Tag Archives: family

Catalyst to a Potato, a poem

illustration catalyst to a potato 3

Catalyst to a Potato, a poem

 

Can I perform the miracles of earth, sun, water?

Can I be the warmth that gently pries open

eyes, that coaxes forth pale shoots, that causes

 

hardness to soften to green? If I throw the potato

against the wall again and again, will I ever cause

the potato to change? For so long, I tried to form

 

myself in the potato’s image. I tried to become

round, dense and heavy with stability, I tried

to protect myself. It did not work, it failed.

 

Now all there is left is her, one small girl alone

in the world. Her lips are redder than mine ever

were. Her shoulders are strong, she is not fragile.

 

You were the potato, the one I could never change.

Lobbing you again and again brought no result,

no visible difference. Yet in your eyes I am

 

the one who remained indifferent. I am not

ashamed, yet I am the one who needs to change.

You want only to rebuild. Take stock of your

 

small garden, not everything there is sound.

There is no such thing as healing. There is only

covering over, sweeping under, tamping down.

 

You know we will never love each other again,

yet you do not weep. This time I will not do it

for you. I am finished with praying for miracles.

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Have You Ever Met the Love of Your Life?, a short story

illustration have you ever met the love of your life

Have You Ever Met the Love of Your Life?, a short story

Nasreen, Marion’s dance teacher, was short, dark and wide. She wore black leotards under her frothy, voluminous gold-threaded saris, and glowing silver rings on her largest and smallest toes, which were connected to ankle bracelets by delicate jeweled chains. When she moved, and the big belt of coins around her hips started to sing, Marion often thought of a curtain of water emerging from an alabaster frog’s curving mouth. Nasreen’s lips and toenails were always painted fiery orange, and the air near her smelled of cardamom, nutmeg, and cloves. Nasreen had been famous in her youth — she treated all her students with exaggerated courtesy but for some reason, took a special interest in Marion.

From the start, Eleanor, Marion’s sister, thought Marion was crazy, and the whole Oriental-dance notion (she couldn’t bring herself to say the word “belly” out loud) ridiculous. “Why on earth do you want to get up on stage and wiggle back and forth like a cat in heat?” she had asked.

“I’ve always thought it looked so graceful,” said Marion. “It sort of mesmerizes you, it’s so soothing to watch.”

“Soothing? Graceful?” Eleanor rolled her eyes and tossed her head. Her neat French twist bobbled, and a wisp of hair fell to tickle her cheek. She shuddered and tucked it behind her ear. “Grotesque is more like it. I’ve always thought those women looked like they were trying to eliminate peach pits from their digestive tract.”

The two sisters lived together — they had always lived together — in an apartment across the street from the house they’d grown up in, a gaunt, three-story Victorian. After Mother died, as soon as could be considered decent, they had sold the big place and gotten rid of the ponderous mahogany furniture. They kept only Eleanor’s player piano, some threadbare Persian rugs, and their mother’s elderly miniature pinscher. Marion filled the apartment with pickled-pine French country and delicate ruffled draperies in red toile.

Soft-hearted Marion said the rosary thrice daily and didn’t care much if her clothes matched; Eleanor, the younger, was a late-blooming atheist, but knew how to dress. Eleanor had been engaged once years ago but they had never managed to decide on a wedding date — the hopeful young man had insisted she keep the ring anyway, a flawless one-carat diamond set in platinum. She looked at it every night, sitting in her jewelry box, but never wore it.

***

Marion’s first formal belly-dancing costume was to be hand-tailored by her teacher Nasreen’s younger brother, Ahmet. He was known all over the world belly-dancing community for his brilliant costume designs; the only reason she was able to afford him at all was Nasreen’s incessant wheedling on her behalf — as one of his sister’s most deserving pupils, Ahmet finally agreed to let Marion have the outfit at cost.

“I see you in red,” said Nasreen.

“I was thinking of pink. Maybe powder blue?” said Marion.

“Red, it must be red,” said Nasreen. “Ahmet, what do you suggest?”

He leaned back, folded his arms across his chest, and squinted first at his feet, then at Marion, then at the stacked bolts of silk gauze rising to the ceiling, and then at his sister. “Yes, red for the trousers and the outer sari,” he said with a faint smile. “And the front of the bustier heavily sewn with pierced and gilded centimes.”

“Perfect!” said Nasreen, and she and Ahmet gave each other conspiratorial smiles. “Remember the one you made for me so many years ago?” she asked.

“Of course!” said Ahmet. “Now get up on the stool. I need to get your measurements,” he said to Marion, his smooth, warm fingertips galvanizing her arm as he prodded her into compliance with the tape measure.

When Marion described Ahmet’s fitting and design process, Eleanor was incredulous. “You’re going to wear red see-through pants and a bra made of nothing but gold spangles and call yourself Ayita?” she asked.

“It’s my stage name,” said Marion. “It means dancer.”

“Well, isn’t that cute!” said Eleanor, slapping the kitchen table with a rolled-up newspaper she’d been using to pursue a small green fly. “I suppose next you’ll be getting your nose pierced and wearing a veil.”

“Good Lord, no,” said Marion.

“I hope you won’t ever expect me to come see you make an idiot out of yourself,” said Eleanor.

“No way,” said Marion. “You’d make me a nervous wreck. I’d never be able to concentrate on performing.”

“Ah, yes — the great artiste needs her concentration! What a load of manure!” said Eleanor.

“I just want to have some fun. I need a change.” asked Marion. “Why are you making such a big deal?”

“Because I think a woman your age parading around dressed like a harem girl is absurd,” said Eleanor. “Because every Arab I’ve ever met treated women like second-class citizens. Because I know you’re doing this just to irritate me. Hobby, my eye. Why couldn’t it have been needlepoint, or gardening?” Eleanor glared, but Marion just shrugged and continued eating her toast.

Marion’s finished dance outfit was a huge success. As a precautionary measure, she danced privately in Ahmet’s workroom for Nasreen. Nasreen stood with her arms folded across her chest. As the music started and Marion began to dance, Nasreen’s eyes narrowed and her lips grew thin. She tilted her head and stared. Marion felt awkward, but after the first few seconds, the music and soothing movements overwhelmed everything else. The glittering red costume transformed Marion; she lost herself to something bigger, her hands were two white birds flying, twirling, graceful on the fluid stalks of her arms. Her smile was steady, effortless. The glittery silk billowed around her legs like cool wind. For the first time, her body moved on its own, strong and agile. “That’s it, you’re ready,” said Nasreen.

“For what?” asked Marion, wiping her damp forehead with a jingly forearm.

“A trip. To Paris. A month from Saturday. I’m putting an international dance exhibition together. I want you to go with me, to dance.”

Marion protested. “I couldn’t. I’m not that good.”

“Yes, I’m afraid you are.” Nasreen pulled a passport application out of her cavernous black purse. She shook Marion’s shoulder. “Why did you want to learn to dance in the first place? What are you waiting for?”

            ***

Eleanor wouldn’t let Marion travel to Paris with only Nasreen and Ahmet for company. Eleanor put her foot down; Marion hadn’t been able to say “no” loud enough. It was Marion’s first overseas journey: she’d underestimated jet lag. She awoke abruptly at 2 a.m., trembling through her arms and legs as if on amphetamines. Eleanor – she’d been to Ireland and Spain, she knew better, she’d taken four different pills to zonk herself out — was sound asleep, mouth open, a tiny puddle of saliva glistening on her pillow. Nasreen also slept, lying curled on her side, hands tucked under her chin, emitting the most genteel and melodious of snores. Marion didn’t want to turn on the lamp and produce chaos, there was enough of that within her; instead she went downstairs to seek light and order in the lobby.

The desk clerk on duty — a tall, thin Algerian graduate student — was very eager to demonstrate his grasp of English. His dissertation was going to be about the evolution of American street slang, curse words or something. He announced himself to be Muslim; this formality alarmed her briefly, but he seemed to possess abundant humor, lightness, reason. His name was Badr, which meant “full moon.” The image suited him. His smiling face was boyish, benign; his moustache highlighted the fact his skin was silken as a girl’s. Dark chestnut hair lay in soft curls against his cheeks. His clothes were rumpled and mismatched, like an absentminded schoolboy’s.

