Category Archives: short stories

creative notes, 9/24/03

illustration creative notes 9 27 03

Creative notes… 9/24/03

“We also often add to our pain and suffering by being overly sensitive, over‑reacting to minor things, and sometimes taking things too personally.”

His Holiness the Dalai Lama

Boy, is that what I do. I am overly sensitive, I overreact to minor things, and I almost always take things too personally.

“If we both still believed in marriage as an institution, would you marry me?” Ella asked.

“Not right now. You’ve been dating another guy for six months. But maybe later,” Ratboy said. His plan was working!

“Fair enough,” she said. Right then, she should have RUN.

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Possessing My Daughter, section one of a short story

Possessing My Daughter, section one of a short story

illustration possessing my daughter section one

I think the human race somehow needs to evolve beyond children.  Beyond parenthood.  I certainly didn’t want to be a mama.  I resented it and I still do.  Even from the land of the dead, I still begrudge her all my time and effort.  She took so much, so much from me.  She was never grateful, never.  That’s why I’m making her write this now.

I almost had an abortion, but her father talked me out of it.  He could talk a dog off a meat wagon.  He carried me off across the desert to Las Vegas to get married.  My own father was so angry when he found out.  There I was, suddenly, on my own at 19, out of my father’s house.  My new husband and I took a small apartment in Venice Beach.

David had this asinine idea of being an artist.  He had this notion that my father should pay the bills indefinitely.  I had dropped out of college halfway through sophomore year.  I was seeing a psychiatrist.  It was 1959 – need I say more?  Freud was God.  My doctor said I hadn’t resolved my Electra complex.  That, he said, was what was making me so tired.  I slept more than 12 hours a day.  When I wasn’t sleeping, I shopped and went to parties.  The only bad part was knowing that eventually I’d have to make a decision and do something with the rest of my life.  It appeared that being deb of the year in my hometown wasn’t going to cut it much longer.

The first boy I loved broke my heart.  I vowed that it would never happen again.  So I did nothing to repair that broken heart.  I let it stay broken.  It was the only way I could think of to protect myself.  It’s been so long….

Since I’m already dead, I suppose you’re wondering what the point of all this is.  The point is this:  I don’t want anyone else to suffer what I suffered while I was alive, and especially  not what I’m suffering now that I’m dead.  Passing from life to death was supposed to bring me some sort of enlightenment, wasn’t that the fairytale?  I was supposed to experience an end to all my worldly cares – joy, peace, rest, or just plain oblivion.  Well, I didn’t get any of those things.  I’m not surprised:  why should my death be any different from my life?  I got the exact opposite of oblivion.  I got awareness and clarity of vision, a vision so merciless and sharp it would make my head hurt, if I still had a head.  Yes, I see everything  clearly, for the first time, and let me tell you, I’d settle for oblivion any day of the week.  All I want to do with my death is shake all of you by the scruff of the nectk until you get clarity of vision, too.  Then maybe, since you people are still lucky enough to be alive, you’ll do something with that vision while you still can.  Maybe you won’t end up like me.

My poor daughter, even after I died I wouldn’t let her alone.  I visited her over and over again in her dreams until she couldn’t stop thinking about me.  I took control of her heart and her mind – actually, now I see I did that the day she was born – and I never let go.  Now I can see how I really wanted her to tell my story all along – that’s why I raised her the way I did, to give her the necessary skills.  It was like heating iron in a forge and pounding it into a useful shape.  She’s writing it all down, every last bit.  I won’t let her stop until she’s done, and I’m satisfied.

Oh, she’s so much like her father.  What a mistake I made.  I’ve told so many lies since then that I’m not really sure what happened between us.  I think he could sniff out the complications I carried and wanted nothing to do with them.  He didn’t want to hear about how I’d suffered during my parents’ divorce and their custody battle over me.  He didn’t want to hear how I’d stopped eating after the judge sent me to  live with my father.  He didn’t want to hear how much I’d hated boarding school.  But I do remember wanting to have sex with him and him turning me down.  He was too fastidious to have sex with a girl he thought would make for a Problem Breakup.  That would only make the problems more problematic.  The excuse he used was that he still had a lot of schooling to get through – a year or two of college, then law school – and he couldn’t afford to get serious with anyone.  Not, he said, that I wasn’t beautiful and desirable.  The issue was I was too beautiful, too desirable, and getting serious with me was apt to derail his train, headed for success.  He’d lose sight of his goal, and so we had to stop seeing each other.

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A Collection of Matchbooks, a short story

matchbooks.indd

A Collection of Matchbooks, a short story

1952, the Wayland Manor Hotel, Providence, Rhode Island.

