Monthly Archives: June 2013

SUMMER EVENING, BEAUMONT, a poem

illustration summer evening beaumont wash post logo

“Ugly catcalls have taken their toll on Bill Simpson and John DecQuir. After just six months,Vidor‘s only remaining black residents are packing their bags, frightened by too many instances of harassment.

“There are good people here, don’t get me wrong,” said Simpson, who moved from nearbyBeaumont. “But it’s overshadowed by the negativity, the hostility, the bigotry of this town.”

A federal judge last year ordered the eastern Texas town, home to 11,000 whites, to desegregate its 70-unit public housing complex. A few blacks moved in last February — the town’s first black residents in at least 70 years. When they walked through town, they were hailed with racist …”

Summer Evening, Beaumont

I was not there. I am only an observer.
The four-year old on his tricycle is
dressed for the heat in loose shorts
and nothing else. His hair appears

disarrayed as he stares at the ground.
The back of his bare skull is as finely
carved as a newborn’s, the delicate
shadows of his shoulder bones ask for

touch. The clumsy chalk lines on the
pavement are from a murder and he
knows it — the blood came out last
night as the torpid sun was going down.

This boy has to make stories up in
his head, but the shy universe he
creates is a notion he’ll never share.
I was not there. I am only an observer.

The dead man was 300 pounds and didn’t
talk much, as he, too, was waiting for a
miracle. Gang members used five or six
bullets, then ran away without taking his

wallet, the item they wanted most of all.
I was not there. I am only an observer.
Hours earlier, the victim had left his
rented home in all-white Vidor; he told

how the folks there threatened to hang him,
he told how lonely it was to wake up every
day and remember where he was. He wasn’t
afraid, he said, just tired of fighting.

1 Comment

Filed under poetry

notes from september 18, 2001: richard

illustration rastafarian man

Notes from September 18, 2001: Richard

That morning, I heard my three-year-old daughter wake up and say with delight, “It’s not dark out anymore.” I went in and saw her already sitting up in bed — the brilliant sunlight streaming in through the pink, translucent curtain of her bedroom — and saw how her head was haloed, as usual, by what resembled the pale, disorderly golden floss some people put on their Christmas trees. Angel hair — she was a tousled, blinking pink-and-gold person, recently emerged from babyhood.

“That’s right,” I said. “It’s not dark out anymore. Good morning.” She flopped back down and remained lying in her bed, even after I folded her white net safety-rail down. “What a beautiful girl,” I said, smiling down at her.

“I can’t get up,” she said.

“Why not?” I asked.

“I can’t get up because I’m dead.”

My heart darted out of my chest, chirping and flapping and shedding feathers like a startled wren but somehow I managed to feign businesslike nonchalance and smile reassuringly. “You’re not dead.” The effects of the terrorist attacks one week ago had filtered all the way down to toddlers far away in Florida.

Well, later that morning, after dropping her at her baby-sitter’s, I stopped at a mini-market at S.E. 9th Street and University Avenue to get a bottle of water. As I pulled up, there was a guy tottering oddly across the sidewalk in front of the market, very tall and skinny, and his long, skinny pink tongue hung out like a dog’s, quivering with each stride. I hoped — no, prayed — that he would not speak to me. He stood in front of me at the counter to purchase a bottle of cheap wine with some very tattered, dirty money. His coins were coated with sand and dirt, and the clerk swept them into a pile then covered them with a napkin as he left the store. I paid for my water. Several middle-aged men stood talking energetically while their lottery tickets printed out.

After paying for the water, I walked to my car and there stood a tall, picturesque man, vibrant and attractive even though missing most of his teeth. He wore a black cap with stars embroidered along the front: three black stars, on a vivid yellow ribbon band. A paler yellow jumpsuit, a long beaded necklace — and long, luxuriant dreadlocks. He wore a couple of rings on his hands, a small silver nose-ring, and a gold earring in his left ear. He was quite handsome, though at the same time I could tell he’d recently been through some very hard times, and probably had been in those bad times for a quite a while.

For a second, I worried, because of the other man, and that man’s obvious level of dissociation with the world (I really had prayed to avoid him), but in a second of observing this man, I knew I was on much more solid ground. I wouldn’t be talking to a total lunatic. He held out to me a book — a Bible — and said he had just seen someone throw it in the trash, and God had told him to get it out and now pass it on to me. I took the book from him, bedraggled and slightly crusted on the cover with God-knows-what. I felt instantly ashamed for worrying what germs might be on the cover of the old, battered Bible, but I forced myself to disregard that, and act untroubled.

During our brief chat, he told me he was a Vietnam veteran. He pulled out a battered leather wallet and showed me his VA Hospital ID, which I knew to be genuine, as I have seen others: his picture was on it, and his name and date of birth. He was born Christmas Day, 1947.  I cannot remember his last name, only his first name, Richard, the same as my father’s.  I looked at the ID and then back at his face, and what I saw was an honorable man, intelligence shining out through his eyes, but also in his eyes a sadness that probably ran deeper than I could ever imagine. His radiance and his sorrow ran through me like a knife, because of my very-realistic fear we’ll now be in another war – one which will kill many young men and destroy the spirits of many more. I was suddenly and inexplicably paralyzed by grief for him, as a veteran, as a street person, as someone now obviously fairly troubled in life. I saw him as he must have been, all those years ago, young and strong and relatively unscarred, and the breath caught in my chest, seeing him both then and now in the very same instant.

