Category Archives: soul

Have You Ever Met the Love of Your Life?, a short story

illustration have you ever met the love of your life

Have You Ever Met the Love of Your Life?, a short story

Nasreen, Marion’s dance teacher, was short, dark and wide. She wore black leotards under her frothy, voluminous gold-threaded saris, and glowing silver rings on her largest and smallest toes, which were connected to ankle bracelets by delicate jeweled chains. When she moved, and the big belt of coins around her hips started to sing, Marion often thought of a curtain of water emerging from an alabaster frog’s curving mouth. Nasreen’s lips and toenails were always painted fiery orange, and the air near her smelled of cardamom, nutmeg, and cloves. Nasreen had been famous in her youth — she treated all her students with exaggerated courtesy but for some reason, took a special interest in Marion.

From the start, Eleanor, Marion’s sister, thought Marion was crazy, and the whole Oriental-dance notion (she couldn’t bring herself to say the word “belly” out loud) ridiculous. “Why on earth do you want to get up on stage and wiggle back and forth like a cat in heat?” she had asked.

“I’ve always thought it looked so graceful,” said Marion. “It sort of mesmerizes you, it’s so soothing to watch.”

“Soothing? Graceful?” Eleanor rolled her eyes and tossed her head. Her neat French twist bobbled, and a wisp of hair fell to tickle her cheek. She shuddered and tucked it behind her ear. “Grotesque is more like it. I’ve always thought those women looked like they were trying to eliminate peach pits from their digestive tract.”

The two sisters lived together — they had always lived together — in an apartment across the street from the house they’d grown up in, a gaunt, three-story Victorian. After Mother died, as soon as could be considered decent, they had sold the big place and gotten rid of the ponderous mahogany furniture. They kept only Eleanor’s player piano, some threadbare Persian rugs, and their mother’s elderly miniature pinscher. Marion filled the apartment with pickled-pine French country and delicate ruffled draperies in red toile.

Soft-hearted Marion said the rosary thrice daily and didn’t care much if her clothes matched; Eleanor, the younger, was a late-blooming atheist, but knew how to dress. Eleanor had been engaged once years ago but they had never managed to decide on a wedding date — the hopeful young man had insisted she keep the ring anyway, a flawless one-carat diamond set in platinum. She looked at it every night, sitting in her jewelry box, but never wore it.

***

Marion’s first formal belly-dancing costume was to be hand-tailored by her teacher Nasreen’s younger brother, Ahmet. He was known all over the world belly-dancing community for his brilliant costume designs; the only reason she was able to afford him at all was Nasreen’s incessant wheedling on her behalf — as one of his sister’s most deserving pupils, Ahmet finally agreed to let Marion have the outfit at cost.

“I see you in red,” said Nasreen.

“I was thinking of pink. Maybe powder blue?” said Marion.

“Red, it must be red,” said Nasreen. “Ahmet, what do you suggest?”

He leaned back, folded his arms across his chest, and squinted first at his feet, then at Marion, then at the stacked bolts of silk gauze rising to the ceiling, and then at his sister. “Yes, red for the trousers and the outer sari,” he said with a faint smile. “And the front of the bustier heavily sewn with pierced and gilded centimes.”

“Perfect!” said Nasreen, and she and Ahmet gave each other conspiratorial smiles. “Remember the one you made for me so many years ago?” she asked.

“Of course!” said Ahmet. “Now get up on the stool. I need to get your measurements,” he said to Marion, his smooth, warm fingertips galvanizing her arm as he prodded her into compliance with the tape measure.

When Marion described Ahmet’s fitting and design process, Eleanor was incredulous. “You’re going to wear red see-through pants and a bra made of nothing but gold spangles and call yourself Ayita?” she asked.

“It’s my stage name,” said Marion. “It means dancer.”

“Well, isn’t that cute!” said Eleanor, slapping the kitchen table with a rolled-up newspaper she’d been using to pursue a small green fly. “I suppose next you’ll be getting your nose pierced and wearing a veil.”

“Good Lord, no,” said Marion.

“I hope you won’t ever expect me to come see you make an idiot out of yourself,” said Eleanor.

“No way,” said Marion. “You’d make me a nervous wreck. I’d never be able to concentrate on performing.”

“Ah, yes — the great artiste needs her concentration! What a load of manure!” said Eleanor.

“I just want to have some fun. I need a change.” asked Marion. “Why are you making such a big deal?”

“Because I think a woman your age parading around dressed like a harem girl is absurd,” said Eleanor. “Because every Arab I’ve ever met treated women like second-class citizens. Because I know you’re doing this just to irritate me. Hobby, my eye. Why couldn’t it have been needlepoint, or gardening?” Eleanor glared, but Marion just shrugged and continued eating her toast.

Marion’s finished dance outfit was a huge success. As a precautionary measure, she danced privately in Ahmet’s workroom for Nasreen. Nasreen stood with her arms folded across her chest. As the music started and Marion began to dance, Nasreen’s eyes narrowed and her lips grew thin. She tilted her head and stared. Marion felt awkward, but after the first few seconds, the music and soothing movements overwhelmed everything else. The glittering red costume transformed Marion; she lost herself to something bigger, her hands were two white birds flying, twirling, graceful on the fluid stalks of her arms. Her smile was steady, effortless. The glittery silk billowed around her legs like cool wind. For the first time, her body moved on its own, strong and agile. “That’s it, you’re ready,” said Nasreen.

“For what?” asked Marion, wiping her damp forehead with a jingly forearm.

“A trip. To Paris. A month from Saturday. I’m putting an international dance exhibition together. I want you to go with me, to dance.”

Marion protested. “I couldn’t. I’m not that good.”

“Yes, I’m afraid you are.” Nasreen pulled a passport application out of her cavernous black purse. She shook Marion’s shoulder. “Why did you want to learn to dance in the first place? What are you waiting for?”

            ***

Eleanor wouldn’t let Marion travel to Paris with only Nasreen and Ahmet for company. Eleanor put her foot down; Marion hadn’t been able to say “no” loud enough. It was Marion’s first overseas journey: she’d underestimated jet lag. She awoke abruptly at 2 a.m., trembling through her arms and legs as if on amphetamines. Eleanor – she’d been to Ireland and Spain, she knew better, she’d taken four different pills to zonk herself out — was sound asleep, mouth open, a tiny puddle of saliva glistening on her pillow. Nasreen also slept, lying curled on her side, hands tucked under her chin, emitting the most genteel and melodious of snores. Marion didn’t want to turn on the lamp and produce chaos, there was enough of that within her; instead she went downstairs to seek light and order in the lobby.

The desk clerk on duty — a tall, thin Algerian graduate student — was very eager to demonstrate his grasp of English. His dissertation was going to be about the evolution of American street slang, curse words or something. He announced himself to be Muslim; this formality alarmed her briefly, but he seemed to possess abundant humor, lightness, reason. His name was Badr, which meant “full moon.” The image suited him. His smiling face was boyish, benign; his moustache highlighted the fact his skin was silken as a girl’s. Dark chestnut hair lay in soft curls against his cheeks. His clothes were rumpled and mismatched, like an absentminded schoolboy’s.

The small lounge area was arranged with delicate birch wood cafe tables and slippery turquoise-upholstered armchairs. She noticed Ahmet sitting over in the farthest dark corner, wearing a long yellow silk tunic over his rumpled jeans, pretending to read the newspaper. Marion raised her hand in greeting; Ahmet nodded. Badr served her mineral water and orange juice. She tried to read the French newspaper lying open in front of her, understanding only every third or fourth word. Every time Marion glanced over to see if Ahmet was still there, his eyes were upon her. He folded, inspected, and re-folded his own paper for several odd minutes, then picked up his drink and wandered over to the bar.

“May I sit here?” he asked, pointing to the stool next to her. He seemed embarrassed, or shy, or ill.

“Sure,” she said, shrugging.

“Can’t sleep?” he asked.

“Not a chance. They’re both sound asleep, though.” She adjusted herself on the stool, crossed her legs at the ankle, then at the knee, and then rested her elbows atop the bar. Her hands clung to each other like nervous gerbils.