The small lounge area was arranged with delicate birch wood cafe tables and slippery turquoise-upholstered armchairs. She noticed Ahmet sitting over in the farthest dark corner, wearing a long yellow silk tunic over his rumpled jeans, pretending to read the newspaper. Marion raised her hand in greeting; Ahmet nodded. Badr served her mineral water and orange juice. She tried to read the French newspaper lying open in front of her, understanding only every third or fourth word. Every time Marion glanced over to see if Ahmet was still there, his eyes were upon her. He folded, inspected, and re-folded his own paper for several odd minutes, then picked up his drink and wandered over to the bar.

“May I sit here?” he asked, pointing to the stool next to her. He seemed embarrassed, or shy, or ill.

“Sure,” she said, shrugging.

“Can’t sleep?” he asked.

“Not a chance. They’re both sound asleep, though.” She adjusted herself on the stool, crossed her legs at the ankle, then at the knee, and then rested her elbows atop the bar. Her hands clung to each other like nervous gerbils.

***

“You’re jealous,” said Marion four hours later, when she finally got back to the room she shared with her sister and found Eleanor livid with rage. “For once I’m having a good time, and you just can’t stand it. It’s not my fault you’re so lonely.”

“I’m not lonely,” said Eleanor, glaring at Marion with laser beam eyes of death.

“Yes, you are,” said Marion. “We both are.” She thought then of the way Ahmet’s lips had tasted when she kissed him goodbye before opening the door to the brightly lit hallway. She thought of the way his hands felt, stroking the small of her back, running down her hips past the hipbones down to the upper thigh. She thought of the way he held her when he came, murmuring her name into her ear like a tiny puff of wind, carrying a sound she couldn’t quite recognize at first. Her name. The man knew how to say her name.

“Have you ever met the love of your life?” Marion asked Eleanor.

“Oh my god! You’re in la-la land,” said Eleanor.

“Have you ever met the love of your life?” Marion asked again.

Eleanor stared at her, her lips moving, but no sound coming forth. Her hand struck out quick as a venomous snake and slapped Marion’s forearm viciously, which hurt like the devil — but Marion was so amused she laughed, which only made Eleanor slap her arm again and again, harder and harder. The harder Eleanor slapped her, the harder Marion laughed. Suddenly Marion grabbed both Eleanor’s wrists and twisted them so hard Eleanor shrieked.

“Have you ever met the love of your life?” Marion whispered. A full minute ticked by in silence. Marion waited. She felt Eleanor’s arms relax and go limp.

“I’ve never even thought of asking that question,” said Eleanor.

When both sisters shocked themselves by starting to cry, they pulled each other close, each of them bear-hugging the other — grouchy/beatific, horrified/overjoyed — as though both their lives depended on it – which they suddenly realized was now, always had been, and would always be, the truth. Marion and Eleanor had finally let each other in, all the way in.

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The Nearness of Heroism, a short story

illustration the nearness of heroism cracker-jack-eversillustration the nearness of heroism

(Originally published in The Paumanok Review)

The Nearness of Heroism, a short story

They tell me he was the first man I ever saw nude; that when I asked him, pointing, in my high, three-year old’s simper, what “that thing” was, he didn’t even flinch. He stood in the big tiled shower stall, holding the door ajar with one hand, toweling himself off with the other.

“I’m a little teapot,” he sang, in his exuberant tenor. “Short and stout. This is my handle, this is my spout.”

They say I stared, and then frowned, running out to demand of my grandmother on the spot — I want to be a little teapot! Show me my spout! Where is it? Where is my spout?

Where, indeed? If only the gulf could have been reduced to those dimensions. Am I wrong to feel we would have been closer, had I been a boy? Would he have loved me more, or less?

***

I liked to sneak up on him while he used his glove, just out of the shower, a white towel tight around his waist, his hair slicked back, parted precisely. Even from my earliest memories, the old baseball glove was missing one or two fingers, the ball deprived of whole sections of its leather wrapping, worn through to the string-mended core in several spots. Both glove and ball had darkened to the color of cured tobacco, carrying a sheen of sweat-polished grime that lent a gleam akin to the finest shellac. Arms moving, hands a blur, he would move in automatic rhythms of meditation, pounding gloved fist with clenched ball as his lips moved, the words inaudible, his gray eyes focusing up and out at an angle, viewing a corner of patterned plaster, seeing something I wanted to share but couldn’t.

Then he’d notice me. He’d stop in mid-pound, his mouth open for an abrupt chuckle, too embarrassed to be embarrassed. “Hey there, lady,” he’d say, the broad vowels of his Brookline childhood making his words seem exotic.

He kept the glove and ball on the highest shelf of his closet, a level I couldn’t reach, not even with a step-stool.

***

He was, in fact, the only male presence in my life, even after I started to dwell on the concept of boys, the one I ran to in the early morning — crawling into his bed, burrowing deep under the covers, where he sang the old songs he’d learned from his Irish mother and held me in his arms, my nose burrowing into his soft feather pillow, into his wrinkled cotton pajamas, seeking out his bitter-tea-with-lemon smell, seeking out his body’s distinctive shape and radiating warmth, which possessed a steely eloquence no less comforting than my grandmother’s padded torso. Since he was home with us every day, having retired years before I was born, I didn’t realize he was different from other men, other fathers, who were defined not by their presence but by their absence.

“Oh, you dirty little devil,” he’d sing, “Does your mother know you’re out? With your hands in your pockets and your shirttail out?”

I would hear my grandmother fuming from across the room, not speaking but moving the various brushes and trinkets around on the glass-topped surface of her dresser with snappish clinks and taps. At other times, whenever he knew she disapproved, he’d make disrespectful rubber-faces behind her back until my face couldn’t keep a secret any more, and, looking at me, she’d see some sign of what was going on, then wheel indignantly, catching him in some fish-lipped, pouting impersonation of her, their demeanor so ridiculous, so upside-down, that for a moment it seemed that he was a small boy again, no one’s husband, and she his strict governess, no one’s wife.

***

He was related to me by marriage, not by blood, something that seemed to bother him a lot more than it bothered me, especially near the end of his life. From the very beginning, I had pledged my allegiance to him, had given him that affirmative declaration of the heart, and for a short time, during childhood, it seemed that he had pledged the bond in return and accepted me as his own. Not even in dreams did I measure him any differently than I measured his wife, my grandmother. As I grew older, however, and he grew more and more frail, the absence of an actual cell between us appeared to chip away at his feelings. “I don’t have any family of my own, you know,” he’d say, gazing at me as if for sympathy, never knowing how caustic the mild-sounding words were to my ears.

“I’m your family, aren’t I?” I asked him, the first time he brought it up, but he shook his head, smiling at me with a thin-lipped yet dreamy smile.

“It’s not the same,” he answered.

***

On various occasions, as his health became less certain, I promised him one of my eyes, one of my ears, one of my kidneys, half my heart, half my liver, half my stomach: everything and anything he needed to survive, anything he might need to be comfortable, which I swore to give to him when he got “old.”

***

In my last year of college, I had a boyfriend who got physical with me on several occasions. Nothing serious, no marks: a thump on the head with one knuckle, a scuffle in the yard, pushing matches. One day I reacted badly, bolting my apartment door and calling home. He answered on the first ring, but, having expected my grandmother, I found I couldn’t stop the tears. His voice deepened, becoming rough around the edges as he interrogated me. An old man, on six kinds of heart medication, he swore he’d drive the four hundred miles and teach the boy a lesson.

“No, Grampa,” I said. “It’s all right. I’m breaking up with him. Don’t worry.”

“Call the police if he comes to the door again,” he said. “Have him arrested.”

This reaction, despite his often-repeated joke: “Never hit a woman,” he’d say, shaking his head, staring at my grandmother’s back. “Use an axe.”

***

His fourth heart attack came only days before my wedding. He managed to walk me down the aisle anyway, spiffy and broad-shouldered in his plain black dinner jacket, a single pink rosebud clipped to his lapel. Since both my parents were dead, he was “giving me away” to my fiancé, a practice I found offensive on feminist grounds, because it seemed to exclude my grandmother from the giving. So we compromised: when asked by the priest, “Who gives this woman?” he was to answer, “Her grandmother and I do.” Except, when the moment came, he said only “I do.” My grandmother, standing in the front row in her baby blue satin lace and picture hat, whacked the prayer rail with her wedding service programme in frustration. The sound echoed off the front wall of the small church and stayed with me for the rest of the day.