After a few moments, he asked very gently and politely if I had any money I could give him to buy some coffee. I was so happy he asked for something, so I could give him something. Ordinarily, I would give someone in this situation a few dollars, but I gave him $20 — I just wanted to give him something. Nobody can give him back what he lost, and money is a poor substitute for what he lost, but it’s a substitute nonetheless. Money and kindness are all we can really give. He went inside, and I buckled my seatbelt, turned on the car, grabbed the steering wheel, but then sank down over it, clutching it, sobbing for the first time in a long time, not caring in the slightest who saw me or heard me. It felt like a release; I only wish it had gone on longer. He came out with his coffee, saw me hunched over sobbing, and got alarmed — he knocked on my window.

“Are you okay?” he asked. Genuine concern; sincere compassion. I can detect those things in other people from the slightest of nonverbal cues, unguarded genuineness and sincerity are so rare in this world. His sincerity made it better, but also worse at the same time.

“I’m okay,” I choked out between sobs. “It’s just this whole thing.” He didn’t have to ask what I meant, because of course he already knew. The power of these events to affect us has crossed every kind of barrier — sex, race, socioeconomic status, education level, sanity level — we’re all family right now. I rolled down the window and he embraced me. I was grateful for the human compassion, pure and simple. His smell was strong and complicated, some of the notes pleasant, some sour, but oh, so real and human and I drank it in, all of it, the bitter and the sweet, a primal metaphor for this crazy life itself. He asked, tentatively and graciously, could he sit with me a while.
“Yes,” I answered. “Please.”

He started to talk, and I listened, giving him my fullest attention. I bonded with him in a way I’ve never bonded with any stranger in such a short time. I guess we spent about an hour together. Richard, from West Virginia. He is a Vietnam veteran, former Marine, former POW. He talked generally about what he was trained to do in the Marines, but said he didn’t want to tell me anything too specific about his experiences during the war — he said women shouldn’t ever hear such things. We talked about everything there is for human beings to talk about and he read to me from the Psalms and Matthew. So devout, so earnest, he held my hand in his while he read Scripture, ministering to me like a Sister.

In fact, he had been in the past a minister, he said, and from his familiarity with the chapters of the Bible I knew he wasn’t exaggerating. He has two living daughters, now grown, and another daughter who died at age two, just two years ago, from a heart ailment. He has his deceased baby’s name tattooed on his shoulder, plus three scars from cigarette burns — two for each of her birthdays, and a third for the day she died. He cried twice with me, once while talking about her — Zaidyn — and a second time while talking about how his stepfather used to beat his mother, years ago. He told me he still calls his mother “Mommy” when he calls her on the phone.

“Do you think that’s stupid?” he asked. “For a grown man to say, Mommy?”

“Absolutely not,” I answered. “I think it’s wonderful. I think more grown men should.”

He has been barred from our local homeless shelter, St. Francis house, for two years for giving food he obtained there to someone else. It’s a rule there, you’re not supposed to do that, share your rations. What a dehumanizing policy. It’s our basic need, to share. Damn them for that. He lived in Jamaica at some point for five years, his grandfather was born there. One of his grandmothers was a full-blooded Cherokee. He had played conga drums with Bob Marley.

I felt, I think, something like the presence of what human beings call the Divine. Divine love. I comforted him, he comforted me. I gave him another $20, all I had left in my wallet. He blessed me, I blessed him back with all my heart.

He still played conga drums around town. He knew of Ajamu Mutima, another drummer. “Another tall, skinny dude with dreads,” he said, laughing. As Richard and I spoke, I thought often of my father, and my stepmother Dorothy (his African-American wife), and of the rich heritage from Africa we all need to embrace.

He spoke of his lost two-year-old saying to him “I love you, Dada.” As a fellow parent, I knew how precious those words were. His pain at her loss, I felt it palpably, physically.

He knew when to end the interaction, and for that too, I was grateful, as I was overwhelmed and needed to go off and write it all down so I would never forget. Though I didn’t want to break our contact, I somehow understood it had to be broken, because it had been so miraculous, we had gotten so much from each other, we didn’t want anything to detract from the miracle. We didn’t want to descend into ordinariness with each other. He didn’t want it to end, either, but he was gracious enough to know to end it. Restraint can be admirable; sometimes, less is indeed more. But we were both reluctant to leave each other, and when I started the car and put it in reverse, he approached the window one more time. And that, too, was perfect.

Because he asked me, at the end, the question that made it all even more clear, more passionate and more profound. The question that made it, well, I don’t use this word much, but there is no other word to use in English — perfect.

“Did you feel it, too?” he asked me. He looked at me, searching my face with his deep brown eyes, eyes that held the world in that moment. Eyes I wanted to fall into.

I knew precisely what he meant, and I had indeed felt it. He had asked a question I couldn’t even have begun to formulate, so overcome was I with my feelings. “Yes,” I answered. “Yes,” I repeated, nodding to him with absolute recognition, and with that he leaned in and embraced me with joyous intensity for one final moment. I returned his affection as I would return my own child’s, or my mother’s. I am profoundly grateful, and I will never forget him. It’s true, Mystery can manifest in the most unlikely ways. We fell together like long-lost twins, then slowly let each other go.  Without saying much of anything but “Did you feel it, too,” and “yes,” we both knew without doubt that he was a noble person with an eternal soul, and so was I, and we had finally found each other for all eternity in a single hour. The force resonating through our bodies was Divine.

