Tag Archives: poetry

Surveyor in New England, a prose poem

Surveyor in New England, a prose poem

And so, since there were no detailed official maps, he named small lakes after himself, solitary hills, even shy, dusty lanes marked only by the great thumping hooves of his horse — a patient, taciturn beast, dun-colored, remarkable mainly for the seven white spots on its flank, arranged like the constellation Ursa Major.

Back then, a hundred years ago, electrical-survey men like him sweated gracefully during summer, their cheeks burnt into dark Scotch grain, their hairlines preserved white as milk under the dimpled felt of U.S.-issue hats. Though he was the youngest of the crew, his moustache grew enviably broad and full, waxed close at the tips, bowed under his classical nose like the extended wings of a pigeon.

Reining to a stop, as he slid down, he pulled from the saddle-bags yet another wooden stake flagged with a length of wrinkled red muslin, kneeling to pound it into the rocky Vermont ground, leaving it there for eternity.

As he rode on farther north — past the tall flowering weeds around Lovell Pond, the drunken bees bouncing off his boots — continuing along the route he’d laid out for the electric poles to follow, he thought of his mother: the way her fierce blue eyes glittered on foggy mornings, the way his father caressed her wrist at the dinner table, and, above all, how skillfully she ironed, gripping the rag-wrapped handle, fluttering the heavy, blunt-nosed tool over the damp white cotton of his shirts in rhythms as comforting and certain and lovely as the slow tick of a butterfly’s wings as it feeds from the bright center of a blossom.

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Pretzels & Chocolate, a poem

jim-valvis

PRETZELS & CHOCOLATE

(rented room, cigarettes)

I am eating pretzels
and they are hard
but splinter into salty crumbs

with the merest bite
they only satisfy
part of my tongue

(rented room, cigarettes)

so I pick up the chocolate
greedy for it to melt
against my palate

sucking the firm square
feeling it mold to me
the way I imagine

my body molds to yours

(rented room, cigarettes)

retaining the character of sweetness
to complement the salt
to balance my mouth

I am eating chocolate
thinking of us
together

(rented room, cigarettes)

illustration mockingbird mimus polyglottos

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Love Is A Wound In The Body

illustration liadan 7th century poetess nun

Gain without gladness

Is in the bargain I have struck

–Liadan (7th century A.D.)

Illustration erasmus holbein

But he who hides his sickness

can hardly be brought back to health;

love is a wound in the body,

and yet nothing appears on the outside.

–Erasmus, Paraphrase on the Gospel of John (pub. 1523)

illustration marie of france

What would become of her finer qualities

if she didn’t nourish them by a secret love?

–Marie de France (1160 – 1215?)

illustration mother of sumangala

A free woman. At last free!

Free from slavery in the kitchen

where I walked back and forth

stained and squalid among cooking pots.

–Mother of Sumangala (3rd – 1st century B.C.)

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The Latest Fashion: New Toilettes, a poem

illustration new toilettesThe Latest Fashion:  New Toilettes, a poem

(title and subtitles from an essay by Mallarmé)

 I.  An At-Home Gown in Garnet Velvet.

I receive you at my front door, formally, immaculately dressed, delicately arrayed, impeccably scented.  You think of me as I last appeared at the beach, tousled, salt-encrusted, and burned by the sun, dusted from scalp to toe with golden sand.  You see underneath my gown a double exposure — the natural, the cultivated — which rises up so that my two brown eyes turn to four, eyes within eyes, nudity within garnet velvet.

You think of wine, the vintner’s trembling hands caressing grapes, silently pleading with them to reveal when they will give up their most perfect secrets.  We live for moments such as those, we live to take up our wine in a crystal goblet and put it to our lips and breathe the scent of rain, sun, earth and sweetness.  Sweetness which has by virtue of aging embraced its opposite — sweetness which has given birth to tart recognition.

We are both innocent as three-year-olds and jaded as madams.  You touch the supple velvet, but what you are feeling is the smoothness of my insides.  I remember the sound you made, long ago, an explosive sound which you tried so valiantly to muffle.  The report of your exhalation was echoed in each cell of my body.  Garnet velvet becomes a skin I will shed.  Nothing before was unskinned.  I will turn myself inside out, only for you.

II.  A Hostess Gown in Gray Russian Satin.

 Together, we receive cadres of admirers — come to look upon our glowing faces, hear the way we laugh, breathe in the air of passion which surrounds us.  We understand this loveliness we display is not ours, rather on loan merely, a magnification of the same electric forces which keep every atom together, proton and electron and neutron dancing their way in a wild mazurka.  Those atomic particles, those rapscallions.