Later, at the reception, he was critical of the music we had selected without consulting him: a wandering string quartet. “All your guests are leaving,” he said, after his fourth or fifth glass of champagne took hold. “Why didn’t you have a real band? Some dancing. It’s like a funeral in here.” I trembled all over from the exertion of holding my tongue. Only if I had screamed at him, my face reddening under its halo of white silk flowers, would he have been happy.

***

I was home for a long-overdue visit when the last battle came. Semi-invalided, by then, Grampa moved only from the bed to his recliner, spending the day reading the paper in a slow, deliberate rustle. The television blared for hours each evening, his expensive hearing aids — the same kind Reagan used, he’d told me — plucked from his canals and discarded, tossed into a dainty porcelain ashtray: hand-painted with a rising, twisting phoenix, it was the only memento he had kept from his service in Germany during the war.

He didn’t like going to bed at night, waiting until two or three in the morning to call for my grandmother to help him to his room. Arising no earlier than noon the next day, he’d swear he hadn’t slept a wink. “He snored like a baby all morning,” my grandmother would whisper.

His appetite was slight too, and then one day, nonexistent. Supper waited out in the dining room: over my grandmother’s objections I took him in a bowl of ice cream. He lay against his pillows while I spooned it into his mouth, noticing how he lipped the spoon as I withdrew it, sucking it like a baby. The bowl finished, he thanked me, his voice hoarse with exhaustion. Turning to leave, I heard him start coughing, a deep cough that seemed to come from his gut, his eyes widening under the thick cataract glasses, his cheeks bulging, seemingly an imitation of his old comic fish-face. For a moment I laughed, thinking it a joke, but he put his hand over his mouth and made as if to hold his lips together with his fingers. He was trying to keep from throwing up all over the bed, I realized, running for a basin, almost too late.

After Gran and I cleaned him up, I felt his forehead. It was hot, dry, but the rest of him was clammy and covered with an oily sweat. As I took his temperature, Gran called the doctor, who told us to get him to the hospital right away. When we told Grampa where we were taking him, he shook his head. “Now what’d you go and do that for?” he said.

He looked so small and frail laying there it was a surprise to find I couldn’t carry him — what remained of him was deceptively heavy, as if his bones were filled with lead. It took both of us to get him out to the car. Each step seemed so difficult, so impossible — by the time he lowered himself clumsily into the front seat, he was glistening with a symmetric pattern of droplets, the sweat beading his skin like opalescent sequins.

***

At the hospital, an orderly dressed in green surgical scrubs helped Grampa from the car into a wheelchair. The orderly was tall and long-limbed, and moved with an ease, a lean fluidity born of professional indifference. His arms were the color of imported chocolate, warm coppery highlights underlying the pigment. His arms were like a god’s: so full of life and possibilities, I held my breath as he lifted the skeletal, ashen old body of my grandfather out of the car. I couldn’t say what the orderly’s face looked like other than that it was — like the motion of his limbs — devoid of both pity and scorn. His eyes remained downcast, looking only at Grampa in the chair — and I wanted to speak, but nothing came to mind, only regret at not being permitted to be similarly borne away, out of my own uncertainty and into a place defined by someone else’s ministrations.

The young man’s arms, in that moment, seemed to emit forensic signals, speaking without words to a pain I hadn’t realized was there, the arms themselves justifying birth, justifying suffering, justifying death: paying for perfection all over again — skin so smooth it looked hairless, poreless, as if it smelled of allspice and cinnamon and blood and salt. The arms were immaculately sculpted; the bones just long enough, granting a perfect inertia between muscularity and leanness. The miracle of such arms and skin held my attention like a time-release dose of whatever manna makes heaven heaven, and so it was that I found myself spiraling into an upward-rushing eddy of panic when the orderly left, forever, just seconds later, rolling my grandfather to the admitting desk like so much cargo, then vanishing into the angular whiteness and pulsing fluorescence of the hospital corridors.

***

We left Grampa there, in the midst of a cotillion of duly licensed strangers — what choice did we have, not knowing, not wanting to know, not capable of that knowledge? By not speaking, we maintained a positive attitude. His room seemed comfortable, his nurses kind. His glasses glinted, the reflection obscuring his eyes, as we waved goodbye from the doorway.

By the next morning, he had been moved to the intensive care unit. He was comatose, hooked up to a ventilator, stripped of his pajamas, gleaming plastic tubes invading his throat, his nose, his bladder, his veins — his heart had stopped in the night, from the pneumonia: the doctors speculated he might have had irreversible brain damage before they got it going again.

Machines everywhere, whirring, beeping — my grandmother and I couldn’t even touch him. His chest shook under the ventilator’s control, his whole body quivered. The vent itself hissed, clicking, coaxing his reluctant breath, forcing it when it hesitated. Pushing his lungs in and out without his body’s permission. The respirator had a device to allow him to breathe for himself, if he could, like training wheels on a child’s bicycle, and sometimes he did, but even that primitive desire for oxygen would vanish, and the machine would kick in to bring him the next breath.

We were there when the respiratory people had to change his breathing tube. With the most well-meaning, tender sort of violence, they ministered to the tubes, his whole body curling into a fetal position with the deep, gaglike coughing that resulted. They couldn’t say if he’d ever wake up, or whether he’d come off the ventilator. His arms were twisted, contorted, the hands grasping at nothing with a desperation that made my shoulders quiver in an involuntary spasm of sympathy. I bought him a tiny teddy bear, uncurling his stiff fingers to place the bear against the taut, unyielding palm. His other hand appeared to relax once the toy was in place, but perhaps it was only my imagination.

***

My grandmother and I, without speaking, understood our own feelings clearly enough. We wanted him gone; this kind of life was too painful to watch. We wanted it to come:   but at the same time felt wicked and evil. Who knew what he himself would have wanted? In the end, she signed the thick sheaf of papers authorizing no further “heroic measures.” Each place for her signature was marked with special red removable tabs.

***

In a sort of minor miracle, in several days he did awake, and they removed the intrusion of the ventilator. He was himself, more or less, and knew who we were, but underlying that surface was a terrible confusion. “How’s Jessie?” he asked me calmly, the name of my great-grandmother, dead long before I was born. His memories suffered no restraint; no contradictions existed in his inner flow of time. “Seeing you’s the best present I could have gotten,” he told us. “I’m going to take us all on a vacation when I get out of here.”

He seemed better than he had in years: I left for home, knowing it wouldn’t last; for the first time not wondering whether he would live or not. Later that day, I called him at the hospital from a thousand miles away and let him speak to my husband and my daughter. Say I love you, I told them. Say I love you, Grampa.

***

The next day he slipped back into unconsciousness, gently, easily, as a bar of soap floats downward in warm water. Notwithstanding the papers, the hospital wanted to put him back on the ventilator. No, Gran told them, no ventilator. No more.

***

I asked her what he had looked like, at the end. He lay on his side in the bed, she said, breathing shallowly. He didn’t seem to be in pain. He panted a little, she said, not moving, his face smooth.

I feared perhaps we had decided it the wrong way. Grampa’s doctor, without saying anything, seemed to look at us as if we were bad people, as if we cared more about ourselves than Grampa himself. As if we were selfish.

***

It wasn’t until a couple months after the funeral I thought to look for his glove and ball. I searched his closet first: most of his clothes and things were already gone, and the closet seemed a different space, altered by no longer containing him. When I couldn’t find them I didn’t panic — I knew Gran had put them away somewhere safe for me.

“Where’s Grampa’s glove and ball?” I asked her, not wanting to reveal how much I wanted to have them, now that he wasn’’t there to keep them away.

“What, those old things?” she asked, incredulous. “You wanted me to save those?”

I gaped at her then. The floor under my feet got soft; my knees turned into grating stone stubs lashed together by rusted wire. She was right, in a way, since at the last the glove hadn’t been a glove, just a thumb, the ball not a ball, either, but a roundish wad of wrapped string, its leather covering gone. That was all he’d had left, all I’d wanted: a piece of him I’d thought I was entitled to.