6 Comments

Filed under 9/11, bible, daughters, fatherhood, memoir, notes, peace, rastafarian, veterans, war

(Love is like a) Chain of Possession, a prose poem

img245

(Love is like a) Chain of Possession

My black cat is a shadow — with yellow eyes.  She yawns, and the startling pink of her mouth lies exposed.  Fangs of unbelievable sharpness.  How is it she refrains from using them on me?  I feed her, I pet her, I clean up her waste.  She kneads my lap, sharp needles encased in velvet.  I, too, am a cat — fangs and claws hidden in softness.  The illusion of receptivity.  The startling pink of the vagina yawns with boredom.  We need more air, moving air, air to ruffle our fur and wake us from this somnolence.

Sweet sleepiness like honey — clear and amber and sticky.  I coat your penis in honey, taste the sweetness, but it isn’t enough.  I want something wilder, something dangerous.  the fascination with death, with destruction, with smoking cigarettes.  The power of the flame to obliterate.  My heart alternately rages fierce, then trembles, vibrates like a small bird, poised for flight.  I cannot be tamed.  Mama tamed herself with scotch whiskey — damped her needs with ice and amber fluid; put out the flame.  She gave me my first black cat, hoping I could fly her dreams for her.  She only hated me for my freedom, her gift.

I fished, as a child, like a woman possessed:  dragging flailing body after flailing body out of the murky canal water, trying to birth myself in a way mama had not.  I felt mingled pity and disdain for my prey — threw them all back, gasping, bleeding, yet they bolted for the depths in a flash, hurrying back toward the life I had interrupted.  I toyed with the puffers, watched them inflate soft white bellies, gleaming, pearly.  They squawked in protest.  sometimes, a spot of blood where i removed the hook.  They all went back to the water.  my canal, my lover — a cool finger of brackish life.

Later, I gave birth to a child, paid for my pleasure, all that fishing, all that lust.  The child’s father held my hand, blinking in the shadows, gazing in mute stillness at the bloody pink and white body, as she opened her tiny mouth to swallow us both.  Her gums, naked yet as hold-fast as iron bars.  She felt the air upon her skin and screamed her agony, her ecstasy, her freedom.  She stared into my eyes, then swallowed my heart.  She breathed and sucked and smiled sweetly in her sleep.  Her first cat will be black, and she will bolt from my life as quickly and painfully as she entered.

I will never stop wanting a lover.  The need satisfied will spin a chain, a golden chain rattling in the dark.  I am terrified by my own strength.  I sleep, I wake, I begin again.  twirling life, twirling death, dancing in my room like a madwoman.  My cat watches, crouched to spring, her eyes thin slits of light.  Someday, she will swallow me.  My lover’s eyes create of me a woman possessed.  Spirit of the feline.; needles waiting in black velvet.  Swollen flowers meet, and cannot part; he is mine.

Leave a comment

Filed under prose poetry

the getaway plan, a poem

img163

The Getaway Plan (Late Fall, 2001)

I am on the phone
with my neighbor
who has the most delicate
blue eyes in all the world
jeweled inside tissue-thin lids
listening to her evacuation plan

my own words
fail me
my chest is tight
my ribcage bound with steel
bands of dread

three days’ worth of food
she tells me
and don’t forget your
important papers

while I’m trying to decide
what the word important
means anymore
my three-year-old cries
for gummi bears

she’s had too much
candy already this night
because when she kneels
and cries, begging for more
I can’t say no

what terrifies me most
is a vision of her
as she might end up, should the world
melt around us
and leave us where mothers and babies
get ground into dust

a place with no pity
where her eyes stop shining
with tears for candy
a place where her eyes
stop shining altogether

my 78-year-old neighbor
a beautiful woman
with glowing silver hair
that caresses her neck
like my grandmother’s once did
tells me exactly what I should pack
so we can leave immediately
just in case they blow up
the three nuclear reactors
in our state
the closest just 70 miles away

she’s got maps of the wind currents
so we’ll know which road to take

she says Florida will never
be habitable again
and I think of the gopher tortoise
who lives out near the barn
how when I mow the field
I so carefully avoid its burrow
because it’s endangered

I see it crossing the dirt road
every couple of days
our eyes always meet but
I’m sure it won’t remember me
after I’m gone

and all the while she talks
I am trying to breathe
and act as though
I am going to keep my children
safe from harm

but there’s something wrong
with my chest
it’s those steel bands

Leave a comment

Filed under poetry

in defense of lawyers, a prose poem

illustration defense of lawyers quote anton-chekhov

quote:  anton chekhov

 

In Defense of Lawyers

Inevitably, a person’s defense of an idea becomes most impassioned just before they cease to believe in it altogether. Passion comes to open the way for the loss of innocence: the world we once loved is lost. What does this say about the plight of lawyers? They shoulder the breach of your dreams for simple cash and nothing more. Everybody sympathizes with garbage men: well, somebody’s got to do it. Lawyers handle the garbage of the soul.

I myself had clients I believed in — false teeth and all, I took them to my heart; well, somebody’s got to do it. I wasn’t unusual in this regard; it’s a phase all of us go through. Granted, most people don’t understand our system of laws. We’re born into this web of relationships, whether we like it or not. No way to opt out, though I always kept one eye open in hopes of that promised loophole, wanting to wriggle away from society’s tight grip like a stray dog out of a stiff new collar. Nobody, not even a liar, wants to live in a cage; we all went to law school to figure out how to open the cage doors. What we found is that there is no way out, not ever. For all of us, the only sure finish is bankruptcy, or death.

