A great interview, an interesting dialogue, a thought provoking interviewer! Hallelujah!
Category Archives: history
Meet Nana Awere Damoah: The Ghanaian Voice of Objectivity and Reason
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Judy Garland and The Banana Tree, an essay
A banana tree is a metaphor for life, really… it dies after it bears fruit. It gives its life to produce the next generation. Banana leaves are so useful. Useful when they’re green, and useful when they’re brown. Generation upon generation. That really is a sacred word, generation. WE generate ideas, too. So can’t WE generate more peace, rather than more war? Can’t OUR fuel be love, not hate? Yes, just like the banana tree, sometimes destruction is necessary to create new life… recycling? Reincarnation?
One way of looking at things is to take a leap of faith – decide that when WE die, nothing will be lost; everything will be gained. WE leave behind US a legacy, all of US, shaping the reality of the UNIVERSE. The UNIVERSE is alive through US! The UNIVERSE writes songs and stories and mathematics and music through US! WE are engines! WE are alive! WE are organic! WE, human beings, are evolving right this second! LIFE doesn’t stand still! LIFE adapts, or ceases! LIFE IS EVOLUTION. Trying to cling too desperately to the past is to entomb the SELF in stone, alone, buried alive, dying. WE’RE alive until WE’RE dead.
Value this opportunity. Don’t throw it away. Take care of OUR home, planet Earth. Take care of OUR fellow travelers. Send not a sword, but an olive branch to OUR enemies as well as OUR friends. OUR bitterest enemy may turn out to be OUR best companion. Only time will tell. WE live within moments, WE exist within history, and WE are passionate within the spirit. Train that energy! Use passion to create, not to destroy! Destructive passion, combined with weapons of all kinds, might kill US all. Respond to life with logic AND emotion. Let US use OUR brains and OUR gut. Instead of the falling abyss of dread, the rising flutter of joy… and at the end of life, may WE all have truly, truly, truly found PEACE.
Cue Judy Garland, “Somewhere Over The Rainbow.”
Filed under acceptance, anthem, appeals, baha'i, beauty, born again, buddhist, charity, christian, civil rights, compassion, courage, death, dream, dreams, earth, enlightenment, essay, eternal, eternity, everything, evolution, faith, family, fish, flowers, forgiveness, friendship, god, good, heart, hindu, history, hope, human beings, humanity, jewish, justice, karma, kindness, life, logic, love, manifesto, marriage, maturity, muslim, mysterious, nature, passion, peace, personal responsibility, rastafarian, relationships, soul, spirit, spiritual, spirituality, transcendence, transitions, travel, tribute, truth, universe, warmth, wish, world, zoroastrian
Summer Evening, Beaumont, a poem
Summer Evening, Beaumont, a poem
I was not there. I am only an observer.
The four-year old on his tricycle is
dressed for the heat in loose shorts
and nothing else. His hair appears
disarrayed as he stares at the ground.
The back of his bare skull is as finely
carved as a newborn’s, the delicate
shadows of his shoulder bones ask for
touch. The clumsy chalk lines on the
pavement are from a murder and he
knows it — the blood came out last
night as the torpid sun was going down.
This boy has to make stories up in
his head, but the shy universe he
creates is a notion he’ll never share.
I was not there. I am only an observer.
The dead man was 300 pounds and didn’t
talk much, as he, too, was waiting for a
miracle. Gang members used five or six
bullets, then ran away without taking his
wallet, the item they wanted most of all.
I was not there. I am only an observer.
Hours earlier, the victim had left his
rented home in all-white Vidor; he told
how the folks there threatened to hang him,
he told how lonely it was to wake up every
day and remember where he was. He wasn’t
afraid, he said, just tired of fighting.
Going To Sea, a poem
Going To Sea
(for Barry Huplits)
She is a great white boat, carved
of wood, lacquered to a blinding
sheen, her sails immense, floating
over my head like the wings
of a fearsome angel. I sit
on her prow, clinging to the slight
metal rail, and together we leap
over the waves like some illiterate,
dangerous god. I am a mermaid,
a brightly colored figurehead,
thrust into the salt spray to bring luck.
The power of the water flings me to and fro,
but I hold fast, panting, the rich smell
of the sea making me drunk. As we pass
the ragged rock walls of the inlet,
I see the towering dwellings of men,
though these quickly fall behind our path,
growing tiny, frail to the elements
I have momentarily harnessed. We brush
great clumps of weeds, then the color beneath
changes from murky green to depthless indigo,
the froth of the peaks suddenly
light, riddled airy like the childish,
gladdened heart inside my chest.