My gray dress hugs my body tightly, exposing each curve, revealing my body but keeping it a magnificent secret at the same time.  When your fingertips slide across my shoulders, the fabric moans, and the assembly gasps.  I can take no credit for my beauty, only for the courage to allow it free rein.  And I count every electron of your body, I feel the whirling clouds as they circle your atomic nuclei, endlessly proclaiming not beauty, not usefulness, but truth.

Please be advised you are in the presence of ananda.  Or at the very least, maple syrup.  Even the trees know.  How the sparks flew when first we met!  We confused the friction with dislike, at least until you saw me lick my lips.  Gray satin reminds us of the cries of mourning doves, the way they’d scatter as your car pulled into my driveway.  Such murmurings as felt like satin threads, pulled through my heart.  You came to me.  I will stay found.

III.  A Frock for Paying Calls in Plum-colored Faille.

We deign to visit the world, after a twenty-three year sabbatical, and everywhere we go the air matches my dress.  The moon becomes a large opal, the sky an onyx abyss into which I fall upward, tethered only by your voice.  When you laugh, I hear my father.  I hear the way he held me, our skin where it touched on fire with longing only for more bare skin.  He died too soon, and so did I.

My skirt is cut on the bias — when I walk it moves as the tops of the Australian pines moved that day you first kissed me, at the beginning of hurricane season.  You and I ask our hosts if they are prepared, but they don’t understand.  Once, you lusted for books — 27,000 of them — 19 cartons fit into your truck, each trip.  The hardwood shelves groaned under the beautiful weight of your hope.  Please, don’t read too much into the facts.  What do the pages tell you?  Do you remember when you hated me?

It is so difficult to construct a garment on the bias, I must consult experts in the field.  I show them the dress I wear, ask, can you make me the same dress, in the same fabric, over and over.  I want nothing varied, because in this dress is all the world.  My father has been dead now for longer than I knew him.  I still see his hair, iridescent red-gold feathers, under my fingertips, my nails painted purple.  I asked for you.  I found your succulent eyes.

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This Road I Am Traveling, a prose poem

illustration this road i am traveling

This Road I Am Traveling, a prose poem

I used to think it was possible, even desirable to order the world into alphabetic categories, though I never dared cut someone open with such a blunt knife as you.  The most I ever tried was harvesting a few drops of blood — they oozed through the cleanly raked skin underneath my claw like rare jewels.

You do not offer help.  You are scientific, curious, high on espresso, perfumed with the thick odor of fatty, fruity soap.  You tempt me to weep on your flannel jacket, though you don’t for a minute pretend to love me — or anyone.  It is all part of your elaborate theory.

You ask me what it was like to watch her body go, you say you hesitate to dredge up old muck, yet you persist in an ignorant, wheedling way, pulling the raw edges of the wound farther in your fretful passion to get at the truth.  I can’t believe a word you say.

Death is foreign to you.  Open your eyes!  See mine, clouded with the desire to cause your enlightenment.  Yes, I recall a hundred details:  the way a hand is not any longer a hand after that last breath, just a heavy piece of meat.  I remember the stiffening of flesh, the way heat emanates in nearly visible waves from the stilled body.  Though as you observe, time has continued to flow, my thoughts have not yet moved on — you are deluding yourself to think they ever will.  Shut up!  Your sympathies are worth nothing.

There are a million out there who know what I know — until you have allowed the fleeting soul of the one you love to pass through you, risking the internal injuries, the scarring from radiation, you can forget trying to follow for your own amusement.

This road I am traveling is ice — I have been skating with my silvery feet for more than ten years, and though it grows ever wider, I can see no end.  I grow tired, but there is nowhere to stop.  Living is grieving — sooner or later, only grief survives.  Once you learn to skate down memory lane, it’s something you never forget.  Though my legs ache, I have to keep them pushing.  Still, the bare trees arch gracefully overhead.  This cold air burns, yet cleanses.

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Pregnancy, a poem

illustration pregnancy

Pregnancy, a poem

(after Alice Neel’s painting, Margaret Evans Pregnant)

Puffy hands clutch the seat
of the ruffled boudoir stool
to keep the woman from tumbling
to the floor, injuring
more than dignity;

her cumbersome belly bulges
taut, looms over the
bewildered thighs
like a great question mark.
Around her delicate knees

are small white dimples;
the pulse in the blue vein
revealed within a pale breast’s
transparent skin
taps in dreamy rhythm and

though her hair is unkempt,
her eyes gleam with gentle
confidence, patient sureness
that she will pass through
the coming ordeal of body

unharmed, spirit intact; that
everything in the world,
all the movement both inside and
outside her flesh, will emerge
from its hiding place at last….

