Category Archives: tribute

Empire State Building, a poem

Manhattan Office Vacancy Rate Drops In Second Quarter

Empire State Building

Twenty years ago we finally went to see the sights,
riding the train through flashing dim green suburb,
glassy sharp-edged slum, the skin stretched
pale and tight over your fine cheekbones —

you didn’t really know how to be afraid of death,
simply of heights and under-grounds:
you wanted always to be on the surface of the earth.
Your demise was still an abstraction,

discussed in the evening while sucking cool mints —
the natural order of things. I dragged you
all the way to the city under the water from Hoboken,
then marched you up to the roof of what was the tallest

building in the whole world when you were young.
I haven’t been here since it was built, you said,
and though the blood sank to your innards in panic,
you kept walking; I kept pushing and pulling you

forward, propelling your solid weight like a cart
loaded with spring lambs. Your hand, soft
wrinkled palm, roughened fingers speckled white
around the knuckles, gripped mine, but I showed

no mercy; I was forcing you to confront the bitter
end ahead of schedule. I was being cruel
to make you go look at the thin sparkling air
of the heavens and you knew it. But later,

my love, as you lay sweating, heavy and motionless
in your bed as though carved of wood, deprived
for weeks of even the common decency of words,
weren’t you glad you went with me once more to the top?

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Conceived on Valentine’s Day, a poem

illustration-valentines-day-a-poem

Conceived on Valentine’s Day, a poem

In the beginning, I almost hated them for bringing me into the world…
alone as egg, one floats weightless, drifting peacefully like a helium balloon,

and as sperm, one swims in ever-widening circles with serene joy.
I never approved the union: his tiny-tailed kamikaze wriggling to oblivion,

smashing headfirst into the mammalian membrane of her egg.
But now I love my frail universe; evidence of their short, fraught marriage.

They cooked me in the kitchen, first upon a midcentury, glitter-red dinette set,
then on gleaming, spotless black & white linoleum. I remember my mother

at that exact moment, the way she arched dizzily beneath him half-clothed…
her strapless formal askew, her silk stockings awry, her feet bare

after kicking off her spike heels. Barefoot & pregnant in the kitchen, she learned
quickly to live with organized madness. A love collision, a soft accident, birthed me.

She opened her soul to my father like a flower opening to the sun & he did the same;
my hands, my feet, my face suddenly called into existence by heat & explosions.

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Giant Redwoods, a poem

illustration muir woods 2

Giant Redwoods

(Statements in italics taken from Ethics, by Baruch de Spinoza)

Look farther and farther toward thin blue sky, until the green feathery tops of the trees are like the northern pole on some dream planet.  Put the anger back in its bottle. These trees are generous.  Hatred can never be good.

Your carsickness from the ride up the mountain begins to fade, leaving behind a breathless, weepy echo not unlike your first religious fervor.  Hatred is increased through return of hatred, but may be destroyed by love.

When have you not been afraid?  The random can be scrutinized for meaning, the puzzle solved, when surveyed long & carefully enough.  Anything may be accidentally the cause of either hope or fear.

These trees have plenty of time.  As a child, you stared at Jesus’ sad face for hours, wishing you could marry him  — wondering what it was that made him love you.  Could you sacrifice yourself for the sins of the world, if it was that simple & necessary? Cathedrals turn us small and vulnerable again, for reasons both blessed & cursed.  Devotion is love towards an object which astonishes us.

Vague, starry eyes like yours feel at home here; the air is weighty, burdensome & solemn. You’ve loved trees before; this is different.  These trees have plenty of time – more time than you.  If we love a thing which is like ourselves, we endeavor as much as possible to make it love us in return.

Your nerves are suddenly frozen, by the unaccustomed richness of perfect light.  Your guide is tall & slender, hesitant to speak.  Her mother has the tattooed forearm of a Polish Jew of a certain age.  The knowledge of good and evil is nothing but an idea of joy or sorrow.  Sorrow is [a hu]man’s passage from a greater to a less perfection.