Yet, there came the day I wanted only to crawl under my desk and stay there. My client had informed me he would lie to the judge. All the rules about keeping quiet were no comfort. I could no more allow him to lie than I could rip out my own intestines. I wept, in the ladies’ room, wanting to die of a broken heart and have it over that way. My client lost, no fault of mine. I’m sorry, I told him. He spit in my face, coming close, pointing his weathered index finger like a weapon. You being sorry doesn’t help me, he yelled. I feared he would strike me. That day was my last hearing ever. Everyone blames their lawyer for what happens later — no one talks about the price lawyers have paid, in dreams.

5 Comments

Filed under poetry, prose poetry

Inside the Emerald, a short story

 

illustration inside the emerald

(originally published in Snake Nation Review)

Inside the Emerald

Brett sat on my kitchen counter — ancient, mottled pink and gray Formica — wearing tight corduroy jeans, cut off at mid-thigh. My eyes couldn’t stay away from his meaty, shaved bicyclist’s legs, hanging there, swaying, his feet clad in hiking boots. Brett’s bulk scared me, but on another level it seemed clownish. He was trying to seduce me, but it wasn’t working. He couldn’t get things moving: he seemed pendulous, awkward.

Besides which, I couldn’t stand his beard. It was one of those really long ones; it touched his chest. It made me think of old age, of death and decomposition and depressing black-and- white movies. He looked freakish, a cultural throwback; the medieval flagellant, the cold-weather mountain man.

“Let’s have a love affair,” he said. His voice was pinched, immobilized in the hairs of his nose, but also vibrating deep inside his chest, grumbly, as if emanating from some internal conjoined twin. He sounded like a crabby Yogi Bear — if it could ever be in Yogi’s nature to growl. Brett’s words issued as moist, cartoonish blips from his vulnerable, full-lipped mouth — crazily out of place — which he had tried, rightly but in vain, to shroud with the man-o-the- mountain facial hair. He paused, and I heard him inhale with dramatic volume. Even with my back turned, I felt him: the usual Bela Lugosi, eye-piercing stare. My father used to stare just like that.

I knew Brett was trying — as best he could, considering all he had to work with was my back — to gauge my response to the small bomb he had dropped, but I was better than he was at the Noel Coward pause-and-inhale stuff. I learned that kind of fencing with my dad, pinked and bloodied up one side and down the other over the years by the old man’s twisted paternal style. So I didn’t allow Brett the satisfaction of any reaction. Not yet. I stood there like a precision-cast-vinyl replica of a woman, my head and neck frozen. My hands continued to move in the soapy sink, washing the plates we had eaten our Chinese take-out lunch off of.

He went on with it, nonetheless. He tackled it the way he tackled most things: wielding his big mountain man shovel, putting his big hiking boot foot on it and wedging it down into the deep black dirt, getting ready to lever it up and begin digging the hole he would plant himself in. What he didn’t understand was that the dirt he sought, underneath a thin black velvet glaze of allure, was full of rocks, chock full of scattered rocks and broken glass and rusted out tin cans, no good for growing anything, let alone a love affair. He didn’t know me like he thought he did.

“Let’s read poetry to each other naked in bed,” he said. “What do you say? Maybe delve into the eighteenth century romantics?” He cocked his big head, drooping it to one side as if his neck was a weak green twig or something. He looked silly, a dancing bear. Only a parakeet would have looked good tilting its head coyly like that, for God’s sake.

But it didn’t matter, really, whether he looked silly or not. The truth is, I have never gone for that sort of thing, light romance. I need a much heavier diet. I only involve myself in relationships with guys who are doomed in some respect. And from fifty yards I could smell that Brett had no doom in him, no tragedy, no neurosis, nothing for me to sink my teeth into. Even with all the effort he had put into trying to look weird and funky, the poor guy couldn’t choke out his bland, middle-class roots.

I was trying to figure out how to tell him a part of all this in a delicate manner. God knows, I didn’t want to hurt Brett’s feelings. I was fresh out of subtlety, though, dried up like an old bean, so I thought, oh, fuck it. “I can’t do that,” I said. I paused for effect, while I studied the pentagram decal stuck to the window over the sink by the previous tenant. “It wouldn’t be good for me,” I said.

He slid off the counter. The corduroy seat of his shorts made a soft zipping sound as he moved. His thick, long-distance leg muscles lengthened and stretched and caught him. Then he was standing behind me, and in my narrow galley kitchen we were too close. Like a blind person, I could sense the shadow of his presence hovering behind me. Leaning further in over the sink, I stared out the dirty panes at the trunk of the old oak that towered over my apartment, imagining that the rough, pitted bark of the tree was a skin that could feel.

He moved closer. Putting one of his paws on my shoulder, he turned me around, using just enough tender force to overcome my stiff and melancholic resistance. I could smell him then, he smelled big and clean and boring, he smelled like a dresser drawer full of my grandfather’s plaid flannel pajamas. He hugged me to him. “A full body hug,” my father would have said. Tilting my chin up, he bent down and kissed me, covering my face with the cotton candy beard.

The beard folded in upon itself — a surprisingly buoyant cushion — and rustled against my face, scratchy but soft, like Mohair fleece. His lips were pliant and fleshy, damp with saliva. I had been keeping score — totting poor Brett up into columns, determining whether he was aligning with my positive or my negative energy states, (as my dad’s silly, overpaid psychotherapist would recommend), that would have been the second point against him: the wrong kiss. First point against him:  the wrong ego.