The day is warm and humid, the yellow roses in the park across the street are in full bloom.  Eva tugs at the sleeves of her powder-blue silk suit.  She’s meeting Neal, the young lawyer she met at a Republican fundraiser last week.  Though Eva’s handsome, prep-schooled husband played tennis for Yale and still buys her wonderful presents, she’s lost her passion for him after five children.  Neal doesn’t have a dime, but he has smoldering dark eyes and soft, manicured hands.  He’s a good talker, very charming, the way he lights her cigarette seems so Continental.  Ever since the night Eva ran that girl over with her car after too many glasses of White Star, she’s been looking for a way out.  She knows her husband will never let her take the children, that’s what bothers her most.

1953, the Ambassador Hotel, Chicago.

Eva sits in the lobby waiting for Neal.  On the train back East from Los Angeles, Neal didn’t sleep more than two hours a night.  He’s frantic to make this business deal.  Eva’s money can only go so far, and though her mother contributes what she can, Neal’s ego is suffering.  Maybe if he didn’t spend so much time playing gin at the Club, he’d do better.  His wife really stung him in the divorce, he paid her a lump sum he could ill afford, but he felt so guilty.  He was only the second person in his family to divorce, the first was his older sister Nina.  She married the guy because her father told her to, so when he started getting weird in the head, she bolted.  Has her own dressmaking business back in Providence.  She dates the young boarder she took in.

1955, the Roosevelt Hotel, New Orleans.

Neal and Eva are stopping over for the night on their way to Savannah.  This trip was Eva’s idea, she wanted to revisit her childhood home, show him the house that survived the ’26 hurricane.  Her mother grew up there, raised by an aunt.  Eva remembers the switchings her nurse gave her for crossing the road by herself.  Lilly Mae had a gold tooth in front and wore the most outrageous wigs, red, blonde, honey chestnut.  Her bosom was soft, like feather pillows.  Eva is disappointed when the hotel can’t give them the Honeymoon Suite.  Neal shakes his head, smiles at Eva, pinches her fanny in the elevator on the way up to their room.

1956, annual convention of the California Polled Hereford Association, Berkeley, California.

Neal dances with his daughter, and Eva snipes at how clumsy the girl is.  Truth is, she’s gorgeous, and Eva’s feeling old.  They got both of Neal’s kids to live with them, Neal’s idea, Eva only wanted sweet little Patrick, not this sullen teenaged girl.  She misses her own children dreadfully.  Her ex-husband lets them visit in the summer.  Still, Eva manages to be kind to Neal’s daughter, she pays for Liza’s boarding school, the very best in the state.  Neal had this idea to raise prize Herefords, Eva’s mother thought it was a great idea, so they bought the ranch in Ojai.  The cattle women all look the same — brown cheeks, pale orange lipstick.  Eva doesn’t fit in, but she doesn’t care.  She orders another chilled vodka, downs it in three swallows.  Her throat burns, it feels cleansed.

1956, Diamond Jim Moran’s, New Orleans.

Liza’s in the ladies’ room, helping Eva to vomit.  Liza wipes Eva’s forehead with a damp towel.  The attendant turns away, afraid she’ll start laughing.  Eva’s hair flops over her forehead and Liza takes the comb and smoothes it back into her thick French twist.  Eva and Neal are on their way home after taking Liza and Patrick to visit their mother in Jacksonville.  It was the least Neal could do, considering his ex-wife’s frame of mind.  When the children left her, she lost 40 pounds in a month.  Liza misses her mother, but doesn’t want to move home.  Next summer, she’ll be a debutante.

1959, the Palace Hotel, San Francisco.

Liza’s on break from Mills College, meeting a boy, Ted, for drinks in the lobby.  She wanted to go to UCLA, but her father wanted her at a girls’ school.  It won’t help.  She’ll be pregnant within the year.  Ted, the baby’s father, fancies himself a Beatnik.  He grew a tiny goatee, sparse but bright red.  Liza is getting tired of the same old thing.  She sees a woman without legs being pushed in a wheelchair across the lobby.  Ted’s right behind, and Liza knows they’ll have sex in the car later.  She wonders what it would be like to have no legs to get in the way.

1959, the Luau, Beverly Hills.

Neal’s throwing a reception for Liza after she eloped to Las Vegas.  He put a good face on it, announced the wedding in the local paper, but he tried to talk her into an abortion.  Liza refused, and Neal thought about having her committed, but Ted talked him out of it.  Ted swears he’ll do the right thing, but Neal has a sick feeling.  The kid has dollar signs in his eyes, just like Neal at that age.  Neal should have listened to his heart, not Ted.  He envisions his daughter in a roach-infested apartment on Venice Beach, wearing nothing but black leotards, her enormous belly heaving as she dances to jazz records.  He wants to kill someone.

1960, Arnaud’s Restaurant, New Orleans.