I would have kept them in a little box and looked at them every now and then, touched them with my finger. Maybe, if I was feeling daring, I would have taken the glove thumb and slipped it on, holding the ball in my hand, sliding the brittle thumb piece back and forth over the grimy string. I would have smelled them: a few tentative whiffs of the powdery leather.

***

I didn’t yell at her, there was no point. It was over. In spite of my outward act of forgiveness, I couldn’t help thinking that perhaps what Grampa had said all along was true — maybe people did reserve the deepest sort of caring for their own blood, maybe that kind of caring was inseparable from cells, inalienable from life. Gran hadn’t cared as much about his feelings about the glove as she had about mine, for example. Or was it just that she didn’t care as much about the archival, historical things as I did? Whatever the explanation, it was done: she had not even understood enough to realize the issue existed.

“Why didn’t you tell me not to throw them out?” she asked later. “Why didn’t you tell me you wanted them?”

It was simple: I thought she knew. “I just assumed you’d keep them,” I said. “They meant so much to him.”

“They were ratty old things,” she said. “Just pieces, really. They were unrecognizable.”

***

I told myself that perhaps it was a good thing that the glove thumb and string ball were gone. I’d wanted them for the wrong reasons. I’d wanted something I didn’t deserve. I felt hungry — empty — but without focus, without specific appetite. He — damn him! — was leaving me all over again, and for the third time: the person I’d wanted him to be; the person he’d been; the person I’d wanted him to remain.

I thought of all the other useless things I already had in my personal archives, from my father’s crocheted baby blanket to clothes worn by my mother in college. I thought of letters they’d written to each other before I was born, airmail letters on thin blue tissue, drawn in irregular strokes of faded ink. I thought of brittle brown paperbacks and the curling edges of photographs. We are naked in our mourning, we cannot speak, and we cannot touch.

Grampa was gone; the glove and ball were gone; I was still here. The hell with it — I didn’t want to know, I didn’t want to hear what the dead had to say anymore. Only in dreams would the dead be able to seek me out again.

The dead never say much, anyway, not even in dreams. They look into my eyes, mainly, their own abrim with a solitary sort of gentleness, hoping to inoculate me against what they know is unnecessary sorrow — unnecessary love? — hoping to protect me from whatever it is that only they can see: all the while, nodding their heads in a slow, assured rhythm, a rhythm nearly invisible to the unaided eye.

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Lovely Girl, a short-short story

illustration lovely girl
Lovely Girl, a short-short story

Jan. 11, 1979

Kenneth got into a big fight with his father last night. His Dad said that he follows me around like a puppet, and that he’s being bought. Then his Dad told him he was a lazy little bastard for not fixing his car & going somewhere with his mother. Then Kenneth said something back and his Dad tried to choke him and Kenneth left & went to the library.

I have a feeling Kenneth’s Dad hates me, or at least dislikes me. He would probably be a lot happier if I wasn’t going out with Kenneth. I would like to go up to his Dad and say that if he would prefer Kenneth not go out with me — because he thinks Kenneth would be better able to concentrate on sports & school — I will comply.

All I know for sure is that I don’t know anything anymore. Sometimes, I want to go far away – to Europe, maybe – and meet strange people and find out how to live. But then I get scared and I am suddenly glad to be in my safe room with all my possessions that tell me who I am supposed to be. I don’t know who I am – I used to, but things have changed so much, I’m not sure anymore.

Ever since Mom and my stepdad got divorced, it’s been harder and harder to just live. Mom is getting worse with the booze and sometimes I get so angry that I scream at her. Then I feel awful and try to hug her and tell her I’m sorry, but she’s so out of it she just stands there, swaying a little with her eyes half-crossed, and I end up stomping into my room and slamming the door and locking it. Then I lie on my bed and stare at the ceiling and sigh.

It’s the best just after I get home from classes at community college. Mom isn’t here, and I am alone. No one can bother me, and if the phone rings I don’t answer it. It gives me a sense of power – listening to that phone ring and ring and ring until whoever is calling hangs up, frustrated. I close all the curtains and put on records and smoke cigarettes. In my cool, dark cave I find peace for a few hours.

At six o’clock, though, I hear that fucking bitch, my mother, put her key in the lock, and I jump up and run down the hall to my room to get away. If Mom says something to me, I try to be nice, but it’s usually only a few minutes before our voices become sharp and anger is in the air again. Until she’s blotto, that is. Then, wobbling and bleary-eyed, she’s all lovey-dovey, but also by then all I want to do is shake her until her head falls off!

The only positive things in my life are Amy and Kenneth. Amy is my best friend and Kenneth is my lover. They know, and once in a while I can talk to them about it, but I know that friends can only take so much before they are tired of hearing it. The only person that would listen to everything you said and be interested was a psychologist or psychiatrist, and I’ve thought about going to one, but it’s really too expensive. So I just don’t let myself think about things most of the time.

I keep this journal and write my thoughts down, and that helps a little. Most of the time I’m fine, but it’s always there, hanging over me. Actually, I function very well. I graduated in the top five percent of my high school class, and after a year at junior college I have a 3.8 average. And I’ve never gotten into any serious trouble at all. I’m what grandmothers like to call a “lovely girl.” On the outside. Happy? What did happiness ever have to do with any of my fucking life choices?

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Hungry Baby, a short story

hungry child

Hungry Baby

Whenever Ella was feeling close to the edge, a hair’s-breadth from lunacy, she liked to shop for groceries. She went up and down all the aisles, methodically picking out food. She threw boxes and jars and bags and cans willy-nilly in her cart, always stocking up for the big one, the storm that would tear the roof off. It’s a habit, one she learned as a child. The women in her family were bony, starry-eyed drunks, with bad skin and lank hair, but by God, they knew how to grocery shop.

She was in this twitchy, nervous state because her mother had showed up again last night. She would never know if it was just a dream: she hoped it was. Ella opened her eyes and saw her mother standing next to the bed, almost touching the mattress. She didn’t smile or speak, but simply shook her head. Mama seemed angry; Ella could tell her mother wanted to hit her. Mama was jealous that Ella was still alive, driving Mama’s car, watching her TV, wearing her jewelry. Ella met her fierce gaze without moving, then closed her lids against the image like hurricane shutters.

The room was so dark, and her mother was like a column of gray smoke, rising over Ella. Meeting death hadn’t changed Mama’s face one bit. How was it that Ella still missed her? That was an embarrassing, childish pain, an overgrown mouth sucking a rubber pacifier. There would never be a second chance for Mama and Ella; Ella wished she could believe in heaven like she believed in hell. If her mother had loved herself, or Ella, even a little, maybe she’d have pulled through the dark waters. But poor Mama was so full of self-hate there was no room for anything else. Now Ella was afraid her mother’s habits were coming after her.

Ella confessed it; often she had hated her mother too, while she lived. She even killed her mother once, in a dream. She stabbed Mama many times with a kitchen knife, and it felt right, like it was the only graceful way out for both of them. There wasn’t as much blood as Ella expected, though there was still enough to soak her mother’s nightgown all the way through. When she woke, clammy and trembling, Ella hurried to Mama’s room to make sure she still breathed. Ella knelt at the side of her bed, watching her mother’s scrawny chest. At first, it didn’t stir, and Ella almost cried out. Then she saw movement, enough to know her mother lived. Forever after, she feared the terrible anger in herself. It was always waiting, a tiger with ivory teeth and steel claws — waiting for her to stumble, to lose her grasp on mercy, on forgiveness, and throw open its cage.

Wishing her mother was dead half the time didn’t keep Ella from breaking down the door in a panic when she thought she’d overdosed. After the first incident, Ella wasn’t all that worried, she knew her mother to be too much of a bumbler, she would screw it up, or not finish, like she did everything else. The door became only an excuse for Ella to use her rage, to make her hatred tangible, give it life, a physical existence. She used a heavy folding chair, swinging it over and over again, watching first the splintered crack appear, then the bit of light, marveling at how the door-frame itself gave way all at once and the entire door fell cleanly into the room. Mama sprawled on her bed, half-clothed, her knobby knees the bulkiest part of her, her huge, brown, doe-like eyes looking puzzled. Even with all the noise, Mama was so out of it, she couldn’t figure out how Ella had gotten in the room. Later, sober, she realized she’d underestimated her daughter, she hadn’t known what Ella was capable of. Much later, a couple of years after Ella left home, after a hundred false starts, Mama managed to finish what she’d begun.