As he kissed me, he ground his crotch into me, gingerly at first but then heavily, as if his glands had jolted him with a blast of desire, hormonal lightning, deep in his gut. He swiveled his pelvis, back and forth, up and down, with a bearlike urgency. While this crotch action was not entirely unpleasant, and I felt something intriguing — like a hard length of garden hose — snug within his corduroys, I stood resolute and did not yield.

I had too much pride in my careful, cultivated reputation as a rough-and-tumble woman, however, not to allow my mouth to show some aspect of life. So, though all other parts of me were still and quiet, on hold, my mouth moved elastic to match his, stretching to keep up with the pace of the kiss. There is nothing worse than kissing a limp mouth. Unfortunately, he mistook that slight response, that mere politeness, as encouragement and I felt his tongue become a part of the embrace, tentative at first, and then defiant, presumptive, as if it were a separate entity.

“Come on,” he said, in a gruff but wheedling tone, when he had finished the sloppy kiss, and despite my lack of enthusiasm for it, despite the fact that my face felt like it was covered with a thin mucilage — the kind distilled from horses’ hooves that used to sit in my grandmother’s bottom desk drawer in a little glass bottle with a rubber slit nipple on the end — I was exhilarated. “Let’s have an old-fashioned love affair,” he said. “It would be great fun.”

He was trying to sound sophisticated; English, maybe? His eyes appeared tiny, almond shaped, a little slanted — evil but somehow Santa Claus-ish, glittering out from the reddish blonde Brillo-cloud of facial hair. He even had long, tangled eyebrow hairs that drooped down and tickled the skin of his eyelids. My fingers itched to get the scissors out and cut them clean off, prune those asinine hairs down and give him more controllable eyebrows.

“Would you like a glass of wine?” I said. My customary reaction to a sudden sexual advance — wanted or not — is to pretend I haven’t understood either a word or a gesture they’ve used, or maybe that I understood, but think it’s a joke, a protective coloration of innocence. This approach developed because I wasn’t beautiful or pretty or even cute as a teenager and therefore never developed the casual flirting ways with men that most girls use as a method of self-defense. So, at twenty-one, when I discovered myself with some good looks — in a long-legged, small-breasted, short-haired kind of way — I was unprepared.

Usually, with the average guy, my quaint, bashful, non-reaction to any overtures comes across as being polite, as being a “good girl” underneath my thin veneer of jean-jacket toughness, and most of the time they like it, it makes them feel secure and even benevolent. With Brett, though, with his vast I.Q. and his intellectual affectation, this method instead seemed rude. I felt as if I’d slapped him: but to be honest, I was glad. I got off on what I had unintentionally inflicted; I enjoyed seeing the great Brett backpedaling.

“Yes, wine would be nice,” he said, surprised but doing his best to cope. I could tell none of this was lining up with the way he had planned it. I poured him a glass of cheap jug red. I handed him the wine and moved away from him, away from his beard and his lips, backing out of the narrow slum kitchen.

I went across the tiny living room of my student-ghetto garage apartment — so pathetic, the very floor of the place was uneven, as if somebody was on a real bender sixty years ago when they poured the slab for the old place. It rose and fell, cracking the old brown and white linoleum tiles, hazardous for bare toes. I sat down on my sprung sofa. The coffee table was an old, square mirror and two plastic milk crates, weighted down with old magazines. I looked down at the mirror table and in its feeble silver glassiness I saw Brett looming, immense. It was like a Dali painting, the way his naked knees knobbed out in the foreshortened perspective I had, making him look more muscle-bound than he really was.

I knew he was debating whether or not to sit next to me on the couch: since I didn’t look up at him in invitation he decided to use the floor. He had to force his legs into a cross-legged position with both hands because in his various exertions, he’d sacrificed muscular limberness for strength.

“And why don’t you think a love affair would be good for you?” he said, jumping back a bit, his voice keyed in a different tone. It was much smoother, much gentler, and I saw the pupils of his eyes expanding, softening the pale blue irises. Whether it was a reaction to the change in light, or rather, true sympathy for my reference to emotional self-protectiveness, I couldn’t really tell.

“I think it would be very good for you,” he said — not waiting for me to answer. By that pronouncement, I didn’t know whether he meant good for me mentally, or physically, or — and I still don’t know whether this is possible for someone with my temperament — both. Whatever his intent, I realized his ego was even more threatening than I had first imagined. Did he think he could cure me so easily, with just a few swipes of the old garden hose, of the intricate, self-indulgent melancholy I had made a part of myself?

“Well, I don’t,” I said, a little cranky. His face became formal once more, his hurt pupils drawing back up into pinpricks, his eyes going blank, although I could still see the ghosts of what they had been a second ago. Now it was as if I’d slapped him twice. The guy had probably sixty, seventy pounds on me, but in our screwy emotional inverse I was the one who was the heavy. So I tried to soften it — after all, you never know when you might need something from somebody. “Don’t burn your bridges,” as my father used to say.

Mostly, I didn’t want Brett to think I was a bitch — even though that was perhaps true — because it has always seemed to me to be the worst possible thing a guy can think about a girl, even worse than thinking she’s a slut. “I mean, it’s just not what I’m looking for,” I said, my voice warmer. “I recently got out of a very hard relationship.”