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Living On The Moon, a poem

illustration living on the moon

Living On The Moon, a poem

I remember all she had, stockpiled
in a child’s Easter basket.  Necklaces
of ivory, turquoise and amber beads —
hopelessly broken and tangled.  Cheap

metal pins, plastic bracelets, a dozen
stilled watches.  Dried-out jars
of skin cream, mangled greeting cards,
portraits of her sisters.  Often,

I allowed her to caress my face with
her trembling, soiled hands.  On the pillow,
my head next to hers, pretending
I was a small child, and she my beloved

mother.  Afterward, I scrubbed myself pink
with harsh soap.  In a moment captured
years ago, Brandy, her tiny poodle,
dances on his hind legs, his pink toenails

scrabbling against her tanned,
scrawny calves, a rhinestone collar
tight around his limber ashen neck.
She tempts him to please her with a bit

of bacon — herself very plump around
the middle, silver hair teased and
sprayed, a perfect bouffant.  You
would never guess then she was fated

to end up living on the surface of the moon,
by herself, without shame, without desire.
I must restring the beads, drape them over
a mirror, say a few words to her picture.

She will appear in my dreams nightly, dancing
with a small white dog, twirling her brittle
bones around and around until they catch fire.
She will sparkle like cut glass; gulping for air.

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The Evolution of the Orgasm, a poem

illustration the evolution of the orgasm

The Evolution of the Orgasm, a poem

Does the new-twinned cell, as it sorts out
one tangled rat’s nest of nucleus

from the other with its slow patient dance
of cytoplasm and membrane, somehow know

the sweet involuntary contraction and release
of its division?  An organism’s inner tension

promotes as well as restrains
total disintegration.  Is each duplicating

mitochondrion frozen fast in the stream
of its own powerful, mindless barrage

of electrons?  Life on a cellular level
is both straightforward and incomprehensible.

Could any physical laws possibly hold
resolute in the embrace of such rapture?

Was the orgasm the means of our worldly
creation, or the end?  Less can be more,

but not in this case.  Is what makes you
come so easily explained?  As usual, let us

personify:  she is rich-skinned, veiled
cool in a white ruffled nightshirt….

Well-muscled, each movement sure, swift,
with only one purpose.  Her hair is short

or long, pulled tight or draped loose,
but the look in her eyes is a steely

constant, it says, I know you. I have always
known you.  I will know you even after

your tired flesh has flown away singing
through the air like a frightened dove,

and your pale, forgetful bones have fallen
into fine dry grit.  In my relentless arms

you will learn to surrender all fears, all
your dark secrets.  Forever and ever

will I love you.  Is it any wonder we dream
of her so often, with such helpless longing?

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Summer Evening, Beaumont, a poem

illustration murder in beaumont

Summer Evening, Beaumont, a poem

 

I was not there. I am only an observer.

The four-year old on his tricycle is

dressed for the heat in loose shorts

and nothing else. His hair appears

 

disarrayed as he stares at the ground.

The back of his bare skull is as finely

carved as a newborn’s, the delicate

shadows of his shoulder bones ask for

 

touch. The clumsy chalk lines on the

pavement are from a murder and he

knows it — the blood came out last

night as the torpid sun was going down.

 

This boy has to make stories up in

his head, but the shy universe he

creates is a notion he’ll never share.

I was not there. I am only an observer.

 

The dead man was 300 pounds and didn’t

talk much, as he, too, was waiting for a

miracle. Gang members used five or six

bullets, then ran away without taking his

 

wallet, the item they wanted most of all.

I was not there. I am only an observer.

Hours earlier, the victim had left his

rented home in all-white Vidor; he told

 

how the folks there threatened to hang him,

he told how lonely it was to wake up every

day and remember where he was. He wasn’t

afraid, he said, just tired of fighting.

 

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Catalyst to a Potato, a poem

illustration catalyst to a potato 3

Catalyst to a Potato, a poem

 

Can I perform the miracles of earth, sun, water?

Can I be the warmth that gently pries open

eyes, that coaxes forth pale shoots, that causes

 

hardness to soften to green? If I throw the potato

against the wall again and again, will I ever cause

the potato to change? For so long, I tried to form

 

myself in the potato’s image. I tried to become

round, dense and heavy with stability, I tried

to protect myself. It did not work, it failed.

 

Now all there is left is her, one small girl alone

in the world. Her lips are redder than mine ever

were. Her shoulders are strong, she is not fragile.

 

You were the potato, the one I could never change.

Lobbing you again and again brought no result,

no visible difference. Yet in your eyes I am

 

the one who remained indifferent. I am not

ashamed, yet I am the one who needs to change.

You want only to rebuild. Take stock of your

 

small garden, not everything there is sound.

There is no such thing as healing. There is only

covering over, sweeping under, tamping down.

 

You know we will never love each other again,

yet you do not weep. This time I will not do it

for you. I am finished with praying for miracles.

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