Tag Archives: poetry

Crocuses, a poem

illustration crocuses

Crocuses, a poem

 

I.  Signs of Spring

Suddenly, there they were by the front door,

and at my son’s preschool — purple and yellow

and green, poking through the snow

like small erections, out of the body of the earth,

the earth’s slumbering winter body.

My husband was always at work then,

they, the flowers, were my best companions.

“God is!” they said. “We’re God’s greatest effort,” they said,

“We’re God’s peeping blooms, despair must go to sleep,

and all creatures must go out of their lairs to frolic.”

My husband did not feel the urge.

 

II.  The Mole

Such loneliness I had battled all winter!

I made chicken, hot crescent rolls,

and buttered beans to make us happy,

but my husband was never hungry.

Lots of things took his appetite clean away.

I hadn’t scrubbed the toilet in two weeks,

this distressed him, he was a stern master.

The crocuses were so calm and forgiving,

purple and yellow like bruises;

my husband inflicted bruises without knowing.

He could not see, or did not want to.

His face lit up upon our child, that was all.

He was too important to sweep, or dust, or scrub.

I was the babysitter. I was happy with the crocuses,

and then one day, a dead mole; my son didn’t know

what dead meant, so I had to explain it.

He petted the soft fur, wanted to snuggle it

to his cheek. We paid homage to the mole.

We buried it under the snow, amid the crocuses.

 

III.   Troubling Questions

My husband didn’t know the bruises he left behind;

the flowers were my trusted companions.

His face lit up, gazing upon his son,

his finest possession; my husband would jerk him

away from me, hate in his eyes, when the crying boy

awoke in the night. The crocuses poked their heads out,

asking questions I couldn’t answer. My husband

didn’t want to see the bruises, or he was colorblind.

He was too important to notice the marks.

The crocuses asked, “Where is pleasure?”

“Not here,” I said. “Maybe next door?”

 

IV.  The Body’s Lament

The earth’s body was waking up,

but mine wasn’t, my husband was too important

to worry about my body. The head of his penis

was purple like the crocuses, but it asked no questions.

His body was warm, but not for me:

for the pure idea of sex, the attractive notion.

He wanted a thinner, more charming woman

with a better degree, one who would clean the house

more often, and with a smile.

Oh, he wanted a warm, dark place to set

himself, but one with no conversation.

As I put away the winter wools, the smell of mothballs,

white, crystalline like snow, inflamed my fears.

When the rest of spring arrived,

the warm air did not ease the tightness,

the block of ice around my heart.

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Mr. Rogers Visits Koko the Gorilla, a poem

illustration mr rogers visits koko the gorilla

Mr. Rogers Visits Koko the Gorilla, a poem

 

Koko was clearly in love with him.

He was the human equivalent

 

of what in her world would be a male silverback

& I think she would have adopted him into her tribe

 

in a heartbeat. She took his shoes & socks off

& tickled his feet & pressed them to her own.

 

She kissed his hands & groomed his face & hair

with her fingertips. She wanted his gold cufflinks

 

(to remember him by) & you could hear the anxiety

in his voice when he said “My grandfather

 

gave those to me.” Really, really hoping

he was going to get away still possessing

 

his treasured cufflinks. What if Koko

had insisted? Would Penny have been able

 

to talk her out of it? Distract her to something else?

Mr. Rogers seemed nervous but in awe

 

at the communion with such a “being,”

as he called her. She flirted, playing

 

peekaboo with him, her large eyes knowing & coy

from underneath a cloth covered with pictures of kittens.

 

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Violet Crown, a fable

illustration just me and god

Violet Crown, a fable

It took a long time for the dreams to come back.

(The dreams took a long time to come back.)

Her parrot knew before anyone.

The city of the violet crown.

No one escapes the labyrinth. Not even the dissolute rich.