In my net are jerking glass shrimp,
Tiny, tassled fish that look like
bits of leaf, one lone needle-nosed
eel, sinuous even in his distress,
and when I have stared long enough,
I fling them back to their wet lives
without regret. Under the sharp
edges of the sun, skin grows heated,
reddened as if by love’s rough brush,
yet we keep on, moving into the horizon,
towards the vanished place of wildness,
full of an impeccable, golden light.
The Elephant In The Room, an essay
The Elephant In The Room, an essay
The American “Tea Party” is a radical, far-right organization which stands for nothing less than rolling the evolution of contemporary civilization back by one, or two, or even three or four hundred years – back to a time when only rich, white, men governed society, and, preferably, rich, white, men governing that society in as “selective” a group as possible. Monarchy – in extreme cases, even Feudalism — is, to Tea Partiers, the “good old days,” which they would like to see “restored.” A potent ingredient to the Tea Party hallucination is “private enterprise,” a Holy Grail represented by entities like General Electric. The United States of America is home to 13 of the 20 largest “transnational” corporations on the globe. Multinational corporations are far more powerful than any prior tyrannical force in history.
Thus, the Tea Party explains, poor people are poor because they are stupid and/or lazy, and therefore “deserve” to be poor. Rich people are rich because they are smart and/or hardworking, and therefore “deserve” to be rich. The passage of inherited wealth from the elite class to its offspring must be protected because it is “deserved” by the offspring of such smart and/or hardworking people. There is, of course, the mythology that every so often, one of the poor will find their way into the ranks of the rich, and one of the rich will find themselves thrown down into the ranks of the poor.
The history of the present multinational corporation is — much like the history of King George III of Great Britain (as observed by Thomas Jefferson) — “a history of repeated injuries and usurpations, all having, in direct object, the establishment of an absolute tyranny[.]” This is precisely the moment the United States of America has reached; will we, as a people, do the work of rebuilding our troubled, restless, suffering nation? Will we stop our own decades-long moral, structural, and economic demolition at the hands of a regressive, elitist, antidemocratic, power elite? Will we abdicate our own social responsibility and continue to allow “too big to fail” multinational corporations to do irrevocable harm to us and the rest of the human beings on this planet? Will we become, in reality, merely the Corporate States of Amerka?
Mass cultural hypnosis and mass public disinformation is essential to root out the harmful weeds of “equality,” “democracy,” “fairness,” and “justice.” Dumbing down the population by a few decades of underfunding public schools is a prerequisite to the suitability of hypnosis and disinformation; as is a very carefully planned, gradual, economic destruction of the unpredictable, possibly dangerous, middle classes (who often demand treatment inconvenient to the ruling elite, and unlike the lower “wage slave” classes, actually have some power with which to back up their demands). It is important to deprive the middle classes of adequate education and economic security with such a gradual, gentle, patient hand that the tightening of that “hangman’s noose” goes unnoticed until it is secure and inescapable.
Most important, however, is the control of the one branch of American government which is practically impervious to democratic principles or controls: the federal judiciary. Since federal jurists are appointed for life, popular opinion and social movements have little to no effect on the judicial branch, unlike the executive and legislative branches, where at least the fiction of “responsibility to the electorate” must be maintained in order to perpetuate the critically important elements of mass cultural hypnosis and disinformation.
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Heads of Caracalla, a poem
Heads of Caracalla, a poem
There are three of the ancient busts on display
in the Louvre. Poor soul: he only controlled
his great empire for six years. I’ve been married
for seven, and though it isn’t like ruling Rome,
it’s hard enough. Thus, I can’t imagine how
he managed, even if he could imprison or execute
at will. Maybe stress did him in at twenty-nine.
True enough, during the heated third century
after Christ, the common man was too often dead
by thirty, teeth rotted away to stumps,
complexion scarred and worn, creased deep
like pegged and scraped hides drying in the sun.
Surely Caracalla’s own hands were soft,
languorous and pudgy, with those meticulous
shiny nails? Perhaps he was afflicted
with diabetes, or simply poisoned by his lovely
but illiterate wife. Will anyone wonder
what carried me off after a thousand years —
or even ten? During three decades on earth,
sculptors recorded all his secrets: first the pretty
baby, innocent and round-cheeked as any three-year-old,
blunt-cut curls springing away from his tender forehead
like the petals of an iris. Around the time
of his ascension, he had become sullen, his eyes
impenetrable, glassy, his torso clumsy, thick-necked,
his full, full lips bowed with palpable cruelty.
I must admit, by the year of his death, he’d grown
into his flesh — he looks wise, even kind,
and his drilled marble eyes are lively, holding
a gleam of curiosity for something outside his own
imperial body. I place my finger against the hard marble
cheek, hearing my own frail life tapping its brisk heels.











