Category Archives: beauty

Rain for Remembrance, a poem

illustration rain for remembrance II

Rain

The woman sits up all night, listening to it rain.  The woman  has often sat up all night waiting for one thing or another to either leave or arrive: bandaged fingers, whooping cough, her own lookalike grandchildren.  When she can, she sleeps next to her dying mother in the king-sized bed; she bangs her own shins on the high rails, climbing in.  Her arms and hands are able to lift the wasted body of her dying mother with amazing ease.

She watches & waters the great rack of African violets in the living room; grows wheat grass for her mother’s cat.  Other times, she sits in a high-backed wooden chair, needlepointing forests in wool, chain-smoking for hours.  Her mother will die very soon; then the daughter will put on her navy dress with a large, elaborate organdy collar and fail to draw a deep breath for several days.  The woman’s several brothers and their children will fly in from all over the country, and flower offerings will dwarf the grave itself.

After the burial, the woman will pack all sorts of mementoes into her mother’s old cedar “hope” chest:  yearbooks, diaries, photographs, diplomas, invitations, programs, baby booties, baby spoons, baby cups, even a rather grisly alligator purse, complete with the head, legs, tail & feet and sharp black claws.  When she has nightmares, more often now, she sits up all night, her fluffy gray tabby queen on her lap like a hot-water bottle.  The cat’s purring leads the woman away from the perilous mountain passes & rocky cliffsides inside her head and back to level ground, so she can help her mother die properly.  That is what proper love looks like, she thinks.

 

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To My Blood Sister

illustration two women sophia loren

When you drink, your voice thickens sweet &
lethal as syrup. I know that sweetness —
once I let it go all through me, I let it stay & stay.
I don’t know if we will cry together, like sisters,
my nose pressed against your neck, but for now
we can drink together from the same bottle &
descend as one into our true blue depths, united
by our sadness, our terrible failure to be loved
enough. I will not flinch from your bloodstained
towels, your green veins, your broken arms.
I understand why you weep for the dead —
though you never loved them. Still,
the yearning to save rises in you as bread rises,
doubling your volume, your capacity for pain.

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Where Does It Begin? a poem

.new zealand stream

Where Does It Begin?
(originally published in The Charlotte Poetry Review)

Possibly with well-steeped tea,
gooseberry jam on raisin bread,
lots and lots of idle chatter;
later, he could try daily walks

through the woods — though she
has resolved she is finished with
nature — still he persists
in pointing out the log in the creek

holding five mossy-backed turtles;
if all else fails he could try
brushing her hair in the rough manner
of a mother, offhand, impatient fussing

to decipher knots. He could place her
in a room filled with the images
of budding spring trees, on a wide,
comfortable sofa, her stockinged feet

perched lightly upon the armrest
as she reads. The sight
of the frail new leaves will work
upon her, surely? Better yet,

he could fill a bowl with fruit,
three kinds of berries,
layering green upon yellow
upon blue upon red, teasing her

with a few squares of chocolate,
protesting all the while
that he always says the opposite
of what he means. Who lived my life

until this day? she will say. I could
ask myself the same question, he will
say by way of answer, placing his hands
lightly, lightly upon her shoulders

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The Song of Women of Jaded Time, a poem

la voix humane simone signoret

The Song of Women of Jaded Time
(for François Villon)

Talk to me this instant, or don’t ever bother
talking to me again. You think your sorrow
is like a flower, you beautiful, pitiful Italian;
but you are not a paragon, not crying like this.

Underneath my foot you shall find perfection.
You are like an echo of my own will, you shall
learn to speak of my brutality all the time,
and love it. Under this river or in your hands

I shall drown — how beautiful is too much human pain.
May you sing your own black heart forever!
Listen to what I say, but don’t hear it with your ears.
Listen with your heart, you are like a blooming flower,

you wild, beautiful fool. Your injured foot is far more
beautiful than my own. Don’t repeat me, speak only
of my brutality all the time. Under the water I will drown,
or under your hands. How beautiful is too much fever,

or human pain? May you sing your black song forever!
Or, perhaps you are like the wise, able Heloise,
and my blessed foot will kick you hardest
when you are already down. Like her dim-witted

Abelard — for love, he ceased breathing. Love,
I think you resemble the king that commands
none but the harridan. First, jettison your silly bag
of river water. Long may you sing your black heart!

You are wise, and blessed, as are all ill-fated lovers.
For love, we cease living — we all resemble royalty
in this way. I command the bitch who is my deepest
self: first throw away everything you hold dear.

May you sing with your thick blackness in my life.
The queen of white is coming to lie — she chants
regally in a serene voice. I was born of Bertha
with her grand feet, she of Beatrice, Alice,

harem dancers all, colored in the main for beauty rather than wisdom.
And we come, too, from Joanna, the beautiful Swiss girl.
The English back then were belligerent, though mainly
in Rouen. Or do I see in your sad eyes, your oldest

unforgotten queen? May you sing of your black, tight
heart until the words choke you with regret, with forgiveness.
I was once a queen, of all I surveyed.
I sang with a stilted voice. My mother,

my grandmother, my great-grandmother
were all such foolish harem dancers,
too lovely to look at and let live.
And the beautiful maid who cleaned

my rooms… I was always bitchiest
to her just before the dawn. O, your
sharp eyes went through me like a sword.
May you sing your own praises until nightfall!

O Prince, do not ask to love me except for cruelty,
do not wonder where those other ladies are, this year —
what a sad refrain your unshaven face reminds me of.
I used to know someone, he was a lot like you.

May you sing lullabies to your faithless black heart!
O my lord, do not ask me to come to you out of
kindness — do not ask where I have lived until now.
What an ancient sorrow you have reopened!

May you sing this pain into the book of all eternity.

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Empire State Building, a poem

Manhattan Office Vacancy Rate Drops In Second Quarter

Empire State Building

Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —

you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,

discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest

building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you

forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed

no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,

my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?

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Columbus Park

Older Chinese men playing Chinese chess, Columbus Park, Mulberry Street, Chinatown, New York City, New York USA.

Columbus Park

Layers, on this island the pearly nacre of creation — darkness,
light swirl for my attention. Walled around the park are giant
buildings, shades of gray and brown, windows glinting,
dark mirrors. I traveled a thousand miles to get here,

to find something, the heart of something, heaven,
earth, sore feet, my own heart. I am a dry sponge,
tramping from one street to the next, darting eyes
quick to latch on, transcend movement, freeze-frame

all in memory. The benches call out to me; I can’t refuse,
down low in Manhattan, where Chinese congregate,
playing some fast game. Like mah-johngg, like dominoes,
like poker, like checkers.  And a wino passes out on the bench

next to me — his mouth gapes, his teeth darkened with decay,
his tongue moving as he breathes. I am here on my bench
otherwise alone, trying to remember my divine nature.
The fact I don’t feel full of knowledge is sure evidence

I am. Nobody ever talks about how in his twenty-ninth
year, the Buddha left his wife and child in the middle of the night
without even saying goodbye. Nobody speaks of the tears
they shed next day. Buddha’s sobbing wife

is the mother of all things, and I have never known
her name. And I know without knowing I have two
souls — the one that will die with my body, the other that will
wander the world. Everything here becomes holy;

I take the wino in my arms, feeling his foul breath
grow sweet, becoming perfume of heaven. The world blooms;
I am its soul, dancing upon the knife-blade, bleeding, but not
falling. No, not falling. As I understand, so shall I be delivered.

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Scatter Peace And Love, a prayer

Now a day man is impatience in the earth. We have no sympathy to others. Though we need to be kind as a greatest creature in nature. Because we are not beast. But lot of our activity is as like as animal. We are same blood colored human. Whereas we need to bond strong […]

via Scatter Peace & Love — Monjur Alam Rubel

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Conceived on Valentine’s Day, a poem

illustration-valentines-day-a-poem

Conceived on Valentine’s Day, a poem

In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,

and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,

smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.

They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother

at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare

after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.

She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.

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Ruby Bridges, Civil Rights Icon

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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