Tag Archives: women

People Like You, a poem

illustration people like you

People Like You

I’ve known a lot of people over the years, hundreds

in fact, and I’ve made it my serious business to know them

extremely well, both inside and out; it’s what I do,

it’s what I like to do, quite possibly it’s what I do best —

but in all this time, I’ve only stumbled across two people

like you in my entire life, there’s just you and him,

two truly dangerous human beings, two walking disasters,

two men obviously wounded so deep inside

that even after it was over, even after

examining all the mixed-up feelings I’d coaxed

out of us both; shoveling and pouring them

into the leaky jar formed from all our human needs;

even after the feelings had settled into pretty layers

of sand and sediment organized by density;

even after I poured over that the shimmering crystal

water of my tears, (not just the real ones I cried,

but the ghost ones you always wished you were able to shed)

I did not hold you responsible for your actions.

Not a bit.  I had my eyes open from the very first

moment I heard your voice.  I freely allowed you

to hurt me, I asked for the pain to be given to me,

then I made excuses, I made allowances, I forgave you,

and I am not very often a forgiving person.

Ask anyone who knows me well.  Rather, I hold a grudge;

it is how women are as a race, I am told;

and I am told I am a woman.  Do you think I am a woman?

Do I look like one?  The private physics of our bodies

differs — does that create a real disparity in power

or just a real disparity in perception?  You point always

to the internal risk of damage women carry within them.

You say, men do not have to fear women the same way

women have to fear men.  With good reason, you have helped me

to learn this — now there is nothing left to do but file

your memory away forever, attach the bright red warning

stickers that proclaim for all to see: hey, wake up,

look twice, look close, look long, we all know

people like this exist, they exist for a reason.

Do you mind if I ask again, if I pry one last time

where I am not wanted?  Oh, dear heart, what is your reason,

your sweet reason, your sweet reason for existing?

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Filed under mysterious, poetry

easy as pie, a short story

illustration easy as pie
Easy as Pie

Jonathan is still a virgin at twenty-eight — or so he says. From the look of his underwear, I’m tempted to believe him. His blinding white jockey shorts are far too big, hiked up to his ribcage like an old man. We’ve been friends for a long time. I’m between relationships at the moment, and on impulse, really, I’ve gotten him stripped down this far, but now he’s balking. His underwear acts as a kind of psychological barrier, I guess. We’re on my couch having an intense heart-to-heart.

Part of the problem is this woman he’s in love with. Even though she’s been living as a lesbian for two years, he keeps hoping she’ll come to her senses and marry him. It’s true, they still go to Temple together every once in a while; he even cooked her a seder last year. He and I talk about religion all the time; I’m a curious Episcopalian and I ask him everything about Judaism. I have this wild notion of converting someday — but he says it’s difficult, and I believe him.

I’m interested in having sex tonight, though I’m not going to push him too hard. With hindsight, my own virginity was surrendered far too casually. My first lover was a lot older than I was, a lot more confident, and I just let him do it because he was so persistent. It’s not that I don’t recognize the attraction, the magnetic purity of someone like Jonathan. No worries about disease, and he’ll most likely fall in love with me. A flattering situation, sure, but also a burden — one I’m not sure I want to take on. Jonathan’s an appealing but complicated case.

“It’s not that I don’t find you attractive,” he says, reaching out to take my warm hand in his clammy one. The flickering candlelight throws his cheekbones into sharp relief, hoods his eyes and makes him look exotic, mysterious. I want to see him in a yarmulke and prayer shawl, those little leather boxes strapped to his head and arm. “You’re very attractive,” he adds.

I move my hand up and down his bare thigh, feeling the few downy hairs there rustle back and forth over his smooth skin. He’s a lawyer for an environmental-protection group, and he runs eight miles every other day. Compared to him, I feel like a moral slug: a vegetarian since high school, he’s never even driven an automobile. “So are you,” I say. I play with the little opening in his shorts with one finger, teasing him like I would my cat.

He closes his eyes, leans his head back against the wall and draws his breath in. “Please don’t,” he says, his voice a little strained, his Adam’s apple bobbing. I take my hand away like something bit it.

“I just can’t do this,” he says, opening his eyes wide and staring at me. “Not tonight. Not this way.”

“Okay,” I say, getting up off the couch. Why did he think I was taking his pants off? Intellectual curiosity? Science experiment? Bending, I pick up his shirt and jeans and shoes. “Here’s your clothes. There’s the door.”

He sits there, his face frozen in a squint-eyed wince that makes him look like a chastened dog. He reaches up to touch his forehead with a forefinger. “I’ll probably regret this in the morning,” he says.

“You probably will,” I say, tilting my head and smiling.

***

Over time, according to his rules, I discover Jonathan isn’t only virginal, but also an old-fashioned romantic. He doesn’t like to think of himself that way, however. A reformed atheist, he talks about “significance.” “I want everything to be perfect between us,” he says to me. We’re lying in bed together at this fancy bed-and-breakfast he’s brought me to for the weekend.

“Perfect?” I ask. “Perfect?” My stomach is so taut with lust you could bounce a five-pound slab of beef off it. “What does that mean to you?” He’s been lifting weights every day for the past few months, and from what I can feel of him tonight through his thin knit shirt, he’s big and carved-looking and hairless like a god.

“A serious commitment,” he says. He turns to look at me in the moonlight. His eyes glisten, and he strokes my hair. “That’s what I’m looking for, after the fiasco with Melissa.”

Melissa’s the lesbian he’s finally given up on. I don’t say anything at first. It all used to be so easy, so effortless. Everybody’s clothes came off as easy as pie. “God,” I say, the word arcing out of my throat like a wet watermelon seed. I lie there feeling my heart pound. He reaches over, tracing the lines of my eyebrows with one finger. “Give me strength,” I sigh.