Eva and her mother are on their way back out West after a shopping trip to New York.  Her mother bought a hat covered with white peacock feathers, and Eva hates it.  She wants to strangle her mother, wants her to hurry up and die so Eva can inherit the family money.  Eva’s ancestors made their money in shipping, sailing goods up and down the Eastern seaboard, and she is absolutely certain none of them owned slaves.  Eva’s mother is a spiritual nut, always falling for some Asian philosophy or another.  Next, she’ll run off with the little Mexican gardener, and Eva will have to concoct a suitable cover story.  They’ve never been close, not since her mother left for Mexico when Eva was two.

1961, the Redwood Room, Clift Hotel, San Francisco.

Ted and Liza are filing for divorce.  Neal is listening to his daughter sob.  She thinks Ted needs her, but Neal knows there’s nothing wrong with the kid that a good bank account won’t cure.  He had that illness himself.  Ted’s refused to work, has taken only art classes instead of working for his MBA like Neal wanted.  The baby lives on fried chicken and Pepsi.  Still, the little thing is cute — ten months and she walks, no, runs, already.  She’s got more of Neal in her than anyone else.  Ted’s parents pleaded with Neal not to interfere, but he can’t stand by and watch his daughter worry where her next meal is coming from.

1963, the Seven Seas Restaurant, Miami.

Neal sent the baby to live with his ex-wife, and sent Liza back to school.  Liza chose secretarial training, and works in a bank by day, looks for men at night.  Liza gets jealous sometimes at how happy her mother is with the baby, but Liza’s not very maternal to begin with.  This man she’s involved with is a sailor.  She’s never dated someone who didn’t go to college.  Even his hands are different.

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a critical review of equatorial rhythms, “written” by rak, former coast guard seaman

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a critical review of equatorial rhythms, “written” by rak, former coast guard seaman

Equatorial Rhythms, “typed” by RAK, is the pathetic, badly written “story” of a young coast guard seaman (who enlisted in the United States Coast Guard because he knew his lack of basic survival skills, and in fact, life skills in general, wouldn’t enable him to survive being drafted to Vietnam for even one full day, nay, not even one full hour during the Vietnam War), crossing the equator south for the first time.  This self-absorbed, narcissistic young man’s self-pitying past and dismal present intersect with the foreknowledge of his bleak, frightening, and boring future, which he will spend lying on his wife’s couch, letting her pay the bills for ten years, then suddenly dumping her after she survives devastating brain surgery, because suddenly she isn’t content to pay all the bills and be a quiet, crocheting robot anymore.  This dull, depressing “story” examines life aboard a coast guard ship, with all its gray-tinted, salty, and decaying “friendships,” petty complaints about stuff that should be barely worth mention by normal humans, the author’s unique, sadly unfunny, bathetic humor and what the narrator incorrectly terms “violence,” a couch-potato-wannabe life, clumsily contrasted with the power of the impossibly vast, eternally wild open sea:  a power and majesty the narrator will never, ever, ever understand, or even appreciate with the respect it, the open sea, is due.

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The Art of the Javelin, a short story

illustration the art of the javelin

The Art of the Javelin

There were certain lovers who never let you go, not even when it was over, officially over ‑‑ the kind of officially over where you both married other people.  It’s not anyone’s fault.  It’s something about chemistry, the chemistry of their skin on yours, your skin won’t ever stop wanting theirs and this is a really, really bad thing.  Marriages have been wrecked because of that skin, engagements broken, the valuables pawned.  The skin fling always started well, of course, the mad passion, so heated you never thought about the consequences.  And there were always consequences:  huge, nasty ones.  Perhaps those terrible consequences were what doomed the love affair from the very beginning.  Nothing so lovely and delicate could survive the stamping black boot of your own despair.

You loved him, but it was never enough.  Being with him was not enough.  Being without him was not enough.  Maybe your children, both dead, would have been enough.  You saw the first child, sleeping, its head tilted back, its eyes closed.  You do not know what color its eyes were.  You never saw its eyes.  It saw, and in seeing, died.  Suffice it to say the child would have been a master of language.  It would have been love, a fountain of it.  You left, not taking your child home.  You let someone else take it away.  Psyche never saw Cupid, and you cannot see him anymore.  Psyche is and was whatever Love loved.  You were loved by Love.  You died with the child.  You were crushed like a butterfly hovering in front of a fast-moving truck.  You were a crushed soul.

The land was flat, barren ‑‑ the horizon stretched like a satiated woman ‑‑ supine, theatrical, unconscious.  You missed the children, and you missed him.  Was it a garden you were in?  Was it a prison cell?  There was never enough air, anywhere.

Who wanted, as a woman wanted, simply to be loved?  All the boys wanted something else.  Girls, on occasion – and more than once — want abstract worship, admiration from afar, poems, flowers, sweet nothings in the ear.  Is that what the boys wanted, too?  With that divining rod in front of them it must have been difficult to remain abstract.  There was something embarrassing about need rendered visible.  They could not hide it from the world.  Did boys say, “No?”  As often as girls?  The urge was outward, not inward – the desire to pierce, rather than contain.  The needle ‑‑ the eye of the needle ‑‑ threaded with what, exactly?  The female soul?  Your feet were so cold in the water, wading for freshwater mussels, that your toenails turned stark white.  The mussels were brown and slippery, and the empty shells painted with pale, pearly rainbows in the light.  The little girls around you murmured with delight, squealing when they found a really big one.  Their little hands were sandy and damp on your arm.  Their voices piped so impossibly high.  You saw them at age 35, still hunting for the perfect shell.

You were tired of living your life.  It was satisfactory only in the material sense.  The lights were never turned off for lack of payment.  Your husband went to bed hours before you did; you sat doing needlepoint in the den and watching obscure re‑runs.  You resented your husband’s bulk upstairs in the king‑sized bed, you resented him sleeping turned towards you, resented the warmth of his breath wafting across the hump in the middle of the mattress that had arisen over the years between the depressions your bodies made on either side.  Once or twice you tried to get her husband to talk to you about God; he declined to do so, saying it was “too personal” a topic.  What is the use of a husband, you thought, without conversations about God?

So you wondered whether to leave him.  Suddenly, a young man, black‑haired, black‑eyed, entered your life, with a piercing gaze, but shy, downturned head.  He was marrying his girlfriend:  you thought they were both too young and naive to know what they were getting into.  You tried to talk him out of marriage, saying not that yours was terrible, just that marriage itself was really hard and bound not to live up to anyone’s expectations for it.

He married the girl, anyway, and in about a year was desperately unhappy.  His wife left him, run away several times, stole his money and his car and told him he was worthless both in bed, and out.  In another moment, you found yourself in bed with him, never once considering how you would get out again.  You were not ready to be called an adulteress, but he persuaded you that since you had already committed adultery in your heart, what did it matter in the flesh?  Oh, it mattered, it mattered plenty.  Only in a purely theoretical sense did it not matter.  It certainly mattered to your husband.  He wanted the child, all the money, the house, and your head on a platter.  Everyone told you not to be honest, not to tell him, but you couldn’t deceive him that way ‑‑ it would kill you to be so deceived by someone else.

It first happened on a rainy afternoon, the kind of afternoon that made sitting on a park bench impossible.  All you really wanted to do was talk.  You were lonely, you wanted to be alone with him in a comfortable place where you could take your shoes off and lie down flat and tell him your life story.  He was so kind and understanding.  You wanted everything to happen slowly.  Both he and you were married to other people at the time and you had a broken ankle so you couldn’t walk through the woods or the park, even if it weren’t raining.  You weren’t planning on committing adultery.  You wanted an affair of the heart, of the mind.  You were either hopelessly naive or lying to yourself.

When you were feeling bitter, you wore red clothes, covered with lint, and did not bother to go over them with sticky tape.  You slept only on goose down pillows, and drank only water bottled in France.  When hurricanes were coming, you cooked elaborate cream sauces, and served lemon and honey tea shot with brandy in a crystal cup.  Your rage gave you a sore throat, the tears and tissues a sore nose.  Anger was only depression turned outward.  Always, you received presents in the wrong size, but consoled yourself afterward with icy lime sherbet.  You slept a bitter sleep, on sticky sheets, dreaming of French noses, and purebred geese, white with pink feet.  On Halloween, you changed your name for good.

You took bitter medicine, while he slept through the hurricane.  He gave you red clothes, always the wrong size.  You fed the geese cracked corn with your bleeding hands.  The brandy shattered the crystal glass.  Cream sauces were poured over ice.  You strapped the pillows to the bed with sticky tape.  You cried while he was bleeding.  You whimpered after giving birth.  A deep, abiding melancholy.  Our Lady of Perpetual Melancholy.  The symbolism of the golden arches.  An icon for the ages.  Our Lady of Perpetual Cholesterol.  Our Lady of Sodium.  Our Lady of the Mall.  Where is food for the spirit?  Charge it on your MasterCard.  Ring it up on your Visa.  A deep melancholy, not easily abated or debated.

It happened on a day when you’d been fasting for religious reasons even though you weren’t religious.  A friend called that morning before you’d eaten breakfast and happened to mention it was Yom Kippur.  You felt ready to atone for everything you’d ever done regardless of whether you’d actually caused anybody to suffer.  Your husband, for example.  Your husband was suffering although he didn’t realize it.  He thought he was content, but he was wrong.  You knew that having sex with a woman for 12 years without her having a single orgasm constituted suffering.  You wanted his suffering to cease, quickly and permanently.  And it seemed you were the cause of all suffering, everywhere.  You had daydreams about running away and never coming back, living in a small rented room, anonymous.

So the fasting and the marital woes had taken their toll on your common sense, and the broken ankle had taken its toll on your ability for locomotion.  You were faint from low blood sugar and hobbled wearily into the motel room, collapsing on the lumpy mattress.  Being called a neurotic bitch by your husband had long lost its appeal.  You needed somebody to love you, not somebody to fuck.  But, as your soon‑to‑be lover undressed you, he told you it didn’t even matter whether you actually had sex with him because you’d already committed adultery in your heart.  At the time, you took your lover’s reasoning for spiritual altruism.  You snapped at it like a starving bass would snap at a rubber worm.  Hook, line and sinker, you purchased your fate.  It was silly to think you could ever keep a secret.  You obtained a divorce, slinking away from the ruins of your marriage guilty, nearly suicidal, your ex‑husband spitting contempt and moral integrity even as he made plans to marry his own recently‑acquired lover.

Then over and over again, between your ex‑lover and yourself, things exploded, imploded, burdened by your guilt and remorse and terror.  All this ruined mess wasn’t what you had in mind, you were just lonely and wanted to talk.  He thought everything was conquerable, everything, by the human will and true love.  Slowly, unmet needs that at first seemed unimportant loomed enormous and unsolvable.  He didn’t feel safe with you, nor you with him, albeit for completely different reasons.  You were nastily divorced, and suddenly a major skeptic when it comes to love.  Between your dead marriage and your dead alcoholic mother, you finally learned to cut your losses, and quickly.  What started with a bang ended with a bang?  First the relationship was a misery to you, and then it was a misery to him.

The copper gleam of your helmet hair was blinding.  Ivory soap floated in the tub, pale and fatty.  Hard gray metal breathed like a ghost.  The stains of divorce could not be removed with bleach, no matter how hard you tried.  Women in bikinis reminded you of how you used to feel in summer, naked, nearly free.  You decided to be laid out in a salt pine coffin from Jerusalem, your wake illuminated by jeweled lamps fueled by liquid chicken fat.  Stone gargoyles copied from Paris originals would be worked into bench seats.  For refreshments, cold meats with baked garlic.

You loved him even though you knew it was doomed, and that love kept pulling you back to the maybe‑I‑didn’t‑really‑give‑it‑the‑old‑college‑try sort of mistake.  So you got involved with him all over again, and it was a disaster, again, but to him the fact that you came back only proved the point that you two should never have broken up to begin with.  In the end, he never understood why you kept breaking it off, and each time it got over somehow you couldn’t understand exactly why you ended it, either.  It was the same kind of destructive amnesia that keeps a woman having babies after that first one.  She forgets how hard it was, how much it hurt, how much it broke her spirit.  This entire sad sequence repeated until you finally had enough.

That night, you dreamed your mother was unpacking long‑forgotten boxes ‑‑ animals carved out of brightly colored stone, gold‑glass paperweights, things you loved, and your mother was getting rid of it all.

Six months later you got a bill from the library for $173.00.  You remembered your lover checked out a bunch of library books on your card.  So you called him, asked him to return them so you don’t have to pay.  Time goes by, and you wondered.  You called his house for days, but the line was always busy.  You decided to drop in.

You knocked.  It took a long time, but finally he came to the door, disheveled but looking good, except around the ears.  His house smelled strongly like man.  You were startled by the smell.  Vanilla, cinnamon, and a touch of dirt, of mushrooms.  The rooms of women smelled like yourself.  You have been in other men‑only houses, and it was always the same.  There was a strength to their smell, a lasting power, an earthiness under the scent of the body that made you want to burrow into the bed-sheets.  This time, you did not.  He was growing a beard and wore jeans with holes in the knees which made him look as sexy as the third time you slept with him, the time in his father’s falling‑down barn ‑‑ you couldn’t wait one minute longer so you did it right there on top of some mildewed couches.  You broke up for the last time almost a year ago.  It was shocking, the physical part you’d thought was long gone.

You wanted him again, though you’d never let yourself have him, and he sensed it – that made him really angry, angrier than you had ever seen him.  For once, you ignored the physical passion.  You didn’t touch him, though you wanted to, badly.  He sensed it, and that sensing is what drove him mad.  He screamed.  He accused you of being shallow, insensitive, a manipulative bitch with the emotional capacity of a rock.  You were meant to be his, you did everything wrong, you shouldn’t have broken up with him, because it was meant to be, him and you, forever.  He forgot how you cried all the time, and how you couldn’t quite put your finger on the reason.  He forgot what it cost you to be with him:  half your daughter’s life.  He had no children himself, yet, then:  he couldn’t know how guilt had you in its death‑grip.