These trees have plenty of time.  She touches your wrist, and for a moment, you, too, want to grow taller, leaving the surface of the earth behind forever.  Shyly, she picks up a tiny pinecone, smaller than a toy.  You both laugh when she tells you this is their seed.  Joy is [a hu]man’s passage from a less to a greater perfection.

These trees have plenty of time.  And all around, their wise, fallen, hollow bodies litter the ground like the bones of saints.  Childlike, you understand a wish to die here, never to leave this hush.  They’re only trees – your neck bent back as far as it will go; only trees, yet wondering if the giants can hear your thoughts.  Love is joy, with the accompanying idea of an external cause.  Love and desire may be excessive.  When the mind imagines its own weakness, it necessarily sorrows.

Is there anything we have less power over than our own tongues?  These trees have plenty of time, growing wise as the Buddha, in their silence.

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Conjoined Twins, a poem

illustration-conjoined-twins

Conjoined Twins, a poem

Her entire pregnancy was uneventful until the second stage
of labor. Mother pushed and pushed, but we babies could not
budge. Surgeons came, made quick cuts necessary to disengage
us from the womb — found our joined skulls, an impudent topknot.

Mother wouldn’t let them separate us, she said the risk
outweighed the benefits. We learned to walk as best we
could; I, the taller, faced front in hopeful arabesque
while Sister followed. She didn’t mind, droll legatee

of my cranium, girl I never see. Despite our closeness,
we live in opposite ways; I view her face only in mirrors,
with my one good eye — our skin melts together, flawless,
pearly. A nice thing is, we never suffered night terrors.

We have never been alone. When they say, look, Siamese
twins, I want to scream. That is not the proper name for
our arrangement. Sister says, let them talk — I think she’s
crazy to let it pass, but I don’t say that. A big furor

won’t help at all. One trick we are good at is peace.
Negotiation has been our forte since that first incomplete
division; the moment each cell refused the other’s release.
We have minds of our own, thank god, and life is sweet

when you know where you’re bound. I go off to work,
Sister goes too. I sing while I type up my data, she reads
her mysteries, we break for lunch. My boss goes berserk
every once in a while; he’s got the same kinds of needs

for perfection we all possess. The one worry I have
not tamed is which of us will die first. I hope
it’s not me — how would she walk? I am the brave
one, the one who catches bugs. I would try to cope

without her. Once, in the night when she fell sick
with the flu, I held her until the shaking stopped,
until the fever broke. I wondered then, all dyadic
jokes aside, what if we had been cut apart, clipped

early into two separate forms? If it ever comes, will life
on my own be any easier? I’d save some of her long hair,
for sweet remembrance. She’d be a sharp phantom pain, a wolf-
gray stone with my birthday — my head a floating solitaire.

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Notes From The Unconscious, a poem

illustration-notes-from-the-unconscious

Notes From The Unconscious

Run me languid over a rusty road,
and you behind, laughing to pursue…
Take only my smooth love chain,
kiss me softly, without injury.

I am essential and lusty…
I will drive through it for her leg diamonds,
and use him at those bare places.
To sea and gone were the sweet peach thousand.

The blood goddess is frantic…
She knows how hard loving is.
All delicate language has arms of iron, so
sing elaborate love from your tongue.

How have I dreamed sordid roses?
Rob them of a tiny pink eternity….
As bees nuzzle, so shall I dive into you,
and sniff your scent like a mama bear.

A man I used to know lives less than anyone
under wool suits. He rips up rocks
as meat, then he must finger petals.
He has no idea this is happening.

For years, I floated bitter in a black lake…
I said, please, no beating,
leave out the ugly juice,
don’t make me drink any more.

No one listened. My eyes turned
red like woman vision…
I am still weaker & falling,
after death, beauty may ache raw & blue.