Jonathan gets up on his elbow, his brilliant pectorals bulging, the mattress squeaking under him like a baby bird. “And what is so wrong with wanting to build a relationship first?” he asks.
“Jesus, you sound just like my mother,” I say.

***

After all this, I’m astonished when, a few weeks later, after dinner out and a cryptic Brazilian movie, he announces he’s ready for us to “move forward.” He leans down to kiss me, and I can tell he’s nervous. I’ve decided his full, red mouth is his best feature — on him it’s almost larger than life, contrasted with the rest of his austere person. He tells me his father’s mother was Native American, though when I ask him what tribe she belonged to he can’t say — but he does give me a real flint arrowhead to commemorate the evening. “I found this in a field out back of my parent’s house a long time ago,” he says. It’s small and gray and minutely chiseled, still warm from his hand.

“It’s beautiful,” I say.

We walk back to my apartment holding hands, hearing an odd blend of reggae and big-band music through the open windows of the neighborhood. In my bedroom, he turns quieter and quieter, seriouser and seriouser, as each piece of clothing comes off. As expected, I find him enthusiastic but unschooled. His hands are like roving mice, ticklish and prickly all at once. “Help me through this,” he says at one point, gazing up over my head at the O’Keefe poster in the far corner. Afterward, he doesn’t talk at all, just lies there with his arms crossed behind his neck. “I love you,” he says, groping for his glasses on the bed beside the table.

It’s like he punched me in the stomach with something soft. I turn over and put my face into the nape of his neck; he smells bland and sweet like oyster crackers. I don’t like it when men have a strong smell, but I don’t like it when they don’t, either. Hard to please. Or, maybe I want somebody who smells like me. Back in college, I developed a theory that the reason I never had a problem getting boys to like me was I emitted some sort of secret sex pheromone, more than other girls. It wasn’t anything about my personality that attracted men, but the way I smelled to their unconscious nose.

A more plausible explanation is that I was more unprincipled than most girls: I never broke up with a guy until I had a replacement waiting in the wings. I’d keep the old one around as a decoy until that happened, even if I was irritated beyond belief, even if his touch made my flesh crawl. Because, when you don’t have a boyfriend, the other guys think there must be a good reason, and stay away. If, instead, they believe they’re stealing you away from someone, they have an incentive.

But, right now, at least with Jonathan, I’m in a stage of trying to reform, change my ways. So, instead of saying “I love you, too,” which I know I could utter in a convincing enough voice, I hug him and sort of shiver all over, as if I’m so overcome with feeling it’s made me shy.

***

In due course, Jonathan brings over his toothbrush, clean shirts and underwear, and his second-best running shoes. He even arranges for Sunday newspaper home delivery, something I’ve always meant to get around to; however, as the weeks pass, I come to realize my period is overdue. I try to shrug it off at first, but after another week end up saucer-eyed and sweaty, marking off the days on my calendar over and over — consulting the lot numbers and expiration dates on the box of condoms and canister of foam we’ve used, as if they’re runes.

One night, soon after I start to worry, we go to this cowboy bar. I have authentic boots, a string tie, a silver belt buckle, everything but a neon sign saying “POSSIBLY PREGNANT.” I don’t say a word about my period, but all night he keeps staring at me as though he almost knows what’s up. I would like to be able to tell him, but I have a feeling he’s not going to make any of this easier. He’s not that kind.

He dances well, for a lawyer. “Why’d you go to law school, anyway?” I ask him, yelling over the music.

“I couldn’t face medical school!” he shouts, laughing, as we squeeze our way off the dance floor.

“I wanted to go to medical school,” I say.

“What kept you from going?” he asks.

“Math, I guess. I had this trigonometry teacher in high school who smirked every time I asked a question.”

“For me it was dissecting a cat,” he says, his face solemn. “I figured if I couldn’t handle that, there was no way I’d be able to do it with people.”

“Yeah, blood,” I say, with enthusiasm. “I tried to pierce my friend’s ears once. We used ice cubes. There was this teeny little drop of blood that came out when I put the needle through. One drop about the size of this mole,” I say, pointing to my own arm. He peers down. “I was instantly nauseated. But more terrible than the blood was the way her earlobe — my friend has really fat earlobes — the way her earlobe sizzled under the ice. Like it was meat frying or something. I didn’t think I’d be able to do the second one, but I had to — I couldn’t leave her with only one ear pierced.”

He nods, that awful, fake kind of nod people give you when you know they don’t have a clue what you’re talking about. “What an awful experience that must have been,” he says.

***

Early the following week, over at the clinic, I pee into a tiny paper cup with Bugs Bunny on it, and when the lab tech comes back into the room, she doesn’t say a word — she doesn’t have to, it’s there in her eyes, the set of her jaw. “Our first opening is next Wednesday,” she tells me, penciling something on a pink chart.

It’s probably racism or something, but on the scheduled Wednesday, as I lie there on the table trying not to shake, I’m relieved to see that the doctor who’s going to perform the abortion is black. As if somehow that makes it all okay — as if he’s a surrogate for guilt, for suffering. He seems nice, quiet and bookish, with big horn-rimmed glasses and a neat mustache. His voice is soft, vaguely Southern. I close my eyes and try to relax, but it’s impossible.

***

“Was it mine?” Jonathan asks a few days later, after searching my kitchen junk drawer for the 75-mile-radius map he loaned me, and finding instead the bright yellow booklet of follow-up instructions they gave out in the clinic’s recovery room.

I don’t even bother to ask why he thinks it might not have been his. “No,” I lie, and he stands there for several minutes, towering over me in the tