheese & wine.

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Pretzels & Chocolate, a poem

jim-valvis

PRETZELS & CHOCOLATE

(rented room, cigarettes)

I am eating pretzels
and they are hard
but splinter into salty crumbs

with the merest bite
they only satisfy
part of my tongue

(rented room, cigarettes)

so I pick up the chocolate
greedy for it to melt
against my palate

sucking the firm square
feeling it mold to me
the way I imagine

my body molds to yours

(rented room, cigarettes)

retaining the character of sweetness
to complement the salt
to balance my mouth

I am eating chocolate
thinking of us
together

(rented room, cigarettes)

illustration mockingbird mimus polyglottos

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Love Is A Wound In The Body

illustration liadan 7th century poetess nun

Gain without gladness

Is in the bargain I have struck

–Liadan (7th century A.D.)

Illustration erasmus holbein

But he who hides his sickness

can hardly be brought back to health;

love is a wound in the body,

and yet nothing appears on the outside.

–Erasmus, Paraphrase on the Gospel of John (pub. 1523)

illustration marie of france

What would become of her finer qualities

if she didn’t nourish them by a secret love?

–Marie de France (1160 – 1215?)

illustration mother of sumangala

A free woman. At last free!

Free from slavery in the kitchen

where I walked back and forth

stained and squalid among cooking pots.

–Mother of Sumangala (3rd – 1st century B.C.)

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Meet Nana Awere Damoah: The Ghanaian Voice of Objectivity and Reason

A great interview, an interesting dialogue, a thought provoking interviewer! Hallelujah!

Mum C writes

Nana Awere Damoah is my guest post for today. He is a man with brains and an objective voice. I can say he is the writer with the voice of reason in Ghana. His words “Ghanamonosyncratic nsempiisims” stuck with me from his book, I speak of Ghana where he presented all things as they seem in Ghana. I am very glad to have the honour of this interview with a true Ghanaian patriot.

NANA AWERE DAMOAH NANA AWERE DAMOAH

AMOAFOWAA:

Nana, please tell us about you, from birth to now in summary.

NANA:

Thanks for this opportunity, Mum C. I was born 39 years ago in a taxi on its way from Kotobabi to Korle-bu. My brother remembers the registration number of the taxi and says someone (I can’t remember who) won the lottery with the numbers the week after I was born! My family were staying in a compound house at Abavanna…

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The Latest Fashion: New Toilettes, a poem

illustration new toilettesThe Latest Fashion:  New Toilettes, a poem

(title and subtitles from an essay by Mallarmé)

 I.  An At-Home Gown in Garnet Velvet.

I receive you at my front door, formally, immaculately dressed, delicately arrayed, impeccably scented.  You think of me as I last appeared at the beach, tousled, salt-encrusted, and burned by the sun, dusted from scalp to toe with golden sand.  You see underneath my gown a double exposure — the natural, the cultivated — which rises up so that my two brown eyes turn to four, eyes within eyes, nudity within garnet velvet.

You think of wine, the vintner’s trembling hands caressing grapes, silently pleading with them to reveal when they will give up their most perfect secrets.  We live for moments such as those, we live to take up our wine in a crystal goblet and put it to our lips and breathe the scent of rain, sun, earth and sweetness.  Sweetness which has by virtue of aging embraced its opposite — sweetness which has given birth to tart recognition.

We are both innocent as three-year-olds and jaded as madams.  You touch the supple velvet, but what you are feeling is the smoothness of my insides.  I remember the sound you made, long ago, an explosive sound which you tried so valiantly to muffle.  The report of your exhalation was echoed in each cell of my body.  Garnet velvet becomes a skin I will shed.  Nothing before was unskinned.  I will turn myself inside out, only for you.

II.  A Hostess Gown in Gray Russian Satin.

 Together, we receive cadres of admirers — come to look upon our glowing faces, hear the way we laugh, breathe in the air of passion which surrounds us.  We understand this loveliness we display is not ours, rather on loan merely, a magnification of the same electric forces which keep every atom together, proton and electron and neutron dancing their way in a wild mazurka.  Those atomic particles, those rapscallions.

My gray dress hugs my body tightly, exposing each curve, revealing my body but keeping it a magnificent secret at the same time.  When your fingertips slide across my shoulders, the fabric moans, and the assembly gasps.  I can take no credit for my beauty, only for the courage to allow it free rein.  And I count every electron of your body, I feel the whirling clouds as they circle your atomic nuclei, endlessly proclaiming not beauty, not usefulness, but truth.

Please be advised you are in the presence of ananda.  Or at the very least, maple syrup.  Even the trees know.  How the sparks flew when first we met!  We confused the friction with dislike, at least until you saw me lick my lips.  Gray satin reminds us of the cries of mourning doves, the way they’d scatter as your car pulled into my driveway.  Such murmurings as felt like satin threads, pulled through my heart.  You came to me.  I will stay found.

III.  A Frock for Paying Calls in Plum-colored Faille.

We deign to visit the world, after a twenty-three year sabbatical, and everywhere we go the air matches my dress.  The moon becomes a large opal, the sky an onyx abyss into which I fall upward, tethered only by your voice.  When you laugh, I hear my father.  I hear the way he held me, our skin where it touched on fire with longing only for more bare skin.  He died too soon, and so did I.

My skirt is cut on the bias — when I walk it moves as the tops of the Australian pines moved that day you first kissed me, at the beginning of hurricane season.  You and I ask our hosts if they are prepared, but they don’t understand.  Once, you lusted for books — 27,000 of them — 19 cartons fit into your truck, each trip.  The hardwood shelves groaned under the beautiful weight of your hope.  Please, don’t read too much into the facts.  What do the pages tell you?  Do you remember when you hated me?

It is so difficult to construct a garment on the bias, I must consult experts in the field.  I show them the dress I wear, ask, can you make me the same dress, in the same fabric, over and over.  I want nothing varied, because in this dress is all the world.  My father has been dead now for longer than I knew him.  I still see his hair, iridescent red-gold feathers, under my fingertips, my nails painted purple.  I asked for you.  I found your succulent eyes.

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