In a flash, his face shifted once more. I couldn’t see exactly how, because of the beard, but by watching his eyes and his mouth I could tell he felt he had the upper hand again. “A ‘relationship’ is not what I’m talking about having,” he said, and I heard a crash of cymbals on our imaginary soundtrack. “I’m talking about a simple love affair. Something with no strings attached. Something we can have fond memories of when we’re eighty and in the nursing home, you know?” He eyed me, licking his lips. The top layers of his mustache hairs were swept around and slicked down by his rotating tongue, curling over the bottom edge of his upper lip, the ends of the hairs fastened between his lips when he closed them.

And then, when he started to speak again, opening his mouth once more in slow motion like an oracle, I saw the wet mustache hairs pop up, springing back out of his mouth as if they were alive. “Think of it as a recreational affair. Haven’t you ever had one of those?” he said. He was back to his Noel Coward script then, sophisticated, jaded; in his world-weariness he’d done it all: didn’t I know? I didn’t bother to tell him, but I did have one of those once, a light hearted recreational fling. I slept with this self-infatuated neo-Beatnik guy, for laughs. But when he said he was going to write dialogue for us to follow, that he wanted us to wear costumes and act out fantasy roles, I dropped him the same way I dropped this little white oval pebble I picked up once that in my hand turned out to be an ancient, petrified segment of dog turd. For me, sex has always been meaty and sweaty and risky enough without any overblown twists.

“Do you like Joni Mitchell?” I said. From the way his eyes widened, he must have thought he was in the door. She’s a sure thing, real girl music, right? But I hadn’t decided yet. I enjoyed the tension in the air, the dark mist of unconsummation: it’s never the same after I’ve gone through with it. The creeping imperfection syndrome comes on me in dribs and drabs. Like a series of photographs taken with a strobe-light flash, the pictures are crazy and disjointed at first, then, when I get a whole series of them laid out in a row, the pattern evolves.

The guy interrupts me with territorial pomposity during group conversations, for example. I find out he voted for a real egghead in the last election. Or I finally read his dissertation proposal and discover the thing is even more vacuous than I had expected. It’s like the old nightmare I used to have as a kid. In it, I’m always trying to make up this bed, but no matter how hard I pull and tug on the sheets, I can never smooth them out, they stay crumpled for all eternity.

And in the end, those little picky things, the flaws which all men carry, like the dirt specks inside an emerald — which one by one are only cosmetic nuisances, easily remedied by a little mental liposuction — get totted up and up and up, resonating in my wicked female mind. So, on some wan, hung-over morning, when I am forced at last to look at my momentary lover with a critical eye, I can’t believe I ever allowed actual physical contact to occur: I have to face the chore of getting rid of the lunk. But, in the beginning, it always seems that the newest one will be the sweetest yet.

Brett, the object of this balancing test, sat there staring down at the dull brown shag carpet, bought for nine-ninety-nine at the Salvation Army. I walked over to the stereo. Flipping through the discs, I got to the shadowy picture of Blue and pulled it out.

As a young teenager, when I went through the normal smoking-menthol-cigarettes- pilfered-from-your-mother-after-everyone-else-is-asleep-and-blowing-the-smoke-out-your- cracked-window-while-listening-to-The-Blue-Oyster-Cult-single-“Don’t-Fear-The-Reaper” stage, I knew that if I’d been born with prominent cheekbones and a voice like Joni’s, my life would have been a better and more poetic thing. Crazed, handsome geniuses in love with me forever and all that: what every thirteen-year-old girl wants. I pressed the button and her voice, in its honeyed, silvery sharpness circled around Brett and me. Like bio-feedback self-hypnosis, the electricity of my brain was altered by the sound. The music made him look more attractive — makeup for the mind. Isn’t that how girl music got its reputation? The beard, even the lips, started to make some dreamlike sense in the scheme of this day.

As I walked over and sat down on the floor next to Brett, he turned away, sulking, playing hurt, looking out through the French doors across the room. In one proprietary, music-playing motion I had turned the tables back again, somehow. My body was my own again, and I could tell he didn’t like it. But the only way I can allow myself to be taken is to imagine I’m the one behind the wheel — to keep in my heart and believe in my relative toughness, my outer shield of manipulation.

I saw then that Brett was a little confused; he was trying to remember how our conversation had started. I reached for his chin, at first finding only empty whiskers, groping through the soft stuff of his beard until his chin slid home between my fingers. I gripped it and turned his head, bringing his eyes to meet mine. “There’s no such thing as a simple love affair,” I said. “And I know I’ll never make it to eighty.” I leaned in.

Brushing his lids with my fingertips, I fluttered his eyes closed. My delicate touch would not have dislodged the pigments off a butterfly’s wing. He sat there, an impressive slab of alien chromosomes in his flannel shirt, the sleeves pushed up, revealing the golden, and wooly covering of his forearms. With his eyes closed, his face, even with all that hair, grew youthful, almost boyish. What harm could possibly befall me? The black chasm of a man’s secret heart beckoned, and I felt a quaint, mothering softness begin to take hold of my body. “Lotsa laughs,” crooned the recorded voice like a silk ribbon inside my head, as I started to unbutton his shirt, moving over him with all the gentleness, all the neediness, all the grace I could summon.