Ella shopped hours for the perfect funeral dress; pulled grimly through all the racks, looking at everything dark. No, not dark, black. “Nobody wears mourning black anymore,” the saleslady said, but for her own mother, Ella insisted. In photographs, she appeared the proper, bereaved daughter. She spent three days wearing the black dress, feeling grimy by the day of the burial, and glad of it.

They buried her mother in front of a croton bush, God, how Mama had hated those things, crotons. Ella stared at the shiny marble urn where it sat in the little hole, the tacky brass plaque glued to the top. She couldn’t object to the shrubbery, not with the priest standing there, tall and lean and handsome like some Marlboro Man, chanting and swinging his billowy canister of incense on its copper chain, the black robes clinging to him under the harsh weight of the sun, his hand so big and hard when she shook it, her knees almost gave way.

That night, Ella left the house long after dark, she walked in shaky high heels down the street and around the corner, ruining the delicate heel tips on the asphalt. She decided to keep walking until she dropped; to walk forever if no one came running after her. She stopped only a couple of miles away, limp from the humid August air. Crickets vibrated, frogs exhaled, stars flickered; the glowing, yellow windows of strangers were her last comfort, her final safe haven. Nothing but love for those strangers kept her from leaving for good, nothing but fear of the anger-tiger kept her from going any farther after her mother; Ella stood alone in the velvet grief of that hot summer night, calling her mother’s name over and over again like a stupid, hungry baby.

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Eleven Random Questions, and please submit your own answers as replies!

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ELEVEN RANDOM QUESTIONS

What do you think of keeping a journal?

The real issue here is not that of how journal writing affects all the other forms of writing.  There is much to be said about journal writing, both positively and negatively, and probably all of it is true at one time or another for all writers who face changing circumstances over the course of their writing lives.  Sometimes journals can help our other projects, sometimes they can’t.  Each person’s situation is best handled by themselves.  The real issue here, the issue that has people so stirred up, and rightly so, is the fundamental arrogance displayed in both the “writer” Jimmy V.’s original essay condemning journaling out of hand, and his later condemning replies to any and all responses proffered to him.  Arrogance of the intensity he displays has always been a substitute for actual wisdom.  This truth is one of the fundamental truths of human nature, and I am not the only person to realize it.  “The whole problem with the world is that fools and fanatics are always so certain of themselves, but wiser people so full of doubts.”  (Bertrand Russell)  That, little Jimmy V., spoiled rotten “writer,” is the central issue you should concern yourself with.

 

Which celebrity would you like to bitch slap?

Dr. Laura wins by a light-year.  I only slap those who’ve been guilty of slapping others.  She’s angry and cruel and gives just plain bad advice to her callers.  I listen to her all the time to remind myself how wise and kind I am by comparison.  King Solomon, she isn’t.  She’s a one-note piano with a bent wire.  She sounds like she needs heavy meds, and pronto!  Wouldn’t we all just leap at the chance to come back as her husband or son?  I’d rather be eaten alive by a swarm of rats.

 

Do you remember your dreams?

I remember my dreams often, but not every single night.  My dreams run the gamut of emotional response — from terror to euphoria.  I write down most of the dreams I remember.  They are usually very long & complicated & sometimes make perfect sense but sometimes don’t contain the slightest thread of logic.  My favorite dreams are the ones I call “therapy dreams.”  Often, when I’m upset or angry with someone, I’ll dream about that person & act out my feelings in the dream & achieve some sort of resolution which flows over into waking life & is vastly superior to any traditional therapy I’ve tried.  I’ve done everything in my dreams — flown without mechanical aids, been wonderfully fluent in foreign languages, had phenomenal sex with friends & strangers & celebrities, lived as a member of the opposite sex, written best sellers, killed people… my dreams are in many ways the best part of my life because they’re absolutely limitless in scope & action & intensity.  Sometimes dreams are a lot more “real” than real life & more enjoyable.  Surrealist dreams are the most interesting — upon waking I always try to puzzle out what was the link between seemingly unrelated events or objects.  I’ve even accurately prophesied the future in dreams.  I tend to think it’s because the subconscious is free to express itself rather than any supernatural explanation.  We’re just that smart when we’re not weighed down with all our conscious baggage.  Thanks for asking about dreams!

 

What’s your Wu-Tang name?

Contagious Specialist

 

What’s the deal with long hair?

You’re right, it is 40.  Not 30.  Sometimes long hair can make the face look thin & drawn, but that’s also true for teenagers.  Some of them shouldn’t have long hair.  On the other hand, I’ve seen old ladies in wheelchairs with long fluffy white hair & it can be quite charming.  I think if you look good with it, who cares what the rules are?

 

What are five good things about springtime?

1.  Getting the taxes filed & out of the way

2. Wanderlust & regular lust & spring fever

3. Plants waking up & showing off & intoxicated

4. Putting the hand lotion away till next year

5. Birds, bees, butterflies & bikini underwear

 

What are your irrational annoyances?

Noise, noise & noise.  Ungrateful children who view me as their maid.  Children who, rather than empty the trash, stuff the can so full you can’t get the bag out.  Children who leave dirty dishes & empty snack containers scattered around the house.  Children who are, currently either at the movies or sleeping.  Thank you, God.

 

Does springtime make you horny?

Nope.  For me the season of lust is definitely winter.  But then, I live in Florida.

 

Why do you love your pets?

I love my pets because they’re far less demanding than my children.

 

What do you think of the name game?

I have a former sister-in-law who collects unusual names.  A couple of her favorites are Shithead (pronounced Shi-THEED) and Lemonjello (pronounced Le-MON-jello). Also PsalmCIV (pronounced PIZUM-siv).  These are actual legal names, no joke.

 

What do you think of magazines with articles titled “Ten Steps to a Killer Orgasm!”?

I used to read Seventeen as a child… then read Glamour as a young woman… then read Mirabella as a grown-up.  It figures Mirabella went bust, it was the most intelligent in a sea of dreck.  Redbook was pretty good until they quit publishing short fiction. Jane’s okay, but too young for me.  I hate Martha Stewart but her magazine’s got the best art direction, I think.  And I like when she runs those articles about 27 varieties of tomatoes, or whatever, with a poster illustration.  Gourmet is an old classic, still living up to its past.  Vanity Fair has great writing & an eclectic subject matter.  Rolling Stone & Sports Illustrated also win for good writing that crosses subject lines.  I find I don’t have enough time to read all the magazines I subscribe to — they languish in piles.  W is nice just for the outsized format but their writing is negligible.

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The Way Love Is Supposed To Be, a very, very short story

illustration the way love is supposed to be

I wanted to run upon the moors with tears streaming down my face.

She treated him as if he were a rajah, wearing a satin robe and slippers.

Don’t ever marry an accountant.

You’ll laugh, but I cried.

Her radar had failed her over and over again.

Men were tricky.

She danced the samba, then the tango, in the arms of a smelly Russian with piercing blue eyes who fancied himself a ladies’ man.

I would never marry someone who ogles women right in front of me. At least, not until I’ve started ogling them, too.

My Mama loved mohair; I loved angora. We were opposites.

Move your ass and don’t take a year.

I felt at sea for most of my thirties. The forties couldn’t be any worse, I thought. Wrong, wrong, and wrong!

I plodded, envying the agility of those around me with obviously higher serotonin levels. When I studied those brain chemicals in college, I didn’t know they’d turn out to be so important.

Redial that oily odor; a ray of water consoles the jilted; all beds of roses rot eventually; be brave and rest; the noose leads to the abyss; don’t gouge the luge, egad! Lazy seared meat; too addled to ladle. Baba rhum; Joanne Arel/Aral; raison d’etre; brave agar; the smell of water; conic Eros; seed the boo-boo, Sergeant. I came, I saw, I conquered; day-O, me say day-ay-ay-O; I say, Merv, that canary sure can sing!

Canary Conn? Transsexual on Merv Griffin. Breathtakingly beautiful, not a man in drag.