The oracle sighed, and filled her pen with blue ink:

I know you intimately; I know the way your eyes move,
across the landscape. I realize how we live.  It’s not a sin;
you want the love you got in the beginning.  You want to
change your size, your shape, and your life. Where you
will be drawn, and in what order?  One woman you know
will stop at the color green, another woman dreams
of strangers as she sleeps next to her husband of fifty years.
That man will drink his coffee black, that one will slap
his daughter so hard she feels her cheekbones vibrating
for hours. Remember before you were born; remember
not having to breathe?  Imagine that stillness, that beauty
of the womb.  Let me remind you.  It was shielded
from the world, no sharp edges anywhere.  You and you
and you and you… your taut plum of a heart beat.
One day we will be there again, our blood will soar,
the sparkle sparkle sparkle of life.  The moonlight there
will be as pale and as reflective as new snow.
Your worry-lines will gradually fall away. To forget
your longing, you agonize daily, hourly: the beans
or the meatloaf?  The blue shirt or the yellow?  Toward the sea…
or the mountains?  Marry Paul or James?  As the crow flies,
or the long, winding road? We were together, you and I,
even when you thought no one could see — I watched
the way you lied, cooked the books, phoned for drugs,
delivered Chinese take-out.  You made yourself
important, taller, richer, more attractive.  Time for courage,
time for facts.  You have always been, are, will be loved.

 

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Muir Woods, a poem

illustration muir woods

Muir Woods, a poem

 

The eye is drawn, farther and farther

toward thin blue sky until the green feathery

 

tops of the trees are like the northern pole

on some dream planet. Your carsickness

 

from the ride up the mountain begins to fade,

leaving behind a breathless, weepy echo

 

not unlike your first religious fervor.

Then, you stared at Jesus’ sad face for hours,

 

wondering what it was that made him

love you. Here, it is the usual paralysis,

 

nerves made dumb by the unaccustomed

richness of perfect light. Vague, starry eyes

 

like yours feel at home. The air is weighty,

burdensome, solemn. Tall and slender, your guide

 

touches your wrist, and for a moment, you too

want to leave the surface of the earth

 

forever. Shyly, she picks up a tiny

pinecone, smaller than a toy. You laugh

 

when she tells you this is their seed:

all around, their ravaged, hollow

 

corpses litter the ground

like the bones of God.

 

In this place you feel helpless,

childlike, and you can understand a wish

 

to die here, never leave this hush.

They’re only trees, you tell yourself.

 

Yes, only trees, you think, standing still with

your neck bent back; wondering if they hear you.

 

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Going To Sea, a poem

Apache, 105-foot D. Presles and J. Pierrejean charter yacht

illustration barry huplits high school photo

 

Going To Sea

(for Barry Huplits)

 

She is a great white boat, carved

of wood, lacquered to a blinding

sheen, her sails immense, floating

 

over my head like the wings

of a fearsome angel. I sit

on her prow, clinging to the slight

 

metal rail, and together we leap

over the waves like some illiterate,

dangerous god. I am a mermaid,

 

a brightly colored figurehead,

thrust into the salt spray to bring luck.

The power of the water flings me to and fro,

 

but I hold fast, panting, the rich smell

of the sea making me drunk. As we pass

the ragged rock walls of the inlet,

 

I see the towering dwellings of men,

though these quickly fall behind our path,

growing tiny, frail to the elements

 

I have momentarily harnessed. We brush

great clumps of weeds, then the color beneath

changes from murky green to depthless indigo,

 

the froth of the peaks suddenly

light, riddled airy like the childish,

gladdened heart inside my chest.

 

In my net are jerking glass shrimp,

Tiny, tassled fish that look like

bits of leaf, one lone needle-nosed

 

eel, sinuous even in his distress,

and when I have stared long enough,

I fling them back to their wet lives

 

without regret. Under the sharp

edges of the sun, skin grows heated,

reddened as if by love’s rough brush,

 

yet we keep on, moving into the horizon,

towards the vanished place of wildness,

full of an impeccable, golden light.

 

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Rosalia (Rosa multiflora), a poem

illustration rosalia

Rosalia (December 13, 1918 – December 6, 1920), was a child who died of pneumonia.  Her father was so grieved by her death, he hired a famous embalmer to preserve her body.  It is still nearly perfectly preserved, nearly 100 years later.  This poem was written after observing a  garden near her tomb, planted with the flower she was named for, Rosa multiflora, commonly called Rosalia, an especially fragrant and vigorous climbing rose.

 

Rosalia (Rosa multiflora)

 

The haughty snail rears up, large and indolent,

its creamy shell ponderous, though rakishly tilted.

The knowing eyes unfurl on stalks greyish-violet,

above tender undulate flesh, faintly quilted

 

as if by past misdeeds. Near a warm slate path

thrust through the damask-brown earth, a small bird

dips wings, cocks head, perches on the birdbath

shaped in the lithe innocence of a fair-haired

 

Roman cherub. The rose-heads swoon in the sun,

lazy petals curled inward to form delicate bowls

ravished by enormous bees, whose silvery finespun

wings vibrate, ceaseless keepers of love’s oversoul.