2 Comments

Filed under short stories

hungry baby, a short story

illustration hungry babyillustration hungry baby croton

(originally published in Cenotaph)

Hungry Baby

Whenever I’m feeling close to the edge, a hairsbreadth from lunacy, I like to shop for groceries. I go up and down all the aisles, methodically picking out food. I throw boxes and jars and bags and cans willy-nilly in my cart, always stocking up for the big one, the storm that’ll tear the roof off. It’s a habit, one I learned as a child. The women in my family were bony, starry-eyed drunks, with bad skin and lank hair, but by God, they knew how to grocery shop.

I’ve fallen into this twitchy, nervous state because my mother showed up again last night. I don’t know if it was a dream: I hope it was. I opened my eyes and saw her standing next to the bed, almost touching the mattress. She didn’t smile or speak but simply shook her head. She seemed angry; I could tell she wanted to hit me. She was jealous that I was still alive, driving her car, watching her TV, wearing her jewelry. I met her fierce gaze without moving, then closed my lids against her image like hurricane shutters.

The room was so dark, she was like a column of gray smoke, rising over me. Knowing death hasn’t changed her face one bit. How is it that I still miss her? That is an embarrassing, childish pain, an overgrown mouth sucking a rubber pacifier. There will never be a second chance for her and me; I sure wish I could believe in heaven like I believe in hell. If she’d loved herself, or me, even a little, maybe she’d have pulled through the dark waters. But she was so full of self-hate there was no room for anything else. Now I’m afraid her habits are coming after me.

I confess it; often I hated her too, while she lived. I even killed her once, in my sleep. I stabbed her many times with a kitchen knife, and it felt right, like it was the only graceful way out for both of us. There wasn’t as much blood as you’d expect, though there was still enough to soak her nightgown all the way through. When I woke, clammy and trembling, I hurried to her room to make sure she still breathed. I knelt at the side of her bed, watching her scrawny chest. At first, it didn’t stir, and I almost cried out. Then I saw movement, enough to know she lived. Forever after, I feared the terrible anger in me. It’s always waiting, a tiger with ivory teeth and steel claws — waiting for me to stumble, to lose my grasp on mercy, on forgiveness, and throw open its cage.

Wishing my mother was dead half the time didn’t keep me from breaking down her door in a panic when I thought she’d overdosed. After the first incident, I wasn’t all that worried, I knew her to be too much of a bumbler, she’d screw it up like everything else. The door became only an excuse to use my rage, to make my hatred tangible, give it life, a physical existence. I used a heavy folding chair, swinging it over and over again, watching first the splintered crack appear, then the bit of light, marveling at how the door-frame itself gave way all at once and the entire door fell cleanly into the room. She sprawled on her bed, half-clothed, her knobby knees the bulkiest part of her, her wet brown eyes looking puzzled. Even with all the noise, she couldn’t figure out how I’d gotten in the room. Later, sober, she realized she’d underestimated me, she hadn’t known what I was capable of. Much later, when I left home, after a hundred false starts, she managed to finish what she’d begun.

I shopped hours for the perfect funeral dress; pulled grimly through all the racks, looking at everything dark. No, not dark, black. Nobody wears mourning black anymore, the saleslady said, but for my own mother I insisted. In photographs, I appear the proper, bereaved daughter. I spent three days wearing the black dress, feeling grimy by the day of the burial and glad of it.

We buried her in front of a croton bush, God, how she hated those things, crotons. I stared at her shiny marble urn where it sat in the little hole, the tacky brass plaque glued to the top. I couldn’t object to the shrubbery, not with the priest standing there, tall and lean and handsome like some Marlboro Man, chanting and swinging his billowy canister of incense on its copper chain, the black robes clinging to him under the harsh weight of the sun, his hand so big and hard when I shook it my knees almost gave way.

That night, I left the house long after dark, walked in shaky high heels down the street and around the corner, ruining the delicate heel tips on the asphalt. I decided to keep walking until I dropped; to walk forever if no one came running after me. I stopped only a couple of miles away, limp from the humid August air. Crickets vibrated, frogs exhaled, stars flickered; the glowing yellow windows of strangers were my last comfort, my final safe haven. Nothing but love for those strangers kept me from leaving for good, nothing but fear of the tiger kept me from going any farther after my mother; I stood alone in the velvet grief of that hot summer night, calling her name over and over again like a stupid, hungry baby.

2 Comments

Filed under short stories

doctor’s report: patient a, a short story

img244

(originally published in Burning Word)

Doctor’s Report: Patient A, a short story

Patient A is a living museum of femininity, and serves as transitory evidence of extensive neo-geo-psycho-socio-eco-political movement. Designed and built in the second half of the twentieth century, she first gained philanthropic prominence with a cynical, witty, overeducated man eight years her senior, Charles F. She stayed faithful to Charles F. for six months, but the intriguing tales of his former romantic partners, then numbering in the several hundred, irretrievably seized her imagination. She left, and never looked back. She shops for new men the way other women shop for new shoes.

She invariably rejects both the too-easy conquest and the too-stubborn resistance. Every season countless men flock near to witness her fleeting, hormonally-induced states of passion, and observe for themselves her classic “XX” architecture.