At this rate, we’ll never get there. Or perhaps, we are already there and are too stupid to know it! Dogs vs. cats… different, not better or worse. Different is GOOD.

No one’s a fool.  At least, not forever.

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Why I Hate You, a poem

illustration why i hate you

Why I Hate You

You know why I hate you?  You’re a weak vine, needing to be propped up, needing more comfort than a baby.  You imagine bugs, crawling up the walls, down your hair.  Their wings whir in the night like soft sobs.

I hate you because you’re ugly — a slob, a slut, a sucker.  Because you saw your mother passed out on the carpet in front of the television, one too many times, but you didn’t kill her the way she wanted to be killed.  You didn’t help when she needed you.  Because you let yourself be unimportant for so many years and did nothing to help yourself until it was too late, until you’d already lost the war.  Peace came on unfavorable terms, the enemy couldn’t be placated.

I hate you because you’re afraid of the dark.  When you’re with a man, you lean on the solidity of his body, the real beat of his heart, you listen to his rhythmic breathing, and you’re not afraid anymore, but you start to get antsy.  His body sounds so much stronger than yours.  They don’t cry the way you do.  Does that mean they don’t feel?  Why do they want to be with the likes of you?  You don’t have the slightest idea what you want from them.  Late at night is the worst.  The stars unfold ahead of you, and you can’t find your way to the future, stupid bitch.

That’s when I hate you the most.  You’re utterly without honor.  You imagine your ex-husband, fat and happy in his bed, eating candy.  He doesn’t suffer like you do, he has already forgotten why he married you in the first place.  He is perfect.  He is way above you in the cosmos, he is light, reason.  Your life is insignificant, ignorant and small, and won’t leave a shadow.

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Heavenly Dances, Heavenly Intimacies, a short story

illustration heavenly dances heavenly intimacies

Heavenly Dances, Heavenly Intimacies, a short story

“Isn’t there any heaven where old beautiful dances, old beautiful intimacies prolong themselves?”

Ford Madox Ford, The Good Soldier

How can I be “dead” to any of the men I once loved?  They are not “dead” to me.  Not even H.  How can I be “dead” to H.?  They — even H. — are each as alive as when I was with them; as alive as the first time they touched me, whether tentatively or with confidence; whether softly or roughly; whether with passion or mere lust.  It is shocking and appalling how H. lurched so radically to the right after 9/11.  He began that journey to the Tea-Party-Mad-Hatter-Neocon-Bill-Buckley-Wall-Street-Apologist-Fringe-Brainless-Faux-News-Right when Ronald Reagan was shot; I was with him the very night it happened.  We had a short affair, right then, because we started thinking the end of the world had arrived and we decided, like the crazy college students we were, to get married to celebrate our courage in the face of chaos!  I realized very early on (but still way too late!) I was embarrassed to be seen in public with him.  Did you ever start seeing, and marry someone whom you later realized you were embarrassed to be seen with?  Perhaps the person in question was “dorky,” “geeky,” dressed “badly,” or had questionable “taste.”  H. readily admits he was a “dork” in high school.  He was on the debate team; need I say more?  When you can’t bear to be seen in your lover’s/spouse’s/significant other’s/partner’s company, things usually don’t work out.

Still, I put in ten dutiful years, trying to make amends for my mistake in marrying H.  The second he started making the big bucks, he dumped me.  He left me for my best friend!  I guess I deserved it, not taking control of my own life & filing for divorce two weeks after we married.  And I guess I deserved how my ex-best-friend S. ruined me, as she subsequently did.  She was in charge of the whole group we had socialized with:  dictating how everyone in our “circle” should think, speak, act, or react.  H. was dead wrong about most everything, but, to his credit, he was dead right about her.  At the time I thought him merely woman-hating, but I see now, even though he did hate women, there was something more than simply being a “woman” he hated about her.  He was covering up the fact he loved her by pretending to hate her.  Now, I have no desire to see her, not ever again.  She is definitely “dead” to me.  Yes, I understand intellectually, a living death (call it shunning) can happen to anyone.

The upshot of all this boring history?  I’ve been waiting for something a long time.  I can’t blame anyone but myself for my unhappiness, not anymore.  There is something dispirited inside me, something empty, drained, and beaten — something sick, something tired, something that has surrendered.  I gave up, when?  When my first ex-husband arbitrarily said no to children, breaking his solemn vow.  When I realized I couldn’t find happiness outside myself — not with an old love, not with a new love, not with any of my subsequent husbands, my friends, my eventual children, or my family.  Yes, to casual acquaintances and virtual strangers I am “happy, happier than I’ve ever been.”  And it’s true!  I’ve never been this happy, this contented, in my life.  Yes, there are still problems.  My oldest son is still half the world away, fighting an endless war on behalf of my “country.”  My youngest son still has an ignorant, racist, rabidly conservative father.  I am getting old.  My face is melting.  My neck is turning into a wattle.  I am drooping.

Still, I cannot imagine any of them, the men I have loved or made love to, being dead to me the way my former best friend, S., is dead to me.  Yet that is how they must feel about me, the way I feel about her.  Wanting her removed from my memories.  Wanting never to have met her.  Not missing anything about her.  She wants to see me, I heard from a mutual friend I still speak to.  I don’t want to see her, or even see the mutual friend.  I don’t even want to get as close as that!  Because of reasons.  Top secret, NSA, DOD, CIA, FBI, SEC, IRS, FDLE, GPD, ACSO reasons!  No further comment!

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Alabaster, Briefly, a short story

illustration alabaster briefly

Alabaster, Briefly

After the hurricane, but before the power came back on, Ella went out walking with her daughter, Katie, to survey the damage.  The huge old ficus tree in front of the library had toppled over, its immense grove of roots lying naked, withering now in the sun.  “Nana’s tree gots broken,” the three-year-old said.  Humidity bore down on everything like a weighted fishing net.  The tree had been a twig thirty-five years ago, when Ella was a kindergartner.  She remembered the planting ceremony — her mother, president of Friends of the Library, in a blue linen sheath and white gloves, stepping on the edge of a shiny new shovel.

Now the tree, too, was dying.  The shelter it had provided was still dark and cool — the web of roots from each branch created a division of rooms like a house.  Ella pitied that sodden, gigantic mass, torn from the soil, not dead yet, but no hope, terminal.  How long did it take a tree to die?  Uprooted for half a day, the leaves were still supple and green.  It would take days for them to wilt, weeks for a crew to cut the tree into logs and load the logs into a wood chipper.  Her mother would be long-buried by then.

It was late August, and Sophia’s diagnosis had come in January, just after New Year’s.  Ella was far away when it happened, stuck in New Jersey with a new job.  Now her mother needed her and she was marooned.  She had turned into one of those people she hated, one of the ones who moved away from their family to chase money, thoughtless and selfish, leaving their sick, their aged in the hands of underpaid nurses.  “She’s in good hands,” Sophia’s friends told her over the phone, meaning the hospital.

Ella flew down after her mother’s surgery.  The decision to operate and the actual sawing open of her mother’s skull had happened faster than Ella could get there.  When she arrived, her mother was in the Surgical Intensive Care unit, bed number three.  Sophia couldn’t talk yet.  Her head was wrapped in a helmet of gauze, and over that, someone had placed a flowered disposable surgical cap.  She looked like a confused scrubwoman.

Ella’s reaction when, at first, Sophia didn’t know her was not heroism but, rather, numb acquiescence, a slow nod to absolutes.  Ella performed the worst sort of cowardice:  cutting the lines free before it was over.  In that first hour, Ella could feel the passage beginning, away from her mother — the slow casting off from love, the mournful horns, departing from a foggy land of illness.  Her mother had a ruddy stubbornness Ella was shocked to see.  Over Sophia’s lunch tray — each food sealed in a separate dish — her hands danced above a nonexistent teacup, squeezing a lemon primly into thin air.  She had gone another way, in her soft hat, her skin hot, glossy as if with fever, the surface papery-soft but no longer familiar.