***

“You’re jealous,” said Marion four hours later, when she finally got back to the room she shared with her sister and found Eleanor livid with rage. “For once I’m having a good time, and you just can’t stand it. It’s not my fault you’re so lonely.”

“I’m not lonely,” said Eleanor, glaring at Marion with laser beam eyes of death.

“Yes, you are,” said Marion. “We both are.” She thought then of the way Ahmet’s lips had tasted when she kissed him goodbye before opening the door to the brightly lit hallway. She thought of the way his hands felt, stroking the small of her back, running down her hips past the hipbones down to the upper thigh. She thought of the way he held her when he came, murmuring her name into her ear like a tiny puff of wind, carrying a sound she couldn’t quite recognize at first. Her name. The man knew how to say her name.

“Have you ever met the love of your life?” Marion asked Eleanor.

“Oh my god! You’re in la-la land,” said Eleanor.

“Have you ever met the love of your life?” Marion asked again.

Eleanor stared at her, her lips moving, but no sound coming forth. Her hand struck out quick as a venomous snake and slapped Marion’s forearm viciously, which hurt like the devil — but Marion was so amused she laughed, which only made Eleanor slap her arm again and again, harder and harder. The harder Eleanor slapped her, the harder Marion laughed. Suddenly Marion grabbed both Eleanor’s wrists and twisted them so hard Eleanor shrieked.

“Have you ever met the love of your life?” Marion whispered. A full minute ticked by in silence. Marion waited. She felt Eleanor’s arms relax and go limp.

“I’ve never even thought of asking that question,” said Eleanor.

When both sisters shocked themselves by starting to cry, they pulled each other close, each of them bear-hugging the other — grouchy/beatific, horrified/overjoyed — as though both their lives depended on it – which they suddenly realized was now, always had been, and would always be, the truth. Marion and Eleanor had finally let each other in, all the way in.

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Muir Woods, a poem

illustration muir woods

Muir Woods, a poem

 

The eye is drawn, farther and farther

toward thin blue sky until the green feathery

 

tops of the trees are like the northern pole

on some dream planet. Your carsickness

 

from the ride up the mountain begins to fade,

leaving behind a breathless, weepy echo

 

not unlike your first religious fervor.

Then, you stared at Jesus’ sad face for hours,

 

wondering what it was that made him

love you. Here, it is the usual paralysis,

 

nerves made dumb by the unaccustomed

richness of perfect light. Vague, starry eyes

 

like yours feel at home. The air is weighty,

burdensome, solemn. Tall and slender, your guide

 

touches your wrist, and for a moment, you too

want to leave the surface of the earth

 

forever. Shyly, she picks up a tiny

pinecone, smaller than a toy. You laugh

 

when she tells you this is their seed:

all around, their ravaged, hollow

 

corpses litter the ground

like the bones of God.

 

In this place you feel helpless,

childlike, and you can understand a wish

 

to die here, never leave this hush.

They’re only trees, you tell yourself.

 

Yes, only trees, you think, standing still with

your neck bent back; wondering if they hear you.

 

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The Nearness of Heroism, a short story

illustration the nearness of heroism cracker-jack-eversillustration the nearness of heroism

(Originally published in The Paumanok Review)

The Nearness of Heroism, a short story

They tell me he was the first man I ever saw nude; that when I asked him, pointing, in my high, three-year old’s simper, what “that thing” was, he didn’t even flinch. He stood in the big tiled shower stall, holding the door ajar with one hand, toweling himself off with the other.

“I’m a little teapot,” he sang, in his exuberant tenor. “Short and stout. This is my handle, this is my spout.”

They say I stared, and then frowned, running out to demand of my grandmother on the spot — I want to be a little teapot! Show me my spout! Where is it? Where is my spout?

Where, indeed? If only the gulf could have been reduced to those dimensions. Am I wrong to feel we would have been closer, had I been a boy? Would he have loved me more, or less?

***

I liked to sneak up on him while he used his glove, just out of the shower, a white towel tight around his waist, his hair slicked back, parted precisely. Even from my earliest memories, the old baseball glove was missing one or two fingers, the ball deprived of whole sections of its leather wrapping, worn through to the string-mended core in several spots. Both glove and ball had darkened to the color of cured tobacco, carrying a sheen of sweat-polished grime that lent a gleam akin to the finest shellac. Arms moving, hands a blur, he would move in automatic rhythms of meditation, pounding gloved fist with clenched ball as his lips moved, the words inaudible, his gray eyes focusing up and out at an angle, viewing a corner of patterned plaster, seeing something I wanted to share but couldn’t.

Then he’d notice me. He’d stop in mid-pound, his mouth open for an abrupt chuckle, too embarrassed to be embarrassed. “Hey there, lady,” he’d say, the broad vowels of his Brookline childhood making his words seem exotic.

He kept the glove and ball on the highest shelf of his closet, a level I couldn’t reach, not even with a step-stool.

***

He was, in fact, the only male presence in my life, even after I started to dwell on the concept of boys, the one I ran to in the early morning — crawling into his bed, burrowing deep under the covers, where he sang the old songs he’d learned from his Irish mother and held me in his arms, my nose burrowing into his soft feather pillow, into his wrinkled cotton pajamas, seeking out his bitter-tea-with-lemon smell, seeking out his body’s distinctive shape and radiating warmth, which possessed a steely eloquence no less comforting than my grandmother’s padded torso. Since he was home with us every day, having retired years before I was born, I didn’t realize he was different from other men, other fathers, who were defined not by their presence but by their absence.

“Oh, you dirty little devil,” he’d sing, “Does your mother know you’re out? With your hands in your pockets and your shirttail out?”

I would hear my grandmother fuming from across the room, not speaking but moving the various brushes and trinkets around on the glass-topped surface of her dresser with snappish clinks and taps. At other times, whenever he knew she disapproved, he’d make disrespectful rubber-faces behind her back until my face couldn’t keep a secret any more, and, looking at me, she’d see some sign of what was going on, then wheel indignantly, catching him in some fish-lipped, pouting impersonation of her, their demeanor so ridiculous, so upside-down, that for a moment it seemed that he was a small boy again, no one’s husband, and she his strict governess, no one’s wife.

***

He was related to me by marriage, not by blood, something that seemed to bother him a lot more than it bothered me, especially near the end of his life. From the very beginning, I had pledged my allegiance to him, had given him that affirmative declaration of the heart, and for a short time, during childhood, it seemed that he had pledged the bond in return and accepted me as his own. Not even in dreams did I measure him any differently than I measured his wife, my grandmother. As I grew older, however, and he grew more and more frail, the absence of an actual cell between us appeared to chip away at his feelings. “I don’t have any family of my own, you know,” he’d say, gazing at me as if for sympathy, never knowing how caustic the mild-sounding words were to my ears.

“I’m your family, aren’t I?” I asked him, the first time he brought it up, but he shook his head, smiling at me with a thin-lipped yet dreamy smile.

“It’s not the same,” he answered.

***

On various occasions, as his health became less certain, I promised him one of my eyes, one of my ears, one of my kidneys, half my heart, half my liver, half my stomach: everything and anything he needed to survive, anything he might need to be comfortable, which I swore to give to him when he got “old.”

***

In my last year of college, I had a boyfriend who got physical with me on several occasions. Nothing serious, no marks: a thump on the head with one knuckle, a scuffle in the yard, pushing matches. One day I reacted badly, bolting my apartment door and calling home. He answered on the first ring, but, having expected my grandmother, I found I couldn’t stop the tears. His voice deepened, becoming rough around the edges as he interrogated me. An old man, on six kinds of heart medication, he swore he’d drive the four hundred miles and teach the boy a lesson.

“No, Grampa,” I said. “It’s all right. I’m breaking up with him. Don’t worry.”

“Call the police if he comes to the door again,” he said. “Have him arrested.”

This reaction, despite his often-repeated joke: “Never hit a woman,” he’d say, shaking his head, staring at my grandmother’s back. “Use an axe.”