He screamed, he let you do things, “get away with things,” he shouldn’t have.  He didn’t want those things to occur, but he didn’t object at the time because it seemed like what you needed to do.  You told him maybe he should have given you his true opinion, back then.  Maybe, if he had given his opinion when it was so desperately needed, you’d have chosen to be with him.  Maybe it was his essential passivity that caused those late‑night crying jags.  Maybe you were crying because you felt like his parent, his dorm mother, his baby‑sitter.  You, too, sometimes wanted to be cared for, nurtured, sometimes you wanted to feel safe, to be warm in your own bed on your own pillows, not scurrying around in the corners playing catch‑up with the dust-balls.

But he did not, could not, and would not hear anything you had to say.  You were supposed to be with him forever — he believed this and never let go of it:  his personal Holy Grail.  He wrote you love letters up until the week you got married for the second time, after that, came only hate letters.  There would never be a remedy for his hurt.  There was no way to make amends.  The wounds between you never healed, because he never stopped being angry with you.  He was, is, and will always be angry with you.  For this reason, your affair with him will never be over.

Will he be angry, forever?  Yes.  Will his jealous wrath burn like fire?  Yes.  Blessed is the man whom God chastens, and God will chasten him in time.  Yes.  His entry into vagina, and your life, was like someone throwing the couch over, slitting all the cushions, smashing the picture glass, sawing the bookshelves into firewood.

Someone knelt.  Someone asked to be blessed, forgiven, and made whole.  Two people danced, and at the same time drew blood from one another.  The man you loved stood remote, erect, unbending.  You died, to him.  You murdered him, years ago — it was an accident, a terrible wreck of the heart and body.  You wanted only to find your true home.  They why did your heart feel like cold‑rolled steel?  It clanged shut — you were alone, again.  And, again, no one could reach you.

While his plane took off, you did jumping jacks next to the runway fence.  The chain link made you feel like you had a vision problem.  The vessel making up your love for each other was glass ‑‑ white but somehow full of colors, opalescent, and its inner lip was scarlet ‑‑ caressing the outside of the vessel were golden-brown, radiating leaves, quivering with life.  Nothing could hold that vessel down ‑‑ it rose of its own accord.  Once shattered, it could never be restored.  Your fault, you never knew how to live in this world.  You always desired things which could not be possessed ‑‑ could be kept, could not be domesticated.  Your own heart was not domestic, but, rather, wild, savage, and cruel.  It was the opposite of serene.  It held mother‑love and murder, sometimes in the same instant.  You were the living damned.  The only answer seemed to be to keep moving.  That is why you decided to entomb your legs in rock, solid and immovable.  That is why you always tied yourself to the ground.  The caged butterfly smashed itself over and over again, beating impossibly against prison bars of cold‑rolled steel.  Finally, its wings shredded, and the butterfly could only remember flying.  It knew only that something had gone terribly, terribly, terribly wrong.

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A Lot of Men That Year, a novel fragment

illustration a lot of men that year

A Lot of Men That Year, a novel fragment

I was going through a lot of men that year.  All men seemed like works of art to me, like sculpture.  With body hair, without ‑‑ the buttocks, the thighs, the chests.  They were all quite lovely to look at.  Their emotional content was something else completely.  They seemed cruel, without love ‑‑ not that it mattered that much to me; I kept myself armored against hurt pretty well.  It was all casual dalliance, a form of gymnastic exercise, no permanence intended.  That was how I was protected.

Francisco was the handsomest man I’d ever dared let myself be attracted to.  We were cast in the same play, that’s how it started.  His friend, Vincent, was also quite handsome, though not my type ‑‑ blonde, blue‑eyed.

During this same time, my father and I were trying to get to know each other, 20 years too late.  He wanted instant fatherhood:  I was just confused by it all.

His VW van ‑‑ his hippie ways.  He thought I was so conservative.  When he told me he was attracted to me physically, sexually, I was only half‑shocked, because I suppose I had felt it too.  I almost wished he would act on it, just to see what it felt like.  It wasn’t like I really saw him as a father figure.

Meanwhile, I slept with every guy who interested me, except the ones who had love in their eyes.  Lust, intellectual curiosity, and admiration for my body ‑‑ these were all OK.  But love?  It gave me the willies.  Long‑term commitments were the last thing on my mind.

My father was living in his van ‑‑ I didn’t want to see him all that much, and that hurt his feelings.  I don’t know what, exactly, was going through my mind.  Attraction and repulsion, like magnetic phenomena.

Then there was the boy who punched the wall and broke his hand.  The short boy, musclebound.  He had sort of, kind of, almost-but-not-quite fallen in love with me.  He wanted to sleep with me, but I refused him.  He didn’t understand why.  I was sleeping with everybody else.  I sensed that a sleeping relationship with him would get too messy.  He would be jealous, passionate, moody, and neurotic.  I only wanted men who were vaguely indifferent?