He let a void crush what we incubated….
Did it in my white bed.
One milk moan from an infants’
fresh red lips, haunting me forever.
Boil away the mist with lick power.
Heave away or use an apparatus….
Near the TV, these fiddles cry for feet
to dance and obliterate pain.

Our sad summer was like a repulsive
shadow of fluff. I floated like a dandelion seed.
But winter could recall a sweet day chant
with cool water, trips to the country like lazy sun…

Did the purple smear on the wall show size?
Why can the mad beautiful boy shake?
I watch a friend produce a luscious lie.
None trudge after me, but time will swim easy…

Blow your smoky symphony,
my green cloud angel,
and put the sacred blaze against a woman,
melting her like caramel.

Dirt will come and time bring ice,
so heal your broken voice, shed the marble
surrounding you like a deep bone prison,
while I bleed champagne.

Ask your heart to squirm, remember
the ship of spring, seek air blue kisses,
pierce the morning, know the color of liquid
magic, speak in a velvet stream, and love me.

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How Art Thou Received? (a prayer for refugees)

How Art Thou Received? (a prayer for refugees)

Imagine: suddenly, without warning (because that is how war arrives) you are a war refugee! Simply running away from being murdered. And how are you received when you can finally stop running, when you are out of range of the guns, the bombs, the blood? No countries to take you. No one to feed you. You are a skeletal pawn in a skeletal game.

Embalmed corpses declare war on the living and fight for their “territory” against other embalmed corpses using armies of young people; embalmed corpses feeding on fresh, young blood.

I know something is very wrong, somewhere. It must be addressed, and addressed properly. Our prayer, our incantation, our spell to heal, must be more powerfully crafted, more distilled, more essential, than was the horrid spell we are trying to break: a tradition of might over right, strong but wrong, a spell of ignorance which has caused so much harm, and is trying to do more… powered by the love of power, the love of control over people.

The scarred parts of the heart can be replenished; the broken parts, glued; the weak parts, strengthened; the fear assuaged, the pain relieved. But the desire to change, to truly alchemize oneself, spin that straw into gold… the gold of the sun… the silver of the stars… the red planet… the North Star… primal navigation by looking not at the ground, but by looking up, to the sky… that kind of desire doesn’t visit often.

If you want to know where you are going, be sure your map is accurate, or at least doesn’t kill you. Migrating birds know this. Power & Liberation. Slave & free. Joy & Suffering. High & low.

Craving slaves, some are trying to roll us back to serfdom, only they can use our own science & technology to rape us! Serfdom: tied by birth to land. You are a pawn, a source of income; in thrall to your Lord and Master. Freeing serfs is always a struggle. Brute force arm-wrestles the human race, and brute force often pins people to the mat, but… you cannot keep people down for long. The oppressed will continue to spring up and defend their inalienable human rights. All people are created equal: including our ancestors, who existed long before the self-anointed first “private property” owners. Human beings are endowed by their creator with certain inalienable rights, yes? The earth cannot belong to any one of us. Period. We own this planet. All of us.

 

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Meet Nana Awere Damoah: The Ghanaian Voice of Objectivity and Reason

A great interview, an interesting dialogue, a thought provoking interviewer! Hallelujah!

Mum C writes

Nana Awere Damoah is my guest post for today. He is a man with brains and an objective voice. I can say he is the writer with the voice of reason in Ghana. His words “Ghanamonosyncratic nsempiisims” stuck with me from his book, I speak of Ghana where he presented all things as they seem in Ghana. I am very glad to have the honour of this interview with a true Ghanaian patriot.

NANA AWERE DAMOAH NANA AWERE DAMOAH

AMOAFOWAA:

Nana, please tell us about you, from birth to now in summary.

NANA:

Thanks for this opportunity, Mum C. I was born 39 years ago in a taxi on its way from Kotobabi to Korle-bu. My brother remembers the registration number of the taxi and says someone (I can’t remember who) won the lottery with the numbers the week after I was born! My family were staying in a compound house at Abavanna…

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