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Fast Food, poem

illustration fast food

Fast Food

 

Even a trip to the local burger joint

is a fright show these days. I observe

 

with alarm a flock of silvery shriveled

biddies: granted, every one of them’s

 

probably some kind of genius right down

to her to gnarled toetips, but as we all

 

know, the quality most admired in women

is not wisdom but rather, blank-eyed youth.

 

I myself am sliding down that gentle curving

slope to total invisibility, and worse;

 

in their gentle faces I read the pounded

knowledge of tasks left undone, words not

 

spoken, tricks never learned. One woman’s

eyes, set deep in bluish sockets, slide over

 

my small daughter’s body like guilty, halting

fingers. I know she remembers watching her own daughter

 

sleep night after night, I know exactly how she used to stand

over the child’s bed listening to the sweet

 

melody of inhale, exhale, sigh, feeling

against her wrist the exhilarating rhythm

 

of the flying hummingbird heart of her sleeping child.  Now, she smiles

to herself, clutching her cup of steaming coffee,

 

and nods.  Near her, at a different table,  is a young man, his hair

a glowing honey-blonde, drawn back tight

 

into a long, curling ponytail, and from his earlobe

dangles a dull silver cross.  His narrow hips barely

 

support his work pants, and in profile his perfect, cruel,

unshaven features promise every solemn gawker,

 

male or female, an expensive though unique mistake.

And I realize we are all here for the same thing: to fill up our

 

insides with this cheap, warm sustenance, to travel

homeward bearing an approximation of what we really

 

long for, which is to keep scrambling for the same

small favors tomorrow, the next day, and the next.

 

I find myself crying (for all of us) and stage-cough, pretending allergies,

wiping my eyes under my sunglasses and blowing my nose into my paper napkin.

 

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The Healer and I, a prose poem

Kimberly Townsend Palmer's avatarKimberly Townsend Palmer

Image

The Healer and I

Fay, the healer and I, the subject, both consult my body in its entirety.  Fay directs me to examine the sensations within this body, the instrument of change I have placed upon her table.  There is first the feeling of water dripping, ice melting, inside the body.  The dripping is insistent, patient, slow.  The water is flowing from the head to the feet, and from the feet down into the earth itself.

What is melting the ice?  Light, and heat, from a source outside the body.  The ice melts, bringing forgotten memories & feelings.  A vision of mountaintops, sheathed in ice, but below the ice, green plants wait, alive, waiting to raise their heads, once the ice is gone.  Luxuriant jungle foliage, frozen water holding it down.  The ice melts, the water is freed — the water nourishes the plants growing on the mountainside.  The water…

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Fluidity, a poem

illustration fluidity

Fluidity, a poem

Her dress–the color of pool water, printed with bright tropical flowers,

her earrings, falling beads like particles of sunlight on water, her hair, silvery-blonde, cascading down one side of her face like water, or frozen water… she is cool, refreshing, drinkable.

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Trying To Explain, a poem

illustration trying to explain

Trying to Explain, a poem

How do you explain to outsiders what was bad about the marriage?

Take them down the aisle with you, make them wear the white satin dress so stiff and heavy, embroidered with pearls, it left deep red welts for 24 hours.

Was your first inkling when, on the way to the honeymoon bed, he had to stop to get the car washed?  Next, take them with you to the hotel room where there was nothing, absolutely nothing left to talk about.  Put on the black nightgown he requested and hunger for food if nothing else, order room service, you wanted a juicy cheeseburger, he even found fault in that.  He had steak, rare.  It was his wedding night, after all.

Don’t forget how his education was far superior to yours, he had worked harder for everything he possessed, including you.  His mental health put you to shame.  You were so tired from getting married you fell asleep before having sex.  Next morning it occurred to you it wasn’t too late, you could still get out on a technicality.  Mistakes get made, are remedied 9 years later.

In between the first day and the last, hordes of memories press between the sheets.  Detritus from a dying institution.  Tell them about your body, how it remained cold, so cold even the touch of a well-educated fool couldn’t wake it.  Give examples:  he called you a bitch 78 times, neurotic, 207 times, a whining baby, 134 times… tell me, how many times was too many?

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