I loved my film as literature class teacher from afar.  He was balding, blonde, and wore thick glasses.  I mean Coke-bottle thick.  I wanted everybody to make passes at me.  I was almost offended if they showed no overt interest in taking my clothes off.  My only excuse?  I was nineteen years old.

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Soon After My College Graduation, a novel fragment

illustration soon after my college graduation

Soon After My College Graduation, a novel fragment

Soon after my college graduation, I became engaged to Harold.  I’d known him since freshman year; we had dated casually until my senior year, when he watched me perform with the modern dance ensemble and fell in love with the way I moved across the stage in my clingy leotard and filmy skirts.  Everyone in the family adored him.  My father, who never learned to drive a car himself, let Frank drive our very first car home from the dealer.  Though I was happy about the engagement, I wasn’t in a rush to marry.  I wanted to work for a few years, get a taste of the world before settling down at home with a brood.  My parents were skeptical, but they didn’t make a fuss.  They knew I wanted a big family, at least six.

Harold was very good-looking:  strong chin, auburn hair, lean and athletic torso.  We were engaged, so it was the usual custom to sleep together.  His touch was delicate, his hands smooth and lovely.  It was a peaceful, dreamy experience, being with him.  He gave me a pear-shaped blue diamond set in platinum — I wore it and real silk stockings to the office every day.  My family was just middle class, but people thought I was rich.  Nobody knew my father got the stockings free as part of his job at the patent office.  In those days my hair was dark brown, cut in a short pageboy, draped gracefully over my forehead and curled at the ends.  I looked good in simple tailored skirts; my legs were long and well-formed from all that dancing.  Of course the stockings were a plus!

It was about a year into the engagement to Harold that I happened to work with the same young lawyer on several complicated adoptions, right in a row — Robert was Italian, short and bald, and his suits were nicely cut though threadbare.  Something about the confidence in his fluid voice grabbed my attention; one evening after work we met for a drink.  He wasn’t classically handsome, but he had bright, lively features and a charming way with funny stories.  That night, over a pitcher of Rob Roys, he confided to me that he was leaving the Department after the first of the year.  He had an office and secretary all lined up, and could hardly wait to get into practice on his own.  We ordered another pitcher of drinks to celebrate his daring move.

I suppose my big mistake was letting him take me out to dinner, too.  I was drunk:  not so drunk I didn’t know what was happening, just so drunk that I didn’t much care.  Robert touched my cheek, tucked a stray lock of hair behind my ear, then closed his eyes and sighed.  I was all over him in a second — he kept saying, are you sure, are you sure?  As I unzipped his trousers, he asked, what about Harold?  I said, I don’t owe him anything.  What I had then with Robert was neither peaceful nor dreamy, but a jolt of electricity that kept my nerves humming for hours.  Afterward, I held my breath for ten days, then kept right on holding it when my “friend” never showed up.  I started having trouble sleeping.  I was all mixed up.  There was no one I could talk to.

See, if I married Robert and the kid looked WASP, no big problem.  But if I married Harold and the kid came out looking Italian, what then?  I went with the easiest lie.  Does this seem terribly evil?  I had no real alternative at the time.  Now, I suppose I’d have an abortion and be done with it.  It’s true that I felt a little less awful as time passed and Robert and I had three more children who resembled their father, but I was never entirely certain about Robert Junior’s pedigree — depending on the time of day and the season he had the look about him of both men.

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I was thirteen the first time I had to lie to the police to protect someone I loved, a short story

I was thirteen the first time I had to lie to the police to protect someone I loved, a short story.

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I was thirteen the first time I had to lie to the police to protect someone I loved, a short story

illustration mom hit the boy on the bike

I was Thirteen the First Time I Had to Lie to the Police to Protect Someone I Loved, a short story

I was thirteen, in my first year of high school, and one afternoon I was home watching TV by myself while my mother went to pick up my little brother from nursery school. The doorbell rang: a police officer stood outside, tall and broad and scary. He had gleaming handcuffs and an oily looking gun buckled to his belt; a long black stick with ominous scuffmarks hung at his side. “Your mother’s okay, but she’s been in an accident,” he said. Less than an hour ago I’d seen the way her whole body swayed as she went out the door. Her empty glass was sitting right behind me in the kitchen, unrinsed and still reeking of Scotch.

Even now I see my mother’s face, soft and drunk, pale and frightful, moving through the darkness, soaring over me as mysterious and unreachable as the moon. Her affection waxed and waned, never constant. When she’d had enough to drink, she loved me, but the way she went about her mother love, pulling at me with sorrowful, clumsy arms given unnatural strength by liquor, made my flesh wither under her touch.

“She hit a boy on a bicycle,” the policeman said. “Do you know if she’s been drinking?” he asked. He shifted his weight from one leg to both legs evenly, spread his feet wider on the cement walkway and moved his arms from his sides to his belly, holding his hands together down low at his belt.