***

His fourth heart attack came only days before my wedding. He managed to walk me down the aisle anyway, spiffy and broad-shouldered in his plain black dinner jacket, a single pink rosebud clipped to his lapel. Since both my parents were dead, he was “giving me away” to my fiancé, a practice I found offensive on feminist grounds, because it seemed to exclude my grandmother from the giving. So we compromised: when asked by the priest, “Who gives this woman?” he was to answer, “Her grandmother and I do.” Except, when the moment came, he said only “I do.” My grandmother, standing in the front row in her baby blue satin lace and picture hat, whacked the prayer rail with her wedding service programme in frustration. The sound echoed off the front wall of the small church and stayed with me for the rest of the day.

Later, at the reception, he was critical of the music we had selected without consulting him: a wandering string quartet. “All your guests are leaving,” he said, after his fourth or fifth glass of champagne took hold. “Why didn’t you have a real band? Some dancing. It’s like a funeral in here.” I trembled all over from the exertion of holding my tongue. Only if I had screamed at him, my face reddening under its halo of white silk flowers, would he have been happy.

***

I was home for a long-overdue visit when the last battle came. Semi-invalided, by then, Grampa moved only from the bed to his recliner, spending the day reading the paper in a slow, deliberate rustle. The television blared for hours each evening, his expensive hearing aids — the same kind Reagan used, he’d told me — plucked from his canals and discarded, tossed into a dainty porcelain ashtray: hand-painted with a rising, twisting phoenix, it was the only memento he had kept from his service in Germany during the war.

He didn’t like going to bed at night, waiting until two or three in the morning to call for my grandmother to help him to his room. Arising no earlier than noon the next day, he’d swear he hadn’t slept a wink. “He snored like a baby all morning,” my grandmother would whisper.

His appetite was slight too, and then one day, nonexistent. Supper waited out in the dining room: over my grandmother’s objections I took him in a bowl of ice cream. He lay against his pillows while I spooned it into his mouth, noticing how he lipped the spoon as I withdrew it, sucking it like a baby. The bowl finished, he thanked me, his voice hoarse with exhaustion. Turning to leave, I heard him start coughing, a deep cough that seemed to come from his gut, his eyes widening under the thick cataract glasses, his cheeks bulging, seemingly an imitation of his old comic fish-face. For a moment I laughed, thinking it a joke, but he put his hand over his mouth and made as if to hold his lips together with his fingers. He was trying to keep from throwing up all over the bed, I realized, running for a basin, almost too late.

After Gran and I cleaned him up, I felt his forehead. It was hot, dry, but the rest of him was clammy and covered with an oily sweat. As I took his temperature, Gran called the doctor, who told us to get him to the hospital right away. When we told Grampa where we were taking him, he shook his head. “Now what’d you go and do that for?” he said.

He looked so small and frail laying there it was a surprise to find I couldn’t carry him — what remained of him was deceptively heavy, as if his bones were filled with lead. It took both of us to get him out to the car. Each step seemed so difficult, so impossible — by the time he lowered himself clumsily into the front seat, he was glistening with a symmetric pattern of droplets, the sweat beading his skin like opalescent sequins.

***

At the hospital, an orderly dressed in green surgical scrubs helped Grampa from the car into a wheelchair. The orderly was tall and long-limbed, and moved with an ease, a lean fluidity born of professional indifference. His arms were the color of imported chocolate, warm coppery highlights underlying the pigment. His arms were like a god’s: so full of life and possibilities, I held my breath as he lifted the skeletal, ashen old body of my grandfather out of the car. I couldn’t say what the orderly’s face looked like other than that it was — like the motion of his limbs — devoid of both pity and scorn. His eyes remained downcast, looking only at Grampa in the chair — and I wanted to speak, but nothing came to mind, only regret at not being permitted to be similarly borne away, out of my own uncertainty and into a place defined by someone else’s ministrations.

The young man’s arms, in that moment, seemed to emit forensic signals, speaking without words to a pain I hadn’t realized was there, the arms themselves justifying birth, justifying suffering, justifying death: paying for perfection all over again — skin so smooth it looked hairless, poreless, as if it smelled of allspice and cinnamon and blood and salt. The arms were immaculately sculpted; the bones just long enough, granting a perfect inertia between muscularity and leanness. The miracle of such arms and skin held my attention like a time-release dose of whatever manna makes heaven heaven, and so it was that I found myself spiraling into an upward-rushing eddy of panic when the orderly left, forever, just seconds later, rolling my grandfather to the admitting desk like so much cargo, then vanishing into the angular whiteness and pulsing fluorescence of the hospital corridors.

***

We left Grampa there, in the midst of a cotillion of duly licensed strangers — what choice did we have, not knowing, not wanting to know, not capable of that knowledge? By not speaking, we maintained a positive attitude. His room seemed comfortable, his nurses kind. His glasses glinted, the reflection obscuring his eyes, as we waved goodbye from the doorway.

By the next morning, he had been moved to the intensive care unit. He was comatose, hooked up to a ventilator, stripped of his pajamas, gleaming plastic tubes invading his throat, his nose, his bladder, his veins — his heart had stopped in the night, from the pneumonia: the doctors speculated he might have had irreversible brain damage before they got it going again.

Machines everywhere, whirring, beeping — my grandmother and I couldn’t even touch him. His chest shook under the ventilator’s control, his whole body quivered. The vent itself hissed, clicking, coaxing his reluctant breath, forcing it when it hesitated. Pushing his lungs in and out without his body’s permission. The respirator had a device to allow him to breathe for himself, if he could, like training wheels on a child’s bicycle, and sometimes he did, but even that primitive desire for oxygen would vanish, and the machine would kick in to bring him the next breath.

We were there when the respiratory people had to change his breathing tube. With the most well-meaning, tender sort of violence, they ministered to the tubes, his whole body curling into a fetal position with the deep, gaglike coughing that resulted. They couldn’t say if he’d ever wake up, or whether he’d come off the ventilator. His arms were twisted, contorted, the hands grasping at nothing with a desperation that made my shoulders quiver in an involuntary spasm of sympathy. I bought him a tiny teddy bear, uncurling his stiff fingers to place the bear against the taut, unyielding palm. His other hand appeared to relax once the toy was in place, but perhaps it was only my imagination.

***

My grandmother and I, without speaking, understood our own feelings clearly enough. We wanted him gone; this kind of life was too painful to watch. We wanted it to come:   but at the same time felt wicked and evil. Who knew what he himself would have wanted? In the end, she signed the thick sheaf of papers authorizing no further “heroic measures.” Each place for her signature was marked with special red removable tabs.

***

In a sort of minor miracle, in several days he did awake, and they removed the intrusion of the ventilator. He was himself, more or less, and knew who we were, but underlying that surface was a terrible confusion. “How’s Jessie?” he asked me calmly, the name of my great-grandmother, dead long before I was born. His memories suffered no restraint; no contradictions existed in his inner flow of time. “Seeing you’s the best present I could have gotten,” he told us. “I’m going to take us all on a vacation when I get out of here.”

He seemed better than he had in years: I left for home, knowing it wouldn’t last; for the first time not wondering whether he would live or not. Later that day, I called him at the hospital from a thousand miles away and let him speak to my husband and my daughter. Say I love you, I told them. Say I love you, Grampa.

***

The next day he slipped back into unconsciousness, gently, easily, as a bar of soap floats downward in warm water. Notwithstanding the papers, the hospital wanted to put him back on the ventilator. No, Gran told them, no ventilator. No more.

***

I asked her what he had looked like, at the end. He lay on his side in the bed, she said, breathing shallowly. He didn’t seem to be in pain. He panted a little, she said, not moving, his face smooth.

I feared perhaps we had decided it the wrong way. Grampa’s doctor, without saying anything, seemed to look at us as if we were bad people, as if we cared more about ourselves than Grampa himself. As if we were selfish.

***

It wasn’t until a couple months after the funeral I thought to look for his glove and ball. I searched his closet first: most of his clothes and things were already gone, and the closet seemed a different space, altered by no longer containing him. When I couldn’t find them I didn’t panic — I knew Gran had put them away somewhere safe for me.

“Where’s Grampa’s glove and ball?” I asked her, not wanting to reveal how much I wanted to have them, now that he wasn’’t there to keep them away.

“What, those old things?” she asked, incredulous. “You wanted me to save those?”

I gaped at her then. The floor under my feet got soft; my knees turned into grating stone stubs lashed together by rusted wire. She was right, in a way, since at the last the glove hadn’t been a glove, just a thumb, the ball not a ball, either, but a roundish wad of wrapped string, its leather covering gone. That was all he’d had left, all I’d wanted: a piece of him I’d thought I was entitled to.