If it seems that everything has already been said about Patient A, then it is up to the curious investigator to discover her for themselves, for she offers infinite variety. She is a woman for night-owls, early-birds, strollers, culture-vultures, devotees of high fashion, low-lifers, luxury-seekers, ascetics, flower-givers, wine-drinkers, the avant-garde, the old guard, fans of high times, fans of art, or just plain fans. Spend your time walking with her through parks, along leaf-lined boulevards, window-shopping, drinking coffee in sidewalk cafes, or overdosing on her sweet, flowery smell. Patient A is the sum of all the men who have loved her, described her, and taught her. She combines the unique with the humdrum — note her fine, trembling sensitivity, her bullheaded obstinacy, her spurts of unbounded energy, her fits of restlessness, irrational generosity, contemptible stinginess, as well as her innate proclivity for sleeping all day on the couch, unwashed dishes piled high in the sink.

In her twenties, following several remarkably disastrous affairs with high-strung youths, she gradually assumed supremacy over William B., an older, stolid man with a government job. Beautiful buildings sprang up around her person, the arts flourished within her living room, and she gained renown as the creative capital of the household.

She was kind and good and true to William B. for longer than she had ever been with any man. She wanted to settle down with her mate and raise a herd of children. Justice was what she had in mind. As you sow, so shall you reap. She had a set of rules in her head, and she did not break them until she had no choice left but to live or die. Everything unkind her husband said was made even heavier by something kind he left unsaid, and the weight of his personality dragged on her like a universe. Omissions are not accidents — in this belief she is said by many to be unreasonable. It’s so unrefined to object to a fleeing wife. He could have tried to even things out. She held the cosmos on her inadequate neck, and how it ached at night!

For a long time after she finally left him, she was afraid of love and all things human. There was no one left to speak to, and the fact that she never made anyone other than herself smile didn’t help. She realizes now every woman fights her own private war, and what seemed like losing was really winning. Every good thing is for such a very short time — bring forth roses in haste from the rocky ground, the growing season will not come again. She longs to drink honey from the honey-flower. She is free of barbed wire, yet cannot erase the blood of the sacrificed. How can she love again, ever?

She must do the best she can. Her last romantic partner told her to find a good husband. He, himself, was too much of an adventurer and would not fit the bill he imposed. Patient A believes everything will be all right, if only she can find the right man. He must be rich, not in money but in spirit. He must allow her to travel the world in safety. He must be like the father and mother she never had. He must both take care of her and let himself be taken care of — the balance herein is extremely delicate and can sometimes even be spoiled merely by improper breathing. This is an order impossible to fill.

Patient A has developed self-induced amnesia as an art form. Patient A hardly remembers her Mother and Father’s arms, their hearts and minds — where are they, why did they leave, what did they expect of her, anyway? Even so, she prays to their memory, which resembles nothing more than a pair of white herons dressed up as guardian angels — she prays — please deliver to me wisdom, please deliver strength, on your snowy wings bring me goodness and bravery. She sleeps, and in her dreams never speaks. Footsteps must be paced to meet an obstacle at every stride. Stillness is hard, so much harder than words.

Beached whales keep on breathing, trembling as their skin dries and cracks. Unaffected people gather pine cones for adornment. It is human nature to stand in the center of a thing. The most faithful feeling always shows itself by restraint. A match, not a marriage, was made between Patient A and her husband, William B. It was an unfortunate incident, fortunately ended. To define grace with any degree of eloquence requires an inquisitive hand. The only stronghold powerful enough to trust to is love. In the end, Patient A will be as ordinary and egotistical and hard-hearted as anybody else. If you nevertheless choose to pursue her, she will not be gracious, she will not absolve you.

3 Comments

Filed under short stories

while jenny laughs, a poem

illustration while jenny laughs hawks illustration while jenny laughs nursing mother

While Jenny Laughs
(originally published in Earth’s Daughters)

 
While Jenny laughs,
two large brown hawks
ride the currents,
swirling over our heads
like the occasional
dreams we’ve had

of flying — she and I
agree on this. She
raises her blouse
to nurse her son.
His wispy curls are moving
lazily in the air, too,

his tender scalp
the color of a ripe peach,
and as he nurses she
kisses his hand.
Since I cut my hair
short, she says,

people keep mistaking me
for a man. Her smooth
face is perfectly
symmetrical, her cheekbones
high pirouettes of pale
skin, lightly flushed and

freckled by the quick
heat of early summer.
I would never, ever,
mistake you for a man,
I say, and as her milk
flows into the baby’s

mouth she laughs again,
her high voice turning
into notes of clear amber
bells. Look at the hawks
one more time, I tell her,
and so, to please me, she does.

 

2 Comments

Filed under poetry

where does it begin?, a poem

illustration where does it begin mossy backed florida cooters illustration where does it begin hands on shoulders

Where Does It Begin?
(originally published in The Charlotte Poetry Review)

Possibly with well-steeped tea,
gooseberry jam on raisin bread,
lots and lots of idle chatter;
later, he could try daily walks

through the woods — though she
has resolved she is finished with
nature — still he persists
in pointing out the log in the creek

holding five mossy-backed turtles;
if all else fails he could try
brushing her hair in the rough manner
of a mother, offhand, impatient fussing

to decipher knots. He could place her
in a room filled with the images
of budding spring trees, on a wide,
comfortable sofa, her stockinged feet

perched lightly upon the armrest
as she reads. The sight
of the frail new leaves will work
upon her, surely? Better yet,

he could fill a bowl with fruit,
three kinds of berries,
layering green upon yellow
upon blue upon red, teasing her

with a few squares of chocolate,
protesting all the while
that he always says the opposite
of what he means. Who lived my life

until this day? she will say. I could
ask myself the same question, he will
say by way of answer, placing his hands
lightly, lightly upon her shoulders.

Leave a comment

Filed under poetry