“No,” I answered the policeman, looking unflinchingly into his eyes, which was excruciating but imperative, I knew, if I wanted him to believe me. “She hasn’t been drinking.”

My mother had skin like rose petals, eyes like a fawn’s. There were the rare times when she forgot to be sad, if only when some equally sad eyed man noticed her. If a man loved her to the point of obsession, to the point of contemplating suicide, she imagined she might find the strength within herself to survive, but she eventually rejected all such suitors, wanting only those who were hard nosed and cold blooded, as her father and, later, her husbands were. Remote, a source of funds and orders and criticism, the closest men in her life approved of her external beauty but not her soul. They didn’t care what she wanted: they wanted her to be like all the other girls and women, to be beautiful and obedient. They broke her will; she broke their hearts.

She was memorable for simple things: her rose garden and her Scotch and water, her menthol cigarettes and her Pucci nightgowns, her ladylike hands and her A cup breasts, her bitterness, her resignation, her unending string of sentimental, alcoholic boyfriends. She taught me how not to be. How not to live. A psychic once told me she was my one true soul mate in this life and that my heart had been broken the day I was born, that first hazy time I looked into her eyes and saw nothing there for me. One normal thing I remember is hanging clothes out to dry with her in the backyard when the dryer was broken. Once, she even took me out to the movies.

“Are you sure she’s not drunk?” the policeman said. His face was a smooth blank, revealing nothing, but then so was mine. “She’s acting pretty out of it.”

“She gets that way whenever she’s really upset,” I said.

“We need you to come take care of your brother,” he said. “While we decide what to do.”

The policeman herded me into his car, and we drove to the place Mom had the accident. They’d already taken the boy away in an ambulance; all that remained was his bright yellow bicycle, its frame horribly crooked, its front wheel bent almost in half, sprawled on the ground in front of my mother’s car, a powder blue Cutlass Supreme. I glanced offhand at the front of the car, afraid to look too long, afraid the policemen would be able to tell something from the way I acted, but I didn’t notice dents or blood or anything. Even without that, the bike, obviously brand new before the wreck, was as frightening as a dead body. Mom was sitting in the back of another patrol car, and her eyes were red, her face was wet.

My three year old brother sat beside her, and I could tell he hadn’t cried yet, but I could tell when he did it was going to last a very long time. Then I wanted to tell the police she was drunk, yes, she was drunk today and every single afternoon of my life, but the way she looked — her beautiful hands trembling as she smoked — temporarily severed the connection between my conscience and my voicebox. I couldn’t talk at all, because I knew I’d cry. I’d protect her from the police, make sure she wouldn’t end up in jail, but later, I would coldly steal money from her wallet, cigarettes from her purse, clothes from her closet. In the end, the boy on the bike died, and she died, too.

Toward the end, my mother said she was on fire from the neck down. Her arms and legs felt like they were glowing, orange red, molten. But her head felt like a block of ice. She was emotionally or spiritually paralyzed, she said, and worried about whether the condition was permanent. She felt like the nerves from her head down to her body were cut, and she didn’t know if they would ever grow back.

Right before the end, she said she could not distinguish life from dreams; she slept little, ate even less. She didn’t feel mad, she felt terribly, irrevocably sane. Everywhere she walked the ground seemed on the verge of opening up into blackness, into fire. If only she could go mad, she said. When I found her cold and stiff on the living room floor, she wore nothing but blue nylon panties and her white gold wristwatch, given to her by her own mother in 1958.

A watch which is in my jewelry box, upstairs, right this second, and which I wore to the Palm Sunday service, yesterday, at Holy Faith Catholic Church. I took Communion from Father John, even though I am not now, and have never been, and never will be, officially a Catholic. My friend Clyde, my dear friend, mentor, and fellow lawyer, told me that he thought I would still be eligible for Heaven, regardless of what the Catholic Church, as an institution, might determine.

Because of all this, and a couple of other things which I won’t bother to mention here, I had to hold myself very still, and open my eyes a bit wide, during the reading of Jesus’s betrayal in the Garden of Gethsemane in order not to allow the fucking tears to drop out of my eyes. Yes, I am a liar. So sue me. Good luck!

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Lillie Mae Lovett, a prose poem

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Lillie Mae was the first person, other than her mother, Ella remembered being in love with.  She — Lillie Mae — chewed gum, had a gold front tooth, wore long, dark auburn wigs, bright and warm against her dark brown skin.  She — Ella — buried her nose in Lillie Mae’s neck, held up high in her arms.  Heard the muted snapping of the gum in Lillie Mae’s mouth.  Lillie Mae could get Ella, a picky eater, to eat when no one else could.  For Lillie Mae, Ella would open her jaws for the spoon.

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