I would have kept them in a little box and looked at them every now and then, touched them with my finger. Maybe, if I was feeling daring, I would have taken the glove thumb and slipped it on, holding the ball in my hand, sliding the brittle thumb piece back and forth over the grimy string. I would have smelled them: a few tentative whiffs of the powdery leather.

***

I didn’t yell at her, there was no point. It was over. In spite of my outward act of forgiveness, I couldn’t help thinking that perhaps what Grampa had said all along was true — maybe people did reserve the deepest sort of caring for their own blood, maybe that kind of caring was inseparable from cells, inalienable from life. Gran hadn’t cared as much about his feelings about the glove as she had about mine, for example. Or was it just that she didn’t care as much about the archival, historical things as I did? Whatever the explanation, it was done: she had not even understood enough to realize the issue existed.

“Why didn’t you tell me not to throw them out?” she asked later. “Why didn’t you tell me you wanted them?”

It was simple: I thought she knew. “I just assumed you’d keep them,” I said. “They meant so much to him.”

“They were ratty old things,” she said. “Just pieces, really. They were unrecognizable.”

***

I told myself that perhaps it was a good thing that the glove thumb and string ball were gone. I’d wanted them for the wrong reasons. I’d wanted something I didn’t deserve. I felt hungry — empty — but without focus, without specific appetite. He — damn him! — was leaving me all over again, and for the third time: the person I’d wanted him to be; the person he’d been; the person I’d wanted him to remain.

I thought of all the other useless things I already had in my personal archives, from my father’s crocheted baby blanket to clothes worn by my mother in college. I thought of letters they’d written to each other before I was born, airmail letters on thin blue tissue, drawn in irregular strokes of faded ink. I thought of brittle brown paperbacks and the curling edges of photographs. We are naked in our mourning, we cannot speak, and we cannot touch.

Grampa was gone; the glove and ball were gone; I was still here. The hell with it — I didn’t want to know, I didn’t want to hear what the dead had to say anymore. Only in dreams would the dead be able to seek me out again.

The dead never say much, anyway, not even in dreams. They look into my eyes, mainly, their own abrim with a solitary sort of gentleness, hoping to inoculate me against what they know is unnecessary sorrow — unnecessary love? — hoping to protect me from whatever it is that only they can see: all the while, nodding their heads in a slow, assured rhythm, a rhythm nearly invisible to the unaided eye.

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Eat Or Be Eaten, a short story

illustration dog alligator suit

Eat Or Be Eaten, a short story

Annemarie often sat within the bright sobriety of the campus coffee shop down the street from her and Roy’s house. The air there was filled with academic fulmination and the evaporating mists of senseless arguments, much like the state of her marriage. She was acknowledged by the college students as one of those bizarre, florid creatures from the 80’s, and they let her go about her pursuits, unfettered but slow.

“I can’t stand that place,” Roy said. “I don’t see how you can sit there day after day.” His comment, for her, aptly illustrated how unaware he was that her main occupation while there was mulling over whether or not to file for divorce.

“It makes me feel wired,” Annemarie said.

“You can say that again,” Roy said.

“Why don’t you meet me there for coffee sometime?” she said.

“Things are too crazy at the office right now,” he said.

One such crazy evening, after dinner, the air was busy gossiping with itself — Annemarie could feel it fluttering along her cheeks inquisitively, and the moon rose early, bouncing light off the red tiled roof. She put on her ratty ski jacket and then poured herself a tiny refreshment of Scotch, which she imbibed cautiously. Her small thick hands, gripping a kitchen chair like death, were chalky at the edges. The clanking emptiness of the room — of her life — created a milky haze over her sight. For what seemed like the hundredth night in a row, she invited Roy over to the lake on campus to see the alligators. For the first time, he said yes.

They rambled along the verdant avenue and before them flitted two zebra butterflies, as if teasing Annemarie to fly. Her husband, his blank, uncomprehending eyes, was at once her soul and her shame. It was horrible to have people such as him think ill of you, think you were wrong. It was small and ugly and soul-shaking. You felt as if you were coming apart like a cheap paperback, pages from your head fluttering to the floor every time somebody breathed on you. She wasn’t much for men herself — she never learned how to tell a sweet one from a poisonous one and besides, she’d never been convinced there was much difference. But a truly radiant woman never hustles off through life unaccompanied.

A small crowd was gathered on the boardwalk over the water — a leather-skinned old German couple, a tall skinny man with a pot-belly holding a toddler, three young college women with lush clouds of permed hair and tight little asses. A little girl came up with coral roses in a bucket balanced on her hip. The German people spoke softly to each other in German.

“We saw a wild boar on the highway back in the mountains in Kentucky,” said the man with the blond baby. “I thought it was a dog lying on the side of the road. Then I saw its tusks.”

Annemarie’s future, single life would be simple like this, among unpretentious people like these — she’d come see the alligators every night before dark with the out-of-towners. She would hear the gators’ mating calls, the deep bellows in the late spring. She’d appreciate the real elegance of nature. Roy appreciated only his new $60,000 car and his tax-free municipal bonds.

The alligator for this evening was a good seven-footer. It floated perfectly still on the surface of the water, the scales on its back pushing through like a miniature mountain range. Its fat front paws hung limp in the clear lake water. It seemed only a little threatening in the smooth summer light. The gator had a large sly grin.

Roy was from the North – he’d never been around alligators before. Florida was alien territory to him. People from the North always freaked out about the gators. Annemarie wanted to give Roy a thrill. She wanted to overwhelm him with her earthy, sensible, swampy ways. She rubbed his hand humbly and forgot to play the grouch.

“They like marshmallows the best,” the tall, chatty man holding the toddler said. The boy wore a short jumpsuit appliquéd with giraffes. The German couple nodded, the old man pushing his fluorescent yellow golf cap back on his forehead. “Let’s see what I’ve got in the truck,” the man said.

“That?” the little boy said, pointing.

“Alligator,” Annemarie told him. The boy nodded and bit his forefinger.

“Teeth,” he said.

“Yes,” she said. “The alligator has lots of teeth.”

It was strong, it would eat her if it could. That was the way to be, she thought. That was the new simple way she would live, with or without a husband. Eat or be eaten. Roy hadn’t the slightest affinity for animals. Annemarie wanted to live a simple life. She didn’t want to be angry, ever again. Mostly, that was it. She could not afford any more to be bored with living — she didn’t have that kind of time. Her husband had become accustomed to disagreeing with her almost all of the time, as a method of entertainment.

The man with the baby came back with a vending-machine package of peanut butter cheese crackers. Annemarie shivered. Suddenly, she wasn’t so sure about feeding the thing. What if it came up on the bank? She had read how alligators could run 40 miles an hour over short distances. The man threw a cracker in the water near the alligator’s head. The animal whipped its head sideways and took a big gulp of water, inhaling the cracker. They all got a nice view of its teeth. The gator pumped its jaws, as if savoring the peanut butter, and the water clouded with dissolving cracker. Roy stood apart from the group, his face dark and tense. Annemarie leaned on her elbows, hanging over the railing of the boardwalk.

“Did you know it’s against the law to feed the alligators?” one of the young women with big hair asked. Her sharp voice made Annemarie jump.

“Really?” Annemarie said.

“Is that so?” the tall man said.

“It’s a felony,” the young woman said. “And there’s a fine.”

“How much is the fine?” asked Annemarie.

“A thousand dollars,” the young woman said.

“Really?” Annemarie might be afraid of the alligator but she wasn’t afraid of this young woman, with her elaborate hairdo and her half-pound of gold jewelry. This was the kind of woman Roy would marry next, she was sure. This kind would give him a lot less trouble. This kind would have no desire to feed reptiles of any sort. She directed herself to see marriage for what it was, not its tedious demonstration. The pretty young woman flipped her perfect locks over her shoulders and glared at the man with the peanut butter crackers. He threw another cracker to the alligator and laughed. His baby laughed too, throwing his head back so his fine pale hair waved in the breeze.