After that, Sophia’s pale and knowing return to her usual self was anticlimactic.  Ella had expected to cry more, to feel something else, not this.  Nothing was how Ella had imagined it, not Sophia’s furtive, over-the-shoulder glances of fear, not the way Ella’s stomach dropped as she stepped into the room, not the aching bones, not the past no longer claimed.  Her mother seemed glued, as never before, to the newspaper and the television news shows.  Finally, Sophia confessed to Ella how, for a couple of weeks after the operation, she had been under the brain-surgery-induced delusion that she’d murdered somebody, by stuffing them full of shoe trees, and had been waiting for it to be on the news, in the paper.  How she’d kept waiting for the police to march in and cuff her, drag her off to jail.  Sophia and Ella laughed, and the way the humor was mixed with horror was something entirely new to them both.  Brain tumor jokes — a new genre, previously unexplored.  How do you get a woman to stop shopping?  Remove part of her brain.

The social worker at the hospital sent Ella out to look for nursing homes.  In one of them, a man, or rather, a man’s body — with no visible, communicable cognitive function — was being fed through a gastric tube, through his abdomen.  Ella took in the odor of urine, other bodily smells and functions.  The man was an ideal nursing home patient, permanently hooked to his nourishment line like a freakish, prize-winning, squash.  The nurses rolled him side to side in stages, every two hours, to prevent bedsores.  He never opened his eyes or moaned.  His family seldom, if ever, visited, the nurse said.  Ella stood at his open door until the nurse drew her away.  Ella wondered if she was seeing Sophia’s future.  Is that what her mother’s life — everybody’s life — would boil down to?  The specter of death winked at Ella through perfect cat’s eyes.  What was past the curtain?

There are far worse things than dying young, dying suddenly.  And so Ella said no to the nursing home.  She calculated how much money her mother had and decided to spend it to make Sophia’s remaining life as comfortable as it could be, considering the fact that inside Sophia’s skull was a bomb, gathering energy to explode.  Ella hired someone to nurse her mother twenty-four hours a day, seven days a week.  Someone with the right hands, the right smell.  She interviewed them over the phone, scheduled in-person interviews.

Lillie had a gold tooth in front and wore outrageous wigs:  red, blonde, honey chestnut.  Her bosom was soft, like feather pillows.  Ella knew Lillie was right for the job from the first second.  How was that possible?  All Lillie’s Bible-thumping was okay by Ella.  She knew Sophia would be well cared for.  She knew Lillie wouldn’t steal anything.  She knew Lillie wasn’t, in any way, a spoiler.

Lillie believed in Hell.  She described it one night, a pit filled with fire and snakes.  Lillie’s eyes widened and Ella could see the white all around the dark iris, merged with the pupil in fear.   Lillie believed in speaking in tongues, in visions, but she hadn’t made the commitment to become a Christian because, she confessed, she knew she wasn’t strong enough yet to keep all the Commandments.  Lillie had borne a six-year-old son, father unmentioned, who lived back home with family.  He was her shame but also her delight.  She named him Christophe and had him baptized the same day he was born.  She might not be saved, but her son was.

She was from Jamaica and already spoke in two tongues — one, a lilting version of Standard English, the other, a speedy patois she used to converse with family and friends.  Ella wondered if Lillie had secrets — when Lillie spoke like that, Ella tried but couldn’t understand.  She had inklings she, herself, was being talked about.

Lillie was good to Sophia and Katie.  Katie loved to snuggle with Lillie in her bed, rolling against her enormous bosom, watching cartoons.  Katie sought out Lillie’s bed even when Lillie was not in it.  Lillie cooked chicken and rice dishes with a lot of saffron.  Her hair oils and hygiene products covered the bathroom counter and the windowsill in the shower.  She had feminine cleansing wash, feminine cleansing wipes, feminine deodorant spray and coconut-scented douche.  Ella wondered what Lillie was trying to wash away with all that stuff.

Ella and Lillie met frequently in the night, checking on Sophia.  Ella usually slept in a T-shirt, Lillie in a long, shiny pastel gown with lace about the neck.  She glided softly on her plump bare feet and suffered from insomnia.  When Ella couldn’t sleep, she’d listen at Lillie’s door and if the television was on, she’d knock.  Together, they passed hours watching twenty-year-old British slapstick on PBS.  Lillie never laughed, but most of the time Ella couldn’t stop until she suddenly remembered why the two of them were there.

You never know enough about a particular cancer until after the patient, in this case, your mother, is dying, Ella thought.  Then you know, you get the whole picture.  Then you’re suddenly an expert on the ugliness of the tumor’s tentacles laying waste to the brain, pushing aside healthy cells, strangling them in the search for nutrients, a vigorous weed nothing can kill.  Healthier than normal brain tissue, hardy as a kudzu vine.  The operation had removed a clump from inside Sophia’s head — mixed normal brain and cancer.  What part of Sophia’s personality had been stored in those cells, then disposed of and lost to the hospital’s furnace?  These neurons and those neurons, together, perhaps held the memory of Ella’s birth — Sophia couldn’t remember what she couldn’t remember.  Ella didn’t want to know for sure what was gone.

An area of brain, diseased, removed, yet the surgeon explained how the microscopic roots fanned out — to remove Sophia’s entire tumor would be to remove her entire brain.  The surgery would provide some extra time on earth, a substantial number of better days, but would not stave the weed off for long.  Eight months almost to the day.  The radiation treatments barely slowed the growth.  The terrible vitality of the cancer equaled the slow deflation of Sophia’s life.  Ella was useless to help in that regard, but took care of all the practical details, made it possible for Sophia to die in her own room, her own bed, on her own sheets and pillows.

Time moved forward but memory moved in many directions.  Sophia’s oncologist said, “The cancer appears to be in remission.”  Ella, an intelligent woman, a scientific woman, found herself pleading for divine intervention, for the laser beam of God to drill into Sophia’s head and burn out the tumor.  Appearances of remission, external, controlled for a time.  Sophia walked, talked, and played bridge again.  But for eight months lived in the shadow of death.  Ella was buoyed by the mercy of not knowing; crushed by the agony of not knowing.  Sophia lived on the edge of the river, where each tussock of cool grass might be the last.

Sophia became confused, just as she had before they opened her head.  She started taking pain pills for the growing headaches.  “I don’t know if they think they’re fooling me,” Sophia said.

Ella caught her mother looking through her 19th-century medical dictionary, the same one Ella had pored over as a child, staring endlessly at the pictures of congenital birth defects.  Hydrocephalus, and the like.  You never know what cancer will do until it’s already done it, Ella thought.  She wanted to transcend her awkwardness in speaking to her mother about her own death, but wasn’t able to.  She held her breath until she felt faint, but no words came to her.  Sophia knew she was dying; Ella pretended she, herself, didn’t.  It felt like Sophia knew Ella was merely pretending, and spared her anyway, one last act of maternal grace.  Apparently, Ella was good for only the simplest things, things like comforting her mother with voice and touch as she became more and more childlike.

But really, Ella wasn’t good even for that.  One afternoon when Sophia was knocked flat with pain, Ella tried to lie down in bed with her, stroke her back, the way her mother had done for her all her life.  “No, don’t, it hurts,” Sophia said.

Ella, feeling helpless anywhere but at her mother’s side, stared for hours at old photographs.  In one was the three-year-old Sophia, sitting on her father’s knee, dressed in white, a huge bow on the top of her head, a mass of dark curls, her small legs unexpectedly spindly, her feet surprisingly bare.  The sole of her foot held the whorls of this day, this moment.  Ella tried but couldn’t decipher the expression in her grandfather’s eyes.  What would he say, that circumspect ghost?  How to explain to him, how to excuse the futility of all Ella’s lavish preparations?

That night, Ella dreamed Sophia gave her old Bible to Lillie instead of her.  And in the dream Ella was terribly hurt by that, but since her mother was dying, tried not to show it, and wondered, with the agony of a child, why her mother hated her so much.  Lillie’s eyes, round and widened, with either alarm or fear, darted hawk-like around each room, and those eyes, surrounded by her smooth features and her gleaming, dark-brown skin, those quick eyes seemed to hold all feelings, all knowledge.

It was Lillie, Ella had to admit, who did the most work for Sophia.  In the days that followed, Ella could only watch as the bond between the two became stronger.  The next week, Ella was back in New Jersey, resigning from her job and packing the contents of her office.

“Take as much time as you need,” her boss said kindly, but she knew he didn’t really mean it.