“The alligators get tame and that’s when they start eating dogs,” the young woman said. “And small children.” She was businesslike, her voice chilly with authority. The mystery of feeding the dangerous beast was lost on her, thought Annemarie. It was exactly the sort of thing Roy would say. Annemarie’s neck began to tingle, blood fury gathering in her cheeks. The tall man grinned at the snotty college girl and slowly pushed his glasses up with his middle finger.

“Then they have to shoot them,” the girl added. “So it’s really not a good thing to feed these animals.” The young woman had her nose up. Literally had her nose up; her voice resonated with indignation and righteous anger.

Annemarie pushed her arm against Roy.

“Maybe she’s right,” Roy whispered. He sounded reasonable, the way he always did.

“Oh, Christ, what’s the harm?” Annemarie said. She was still leery of the alligator, floating, for the moment seeming as harmless as a large rotting log, but she was enraged nonetheless. The hell with all of them, Annemarie thought. What do they know about right and wrong? What do they know about anger? What do they know about eating or being eaten?

“Great attitude,” the young woman said to Annemarie, shaking her head. “Come on, let’s get out of here.” The three lithe girls walked off, whispering to each other in disgust.

“Throw one of the crackers up on the bank,” Annemarie told the man, now her partner in crime, her body trembling. They were all standing on the wooden boardwalk over the water. She decided this animal was a deserving gator, nothing to be afraid of. She would bring it whole chickens, she decided. It would be her personal ritual. Her wants and needs had boiled down to nothing. It was amazing what she could do without, now she had decided to end her marriage. She would take one pot, a frying pan, and a wooden spatula when she left. That was all she needed. That was all anybody needed. Let him have the expensive cookware she was always cleaning improperly.

The man with the little boy threw a cracker onto the muddy bank. The alligator turned its head sideways and tried to pick up the cracker. Its teeth grazed the mud, making deep tracks. The cracker wouldn’t budge. The animal hauled itself onto the bank and took a mouthful of mud with the cracker. The man threw another cracker on the bank, and the gator swallowed it down. In the fading light, its teeth glowed pure and white. It did slow pushups on its meaty little forearms. Mud clotted its elbows, and the man threw more crackers. The German people oohed and aahed.

“I’m not putting you down,” the man said to his baby. The baby writhed in his arms.

“Teeth,” the baby yelled. “That!”

“Don’t put him down,” Annemarie told the man.

“No kidding,” the man said.

I could do this every night, Annemarie thought. Hang with the simple folk and feed dangerous wild animals like a crazy woman. She imagined the alligator getting angry, running toward her at forty miles an hour. She’d leap onto the railing of the boardwalk. She’d grab hold of the gator’s jaws and hold them closed with one hand, like the Seminole gator wrestlers at the orange groves she’d visited as a child. Reptilian rage was what she’d become practiced at. She had Roy to thank.

She remembered how all the muscles in an alligator’s jaws were for closing the mouth, not opening it. You could hold a gator’s mouth closed and flip it over on its back, and it would black out. The great beast would lie there, paws twitching, flabby white belly quivering. She still remembered one particular Seminole wrestler’s shiny black hair, slicked back off his forehead. He was lean and brown and his stomach muscles cast shadows upon one another. Her family had always watched the gator wrestling and bought rough sacks of tangelos and navel oranges. Annemarie had liked to squeeze the fruit and strain the juice, and think of the man’s bronze skin against the harsh concrete of the wrestling pit while she drank.

Now, Roy had never seen a gator wrestler in his life. He thought life was all harmless monkey jungles and parrot gardens and butterfly habitats. Annemarie knew better. She wanted to live on the edge, she wanted things out in the open. She didn’t want her problems hiding in the shadows anymore.

Annemarie stood against the wooden railing of the boardwalk and watched the alligator scraping the mud of the bank with its handsome teeth, trying for one last cracker. “Throw some more,” she told the man. Reflected light shone out of the gator’s dark eyes.

“Are you sure this is safe?” Roy asked. “That thing is huge. Didn’t you say a dog got eaten here last week?”

“Of course it’s not safe. That’s the point.”

“What’s got into you tonight?” Roy said. “Are you coming up on your period?”

“What kind of question is that?” She went rigid with black demented wrath.

Roy shoved his hands in his pockets and stared at the ground. “Sorry.”

A black-and-white pulled off the main road, crunching over the loose gravel. “Police,” the German couple murmured. The two old people scuttled to the benches at the end of the boardwalk and sat down, removing their hats. The tall man stuffed the half-empty package of crackers into the pocket of his shorts. Car headlights flashed over the surface of the lake, then Annemarie was blinded by police flashlights.

“They’ll have to search me,” the tall man whispered.

“We got a complaint about someone feeding the gators,” said the first cop. He was short, and plump, with a dark bristly mustache. His partner was tall and black and stood several feet behind him. He held the flashlight while the white guy spoke. “People, this is a third-degree felony. You’ll go to jail.”

“Crackers,” the baby said. “Crackers!”

“Did they shoot that gator that ate the dog?” the tall man said.

“No,” said the white cop. “That might be it right there.” His partner shone the flashlight on the alligator. Its pupils contracted in the glare. It raised its chin above the water and smacked the surface. Annemarie felt water splash her legs. “It’s breeding season,” said the officer. “They’ll come at you at the drop of a hat.”

“Who was feeding the gators?” said the black cop.

“None of us,” said the tall man. The little boy grabbed his nose, and his father pushed his hand away. “There’ve been people coming and going for half an hour.”

Annemarie said nothing, leaning over the railing, her arms cradling her breasts, droplets of sweat rolling down her back. Roy stood at the other end of the boardwalk, his cigarette glowing.

She remembered the first time he had ever touched her. Roy’s fingertips had moved slowly back and forth over her forearm, the same way the gator’s paws now rocked in the water. His fingers had brushed against the side of her breasts, that was all. She had wanted his touch on her, back then. Where had it all gone?

“We could call the Florida Game and Freshwater Fish Commission right now and they’d come down and cuff you,” said the white cop.

“I’m sure they would,” said the tall man.

“Teeth!” his baby boy shouted. “That,” the child said, one small finger pointing into the darkness of the swampy bank. “Hungry!” the boy squealed. His father shifted his weight from one foot to the other and back again. The police officers feigned disinterest and strode nonchalantly down the boardwalk, toward the German couple. She couldn’t hear what they said, but she saw how they shone their light into the old man’s eyes.

“Well, I’m going to get this little guy home to bed,” said the tall man, looking at Annemarie and smiling.

Annemarie nodded. “Let’s go,” she said to Roy. They walked toward the parking lot.

The policemen waited for them at the entrance to the boardwalk. “We have two witnesses who said they saw you feeding the gator,” the white one said. The old German couple huddled together on the bench nearby.

“Then you’ve got two liars,” Roy said. The German man patted his chest and looked at the ground.

“They both said it was a white male with a blue shirt.”

Roy’s shirt was blue, long-sleeved, covered with little paisleys. Annemarie had given it to him for Christmas. The man with the baby had on a blue T-shirt saying, “Eat Oysters, Live Longer.”

“There’ve been a lot of guys here with blue shirts,” Roy said, shrugging. The policemen took a few steps toward him, shining the flashlight in his face. Roy held his cigarette to his lips but didn’t inhale.

“I don’t like it when people lie to me,” said the cop. He touched the grip of his nightstick. Annemarie moved closer to Roy.

“Shit,” Roy said under his breath.

Back on the bench, the old German woman coughed, both hands over her mouth.

“I’ve been with my husband the whole time,” Annemarie told the officers. “He wasn’t feeding the alligators.”

“Care to sign a statement?” asked the black cop.

“Why can’t you just leave us alone?” Annemarie said.

“This is our job, lady.”

“Pretty messed-up job. Hassling people.”

“Is that right? Would you care to empty your pockets?”

“I told you, we weren’t feeding the alligator.”

“Maybe we think you were. Maybe we’re getting ready to arrest you and your husband here.”

“You do that and you’ll get slapped with a lawsuit.”

“So sue me. You’re under arrest.”

“What?”

Roy held his hand out. “Now, wait a minute,” he said.

Annemarie heard a rustling in the reeds behind her. She felt something slither over her shoes. At her feet was a tiny alligator, six inches long. Nobody else seemed to notice.

“You’re under arrest,” the officer repeated, his words to Annemarie slow and drawn out as though he were talking to a foreigner.

“What for?” Annemarie asked.

“For feeding the alligators.”

The big gator on the bank bellowed, its pale throat pumping like a frog’s. The German couple shrieked and ran down the path toward the parking lot. The cop pointed his flashlight toward the noise. Out of the reeds swarmed dozens of baby gators.

“I told you people it was breeding season,” said the white cop. The reeds rustled again and this time Annemarie heard a loud croaking sound. The big gator stood there, raised up on its forelegs, its jaws hanging open. The pink fleshy gullet pulsed in the flashlight’s beam. The teeth were dull yellow at the roots, gleaming pale ivory at the points.

“Holy shit,” the black cop said, grabbing Annemarie’s arm.

“Get the hell out of here,” shouted the white cop.

“I am,” the other cop said. He started toward the car, yanking hard on Annemarie’s shoulder.

“Leave me alone,” Annemarie said. She watched the animal while the officer struggled to pull her away. She went limp, buckling at the knees and kneeling on the ground. “Just leave me alone.” She wasn’t angry anymore, not at anyone or anything, especially not at her soon to be ex-husband. The spirit of her rage had gone into the animal. Pure reptile.

“Are you crazy?” screamed the cop.

The big gator sucked air and croaked again. It raised and lowered its head. The babies scuttled back toward it, milling under its body and peeping loudly like baby chicks. The alligator’s thick tail whipped back and forth through the reeds, and finally the cop ran off, leaving Annemarie in the mud. Why had she been trying so hard? Who had she been trying to fool? This was how it was. Eat or be eaten — the end of one angry life marked only the beginning of another. She closed her eyes as she heard the roar of the gator coming closer.

Roy knelt beside her. “You don’t want to do this,” he said.

“Do what?” Annemarie said.

“Get this alligator shot,” he said. “It’s not going to help.”

He was right. The alligator had never done anything to her. She looked at Roy. He had not been shattered by any of it. His eyes begged, but for once he wasn’t judging her. For once, maybe for the first time, it seemed like he understood her. Life could be so simple, once you got rid of all that confusion. She realized that there was no telling what would happen after today.

“Come on,” Roy yelled, grabbing her arm and pulling her to her feet, and his hand against her skin felt better than she remembered. She ran behind him, her feet sliding over the muddy gravel, not afraid, but laughing like a madwoman. Let everyone see me for what I am, she thought. Let them observe my fiery trail from a safe distance, and weep for their own. Roy glanced back at her as they ran, but Annemarie’s lips did not move — she ran honestly, tripping across her own feet. She could feel the sea moving around inside her head, and she laughed.

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Going To Sea, a poem

Apache, 105-foot D. Presles and J. Pierrejean charter yacht

illustration barry huplits high school photo

 

Going To Sea

(for Barry Huplits)

 

She is a great white boat, carved

of wood, lacquered to a blinding

sheen, her sails immense, floating

 

over my head like the wings

of a fearsome angel. I sit

on her prow, clinging to the slight

 

metal rail, and together we leap

over the waves like some illiterate,

dangerous god. I am a mermaid,

 

a brightly colored figurehead,

thrust into the salt spray to bring luck.

The power of the water flings me to and fro,

 

but I hold fast, panting, the rich smell

of the sea making me drunk. As we pass

the ragged rock walls of the inlet,

 

I see the towering dwellings of men,

though these quickly fall behind our path,

growing tiny, frail to the elements

 

I have momentarily harnessed. We brush

great clumps of weeds, then the color beneath

changes from murky green to depthless indigo,

 

the froth of the peaks suddenly

light, riddled airy like the childish,

gladdened heart inside my chest.

 

In my net are jerking glass shrimp,

Tiny, tassled fish that look like

bits of leaf, one lone needle-nosed

 

eel, sinuous even in his distress,

and when I have stared long enough,

I fling them back to their wet lives

 

without regret. Under the sharp

edges of the sun, skin grows heated,

reddened as if by love’s rough brush,

 

yet we keep on, moving into the horizon,

towards the vanished place of wildness,

full of an impeccable, golden light.

 

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Weightlifting, a short story

illustration weightlifting 2illustration weightlifting

Weightlifting, a short story

Laurel stood in the alley beside the entrance to the Flower of India’s outdoor patio, and the stifling, smoggy Burbank sun was so hot she could feel droplets of sweat rolling down her back and her ribcage and between her breasts, soaking her nurse’s costume. She was hemmed in by a dented maroon B210, a smelly green garbage dumpster, and by the presence of her spurned lover. Jason had drawn himself erect to his full 4-foot-9-inch height (a foot shorter than Laurel herself) and was trying not to tense his neck — specifically his sternomastoid muscles — because he knew how much that pissed her off.

“Jason,” she said. “It’s not worth this. We should both calm down, O.K.?”

“I am calm,” Jason said. “I’m completely calm. I’m just confused. You’re very confusing, Laurel. Maybe you could go over it one more time?”

“I’m late for work,” she said. “I told you I only had an hour for lunch. I don’t know anything I could add to make it clearer. How many times do you want me to say I don’t want to see you anymore?”

Jason stared up at her. Without realizing it, he tensed his sternomastoids, his neck vanishing in the thick round cords. Jesus, Laurel thought, there he goes again!

He blinked his eyes. “I’ll be home tonight. Could you please call? Please?”

“Oh, God,” she said. “All right. If it helps. I’ll call.”

Jason nodded. His neck relaxed. He looked more normal, but not completely normal, never completely normal. That was one of the problems. He looked like an an eleven-year-old in an inflatable Halloween “muscle” bodysuit. People stared at him everywhere he went; and stared at Laurel when she was with him.

In the beginning, she thought she’d be able to handle it. After all, his face was beautiful, startling eyes, neat brows, and strong chin. The proportions of his body were perfect, if you viewed him from a distance. And the physical side of the relationship was fantastic. He was a perfect little doll: an expensive toy, like from the Black Licorice Whip on Santa Monica and Sunset. But she was wrong. She couldn’t handle it.

“Bye, Jason,” she said.

She started to move, edging her body through the narrow space between him and the dumpster, but she didn’t do it fast enough. Jason reached out. He wanted to embrace her, sweep her back in his arms, and carry her off like Clark Gable with Vivien Leigh. But nine times out of ten he didn’t have the leverage; he had the strength but not the right angle of lift. If he’d tried, he would have toppled Laurel into the open dumpster.

So all he could do instead was hug her. His nose rested atop the shelf of her breasts; his breath caught a little in his chest and he inhaled deeply, almost a sob, and that was his big mistake. Through her costume — today she was a bit player on a soap — through the thin white material, he smelled her perfume, the heavy frangipani oil she got at Mrs. Gooch’s in Redondo, and when he smelled that oil he couldn’t help himself.

He plunged his face into her breasts, and though he felt absurd he couldn’t stop himself; it happened and he could do nothing, not even after he remembered that this was one of the things she really hated. His face snuggled into that frangipani scent, into the soft flesh of her bosom, and his head wiggled back and forth like a rooting newborn.

Laurel stood, her chin resting on his head, tangling his straight, silky blonde hair as his head moved back and forth at her breasts. She had an urge to rise up and smash him on the crown of his head with her chin. She had read somewhere that you could kill a person with your chin, supposedly it was one of the hardest bones in the body, but, no — maybe that was the elbow. Anyway, this was all her fault.

“I’ve got to go,” she said.

He untangled himself and stepped back. His eyes were red and his face was red and his thick hair was wild.

“Goodbye,” he said. And as soon as he saw her car drive off toward the studio, he attacked the wooden fence of the restaurant’s patio with his bare fists. Then he went home, and spent an hour peroxiding his hands and pulling splinters out with an eyebrow tweezers Laurel had left at his apartment, on one of the rare occasions he had persuaded her to spend the night.

***

Back at work, Laurel went to the makeup room. The hair lady pulled one of the hot curler sets over and started re-rolling Laurel’s hair. Laurel closed her eyes, and let the brushing and tugging lull her.