“I need more time than you can possibly imagine,” she said, and he nodded and tried to look sad.

On the phone later that morning, Lillie told Ella how Sophia seemed so much more cheerful since Ella had departed.  “She’s perked up so much,” Lillie said.  Ella wasn’t surprised.

Back in Florida for good, Ella grew angrier by the day.  She lay awake nights fuming about the receptionists in the oncologist’s office who made her feel like an obnoxious pest for calling.  Their crisp, girlish voices made plain there was nothing more they could do other than prescribe painkillers.  Why didn’t Ella realize that and leave them alone?  Then she chided herself for being enraged by their callousness.  Rational thought had vanished.  Ella’s remaining thoughts and feelings flew around like feathers and fur and sometimes, like lazy dust balls.

Katie, at bedtime:  “I’m scared of monsters.  A tiger is in here.”  When asked to cease and desist:  “I’m just being quiet.  Don’t talk, Mommy.”  Ella watched her breathe after she fell asleep — both her daughter and her mother were flying along far, far above her, and she couldn’t seem to rise.

The day before the hurricane Sophia said, “Hi, sweetie,” and smiled when she saw Ella.  Sophia was close to dying but Ella felt her mother still knew her.  Sophia held Ella’s hand and kissed it.  She rubbed Ella’s arm.  Her mother’s head, as Ella adjusted it on the pillow, felt so warm, so heavy, and so sweet.  Her hair — smoothed flat behind her ears.  Her nails painted red by Lillie, she lay on pink embroidered sheets, sporting pale shamrocks on her homely nightdress.  The steel bed-rail gleamed, chilling against Ella’s thighs as she leaned in to try to glean some intricate, fine-grained meaning from the hour.  The charging ceramic horse she had hung over her mother’s bed, the one which had driven bad dreams away in childhood, his mane still wild and golden against the gloom, would be only a minor talisman in the end.

A urine catheter and bag hung on the hospital bed’s side-rail.  “Is that juice?” Katie asked the first time she saw it, and Sophia and Ella both laughed.  The tubes were transparent at first, then, growing clouded and organic with use, became less a fixture than anything.

It was too hard for Ella to bear.  Every time she went in the room her mother grabbed her hand, gripping with all her strength.  The way she looked at Ella — she wanted to tell her something, but what?  Ella wished she could stay away.  She wished it wasn’t like this.  She wished they could just sit in the living room together, watching TV and Sophia could needlepoint.

Ella waited for the hurricane.  Last week had been her mother’s birthday — the storm would be her penultimate gift.  But Ella didn’t know that until afterward.  Memory back-filtered such telling details — pictures of the dying mother were snapped, then parts of the view faded but parts brightened.  Life as journey, as vision, as caress.  Each thing became smaller at first, then loomed larger.  Her mother’s eyes, teeth, hair.  Perception was flawed.  The hopeless interpretation of the mind.  Where was her guardian angel?

Suddenly, Ella was in love with hurricanes as never before — yes, there was the threat of death, nothing new, especially these days, but there was also the stupefying power of the wind, the pelting rain.  Ella longed to be in awe, in supplication, flattened, watching the storm roll over her body like a man would, naked, trembling with powerful need of her, shouting with passion as she lay under him.  She was overwhelmed by the feeling that this was the way things needed to be.  For so long, a storm had been raging inside her — it was a relief to have it visible, a relief to simply be reduced to holding on.

In the past, when Ella’s mother wasn’t dying, she always drank to excess when a hurricane was approaching.  Sophia had always seemed terrified by the darkening sky, the strengthening gusts of wind, and the first huge, cold, solitary raindrops that pelted heads at random.  When hurricanes were on the horizon, she cooked elaborate cream sauces, and served lemon-and-honey tea shot with brandy in crystal cups.  When a hurricane arrived, Sophia was always more or less unconscious.

But this time, Sophia wasn’t afraid at all, instead, comforting Katie from her deathbed — the three-year-old crawled in with her, not Ella, in the middle of the hurricane.  Ella was too tired to have any more hurt feelings.  “There, there, nothing’s wrong, baby,” Sophia crooned.  Ella pretended it was herself in her mother’s grasp.

Sophia wasn’t afraid, and then Katie wasn’t, either.  Sophia, in the middle of that hurricane night, showed Katie it was just the wind… showed her the trees, whispered into her ear, in the midst of baby curls.  Ella knew how that felt, her mother’s velvet skin between the ear and the shoulder, all of it perfumed silk.  Ella closed her eyes and slept.

Later that night, just before dawn, while the wind ravaged the trees and tugged on the roof of the house, Ella woke to hear Sophia speak for the last time, the sleeping Katie draped across her chest.  “Ella, Ella,” her mother breathed over and over, quietly, so as not to wake the child she held.  “Ella, Ella.”  Sophia smoothed hair she believed was Ella’s as she whispered.  Ella watched from her mattress on the floor, afraid to move.

Sophia’s death waited while the wind roared, her death staring with great golden leopard eyes, unblinking.  The mercy of the teeth sunk into the throat.  To stay, to leave — it became the tiniest of steps.  The tears in her eyes.  The death dance, the death rattle.  The odd, rhythmic, hitching respiration, the sticky sweat, the clock wound up by Sophia’s parents’ lovemaking finally unwound.  Sophia died late on the morning after the hurricane.  Ella was there, holding Sophia, as she drew her final breath.  And then exhaled.  Tick-tock — then nothing.

In truth, she lost track of her mother’s breathing as it stuttered and missed — her own heartbeat seeming to slow down — had that really been the last, the last?  Waiting for the next inhalation, straining to hear.  Ella just missed it, missed it.  Then it dawned on her, too late, Sophia wasn’t breathing any more.  Or was she?

“I think I saw her chest move,” Lillie said, panting hard.  She ran to Sophia’s dresser and grabbed a mirror, holding it in over Sophia’s face, peering for signs of breath.  Lillie’s eyes were dazed, her hands trembling, humid, as she passed the mirror to Ella.  At first Sophia’s hand felt the same as always, but in a few minutes her color had completely gone.  Her skin was whiter than Ella had ever seen it.  White, translucent, her dead mother became alabaster, briefly — a warm, heavy sculpture.  The funeral home people didn’t let Ella watch her mother stiffen, cool.  They hustled her out of the room, didn’t let the daughter see them zipping her mother’s body into a bag.  Had they forgotten that zippers made noise?

Lillie hovered over Ella as if she were spun glass, falling toward the floor.  Lillie’s hands were once again warm, strong and capable, but in the end had not been enough to keep Sophia alive.  She stripped the rented hospital deathbed and sponged the plastic-covered mattress with lilac-scented disinfectant.  Ella crept into the bathroom and locked the door, listening to the sounds outside with great weariness.  She eyed the bathroom window, wondered if she could fit through.

The water Ella drank to wash down her first tranquilizer was terribly cold.  On her tongue it was like an immaculate knife.  When Ella told Katie that Sophia was up in heaven now, with God and the angels, Katie’s voice grew soft and sad:  “I wanted her to stay the way she was.”  Me, too, Ella thought.  Me, too.

Ella stood in the driveway and watched the black hearse move off down the road.  Lillie was soon engrossed in cooking — gigantic pots of black beans and yellow rice.  The smells filled the house, harmonizing with the soapy lilac already there.  Ella’s first post-hurricane, post-mother walk with Katie was a mixture of familiarity and revelation — she was used to seeing that kind of wreckage.  She was prepared for the smell – the ocean things, dead and rotting washed-up things.

That night, Lillie snored through it all, her mouth hanging open, trusting, defenseless, still waiting to be strong enough to get saved.  She had not heard Sophia’s last words, and for that Ella was glad. Ella, Ella, Sophia sang out in the night like a chant, the repetition of the name apparently bringing her ease when might otherwise have been terrified.  Ella realized, as she had not before, how much she loved wind and rain, how much she loved how the world was made disheveled and clean by a hurricane.  She clutched her daughter’s small, hot hand, wondering how the child would remember this day; remember her when it came to that.  “Nana’s tree gots broken,” Katie said again.  The child lifted her arms, asking to be held, and Ella obeyed.  She buried her nose in the curve of Katie’s neck and breathed.

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