Jason was an actor, too, and in her heart Laurel had to admit he was much more talented than she. If he’d had maybe two or three inches more in height, he could have been cast in a slew of parts. But as it was, being 4-foot-9, he was shut out. Oh, he got a few far-out costume alien roles, and the occasional little person job, but the irony was that he was actually too tall for the best of those parts. Like when they were making that Star Wars sequel and they needed people for the little fuzzy things, the Ewoks, Jason wasn’t even called to audition. Too tall. Laurel had just met him then, and she never forgot how he reacted.

He got totally bombed — must have drunk at least three six-packs of beer. Being as small as he was, relatively speaking, that was probably enough to have killed him. He showed up at Laurel’s apartment, the third-floor place in West Hollywood with the center courtyard and pool. He danced around like a maniac in the open-air hallway outside her front door. Laurel literally peed in her pants when all of a sudden he vaulted over the railing. She ran to the edge, feeling the iron grillwork vibrating from his push off, but by the time she looked down she’d heard the blessed splash. She ran down to drag him out of the water.

This white-haired biddy on the first floor had screamed at her as she tried to half-carry, half-drag the semi-comatose, muttering Jason upstairs.

“Is that your son?” the crone yelled. “I’m going to report you to the welfare department. Letting a little boy jump off a third-story railing — he could have been killed. You should have been watching him better, lady!”

Laurel got him up to the apartment and put his head in the toilet and told him to throw up. Then she put him on the couch and covered him with a blanket.

The next morning, when she awoke, Jason was already gone, but there were flowers everywhere. He had gone around the corner to Lucky’s and bought their entire cut flower stock. Every pot and pan and glass she owned was stuffed, crammed, overflowing with flowers.

***

Laurel opened her eyes and saw Freddie standing over her, ready to touch up the makeup. She leaned her head back, he tilted the chair, and then she could feel him brushing her lids with fresh eye shadow.

Today was the fourth time in eight months she had tried to break it off with Jason. She had to make it clean, this time, otherwise it was going to take both of them right over the edge. Usually, Laurel was better at this sort of thing. With Jason, though, the relationship had lingered on her doorstep like a yowling, starving cat. She’d get to a certain point, then Jason would suck her in with his green eyes; her courage would fall away. She would backtrack; afraid she was making the wrong move. For a few weeks, she would be filled with hope. She would think, maybe Jason and I can make ourselves a place in the world.

“Open your peepers, darling,” Freddie said.

“You’ve given me eyes again! And lips. Too bad I can’t have you come over to my house every time I have a date.”

“You flatter me, honey,” Freddie said. “Nothing here that nature didn’t give you. Just me and Max Factor helping out a little.”

Laurel went off to her dressing room to look over the script. This morning she’d spoken two lines, this afternoon she had three. In this afternoon’s scene, she had to cut ski pants off the legs of the character of “Sue Roper,” after a tragic fall on the slopes. Her three lines were, “Hold her down while I remove her pants,” “There’s a lot of bleeding here,” and “We need to get this young woman to X-ray, pronto!” If the director tried to “direct” her today, with this garbage, she thought she might bite his hand off at the wrist.

***

After work, she went to dance class. She wasn’t with it; the teacher kept coming over and fussing with her arms, her legs, pushing her hips down, tucking her butt under. When it was her turn to do a solo, she almost forgot the routine. Snapping her head around for the turns, she nearly lost her balance.

Leaving class, she shivered as her tired rump touched the icy vinyl of the car’s upholstery. At Ralph’s, she bought one single-serving Chocolate Supreme frozen cupcake. As she opened her front door, she noticed the message light on her machine flashing. The light flashed one-two-three-four-five-six-seven. Seven calls! She hoped they weren’t all from Jason.

She kicked off her shoes and dropped her bags, pressing the Play button.

“Hi, Laurel. Oh, are you working? This is Katherine. If you want to eat, I’m meeting a bunch of people at El Coyote around eight, hope we see you?” Click. Beep.

“Uh, this is The Strand Bookstore. The book you ordered, uh, the poetry book, is in. Thanks.” Click. Beep.

“Laurel. I’m sorry about today at the restaurant. I’ve got to see you tonight. Please call.” Click. Beep.

“This is Dr. Petersen’s office, calling to confirm an appointment for Laurel Bragg on Wednesday, the eighth of December, at 3:30 p.m.” Click. Beep.

“Hi there. Remember me? I’m back from the Oregon festival, it was terrific. Give me a buzz; I’ve got a nice script sitting here with your name on it.” Click. Beep.

“Laurel. I’m sorry. I’m waiting for your call. I’ll sit by the phone all night.” Click. Beep.

“I know we can get through this. I have faith.” Click. Beep.

Faith. What a crock, Laurel thought. What did Jason have faith in? Did he look at everything in his life the way he looked at his weights? Did he think if he pushed hard enough, if he pushed enough times, that he could push them both into a happy ending?

She unwrapped the frozen cupcake. She nuked it, poured herself a glass of milk, and sat cross-legged in the middle of her living room. Three calls. She would have bet on all seven. Maybe this time, he knew. Maybe this time they’d both be smart enough to let it die with a little dignity.

She finished eating and lay down, staring out the window at the wispy gray clouds passing over the full moon. She pulled her knees up to her chest, feeling her aching spine crack. Then she heard a knock at the door.

“Who is it?” she said.

She could barely hear his voice; looked like he was in one of his whispering moods.

“It’s me,” Jason said.

She dragged herself up and looked out the peephole. The top of his head was just visible through the dirty lens.

She opened the door: he looked down at the ground, staring at his feet. He wore his leather jacket with the sheepskin collar, the one from the little boy’s dress department at Magnin’s. Wound tight around his neck was a red and black striped muffler with long black fringe, but the jacket was open all the way; he didn’t have any shirt on underneath. His lips were turning blue.

His eyes were bright, the whites clear, but the rims of his eyelids were deep red. “Can I come in?” he said.

A chest-bursting sigh heaved out of her; she clicked her teeth together in her jaw. He looked like he was going to crumple up in a heap on her doorstep.

“Sure,” she said. “I’m just tired. I had a depressing dance class. Come in. You must be freezing.”

She sat down on the couch. He closed the door, leaning against the wall with his hands in his pockets. Well, what’s it going to be tonight? she thought.

“Laurel,” he said. He sat down next to her. Reaching up, he pulled her head down to the center of his bare chest and held her like that, bent over, her face chilled by the leather and the cold zipper of his jacket. Her cheek was against his smooth chest — not a hair on it because he had it waxed, and she could smell the soap he used, Jesus, he was always so damned clean. Then she felt drops on her face, warmish drops, first one, then another, then drop-drop-drop-drop.

He let go and stood, pulling her to her feet; sometimes she forgot how strong he was. All he needed was the proper leverage and he could pick her up, carry her. Not the Gone With the Wind scene again, she thought — I don’t know if I can take it.

He picked her up and kissed her; his lips were pale and cold as he opened his mouth, pushing his tongue past her lips, over her teeth, moving it back and forth over their sharp edges. For a moment — as he held her without effort, as she felt his body through the thick leather and the canvas of his jeans — she imagined that things were different, that when they went out together nobody gave them funny looks, nobody gawked at her like she was a pervert or a dwarf-hag or a pedophile.

He lowered her legs and her feet touched the ground. She straightened her legs and stood. He craned his neck back to look her in the eye, and she saw that his eyes were dry, but the whites weren’t clear now, they were webbed in red, matching the inflamed edges of his eyelids.

“All I want is this, Laurel,” he said. “You don’t have to go anywhere with me. I won’t expect anything.”

She looked down at his face. “What are you saying? What have you come down to? There are ten thousand women in L.A. who would be good for you. Can’t you see it’s not worth it?”

“I don’t know,” he said. “I can’t see much of anything. I curse you all day under my breath, I bad-mouth you to my therapist, and I have a dart board with your picture on it. But at night, it’s not like that. Then, it’s like nothing bad has ever happened.”

He turned his face away and she stared at the top of his head. I can’t believe this groveling, she thought, this is really bad, sick, and pathetic. I can’t believe I have robbed another human being of so much dignity. It isn’t Jason who’s being weak here, it’s me, I’m the weak one who can’t do what has to be done.

“Jason, I’m sorry,” she said. “This isn’t any good. You don’t really want to slink in here after dark like some criminal.”

“Yes, I do,” he said.

“Well, forget it,” she said. “Believe what I am saying to you. This thing cannot work. This is the end of it.” His neck tensed, his sternomastoids swelling and rising until he looked like an alarmed turtle. There he goes again, she thought. Will he ever stop?

Jason’s eyes got shinier, water building up inside his lower eyelids, about to spill out, over the edge. Suddenly, his hand flew up; he leaned in towards her to follow through with the swing; his open palm connected with the center of her chest and her body bounced off it. The thud of the blow and the echo throbbed in her sternum, in her breasts, in her spine; her teeth snapped together and she bit her tongue, tasting blood, as her knees gave way, sending her to the floor.

“I never wanted to tell you this,” he said, “but as an actress, you stink.”

As she bucked and heaved on the rug, trying to force some air back into her lungs, he was moving out the door, slamming it as he ran; the wall of the apartment shook and the brass guard chain rattled back and forth; tick-tick, tick-tick. Jason was right — she’d chosen the wrong line of work; the wrong life. She went to sleep for the night where she had fallen, rolling atop her rumpled satchel, in her sweat-stained leotard, the remains of Freddie’s makeup job smeared over her face like the greasy ashes of a penitent, and though the next morning she couldn’t remember her dreams, she knew that they had been filled with a great heat and a great darkness, and most of all, the sensation of a relentless, unforgiving gravity.

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Blood Mother, a poem (sculpture in the Orsay Museum, Paris)

illustration blood mother
Blood Mother, a poem (sculpture in the Orsay Museum, Paris)

She is made of wood, a silken hardness that begs touching.
Should anyone reach, trail a fingertip across her flesh,
the man in straps would speak, his mumbled words rasping
through the stopped air, turning beating cells boorish,

piercing desire’s heart, killing a love so old, so pure,
it has no real name. Such is obvious from the way she stands,
lifting her heavy hair, each hand the careful cynosure
of being — she drapes the primal fiber like garlands,

letting it flow free only to capture the thickness of trees.
Her eyes are closed. Under abraded lids resides the look
everyone knows: pupils enlarged by pain; simple refugees
from knowledge received of the body, woman’s final textbook.

The belly asks first. It says come, reside here within me,
neither cold, nor afraid, nor desirous — twirl and dream
of nothing but this spare salt universe, wear only veins, silky
wisps of hair, discreet, pale limbs enfolded by soft cream.

Her feet nourish the ground, her head becomes the forest.
Walk where her shadow falls, seek the margin of her arms,
soothe your tired neck in mother’s lucid heat, hedonist
entity you have become, set in blind motion under charms

worked by no laboratory scientist in a trim white robe.
Rather, you emerged redly from a thousand other deaths,
one messy cauldron holding shapes; the patient, springy web
of chosen elements drawn together, joined by many faiths.

The breasts want, too. Child, they sing in unison, nourish your
body with our thin white blood — suckle, cradle the nipple deep
against the palate, pull the flow from a dozen small pores, gnaw
strong like a velveted vise, drink true until you swallow sleep.

The need to believe is more than skin. Need is the whole glossy
image on this lonely wall; what it means to be such a mechanism!
She never schemed for her fey power — nor does she expect mercy.
You exist, mere fragile accident, in perfect jeweled synchronism.

Not as simple as punishment, nor as complex as grace, her skills
for life reside at a place men cannot enter, no fault of their
own. They build instead the world, of brick, stone; shy stabiles
meant to appease longing, courageous memorials to light, to air.

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The Conundrum: Splitting The Baby) for Kimberly Mays Twigg

kimberly mays infant photo Switched At Birth, www.silverimagephotoagency.com

I.

Sometimes, I ask myself why I didn’t give her back sooner.  Would it have been easier then, before I knew her personality, the sweet meaning of her every sound, every movement?  Already I loved her smell, the weight of her small head on my chest, already I’d soothed and fed and washed her forty days running.  That other mother gave life, I gave only touch, warmth, comfort.  I couldn’t help it; I fell in love, it happens like that, quickly, without thought.  I didn’t know how it felt to be someone’s mother.  When I couldn’t become pregnant, I cried for days.  My insides felt soft and hollow, like an empty purse.  This little girl loves me, I know she does.  She reflects a rainbow back to my eyes, in her smallest toe resides a perfect universe.  I lie next to her at night, breathing the rich, salty fragrance of her hair, feeling her body growing, expanding to meet mine, and over our private nest flows time, but for as long as we can we rest outside death’s pull, allowing all that to pass by, content with this lovely darkness, this small sliver of heaven.

II.

Sometimes I ask myself why I gave her up in the first place.  It wasn’t easy, not even then; I haven’t held her since the day she was born, but I know her, like she’ll know me, without thinking.  I began her life, I walked with her body in mine for nine months, we were never apart, not for a second.  I called her my daughter.  That woman has taken care of my poor baby for years, but in her heart it’s only me she’ll call Mama.  Any fool knows this, anybody with a brain will tell you adoption can be a mistake.  It was a crisis of self-esteem, more than anything.  A momentary weakness, where I thought maybe I wasn’t strong enough to keep her safe.  Once, during all this trouble, I almost gave up.  All I had in my hands was a pink plastic bracelet, but I couldn’t forget holding her, I couldn’t forget how her toes curled against her foot, so small, so much like mine.  Now she’ll never have to wonder whether I loved her, she’ll never have to discover where I live.  The time we spent apart will soon be forgotten; she’s young and there’s plenty of time for our life to weave itself back together, to re-create our lost paradise.

III.

Sometimes I ask myself why I couldn’t have had them both, forever.  Is love so smart that it can tell the difference between one drop of blood and another?  Being born was harder the second time, though life at home smells just as sweet; the weight of this new mother, her reassuring size, pressed against me like a sheaf of autumn grain, harvest of all dreams.  Dimness is where part of me lives now, the part that slept near the warm shadow-woman of my first days, hands that held fast, then let go.  Dimness, and a lifelong vocation to tell people — remember, I have no patience for fools, none at all — nothing is as simple as it seems.  A child’s soul can fill even the most tortured shape imaginable.  God knows, when I have my own daughter, she’ll ask how it was to be torn apart for love, and I’ll have to tell her:  it was a beauty and a terror and a fiery cross, and gaining the knowledge of good and evil has a price… and those of us who’ve paid it don’t for a minute regret our sacrifices.  Yes, it hurts, yes, it left scars, and yes, now and again I have trouble sleeping — don’t we all?

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the sword is a weapon of love, a poem

illustration sword is a weapon of love illustration sword is a weapon of love globe hand

The Sword is a Weapon of Love

(originally published in Stark Raving Sanity)

 

Brutal insight into a relationship occurs when the beloved

vomits in the bed… what can be borne, is, what cannot, dies.

Onslaughts of clarity come in the small hours like chest pains.

Can love survive endless trips to buy food?

 

Control your feelings — tie your hands together behind your back,

don’t pick up that stone.  Family is a genetic firestorm, shelter

yourself in a den carved out of solid rock.  Money is what creates evil.

A man I know lies whenever he can, if it will save a buck.

When you cannot decipher the callings of your heart

and soul, listen to loud music.

 

My grandmother left me a pair of silver goblets, which I

refuse to polish… I drank out of them on my wedding day —

they turned black instantly.  Beware of men

with black hair and dark eyes.  Beware of men who covet

objects of beauty, including you.  Their first

priority on the list of acquisitions is marriage.

 

When you have two opposing desires, do nothing.

Do first the one, then the other, if possible.

Take both paths simultaneously, and lie to everyone.

 

Beware of men who accuse you of interrupting.

If you fast for a day, you will experience quick and forceful change in your life.

The sword is a weapon of love. To be cut is to love deeply.

I know a man who hanged himself. His wife cut him down with his own sword.

 

In the bathroom, use lots of soap, feel emotionally cleansed.

Watch the moon, record it daily, change the color of your hair often.

Let the vines grow over the top of your roof, they will

penetrate your attic and a small wilderness will evolve over your head.

 

Always have a globe nearby to help you feel small.

Whenever you are embarrassed, take all your clothes off.

This will help you to remember what is really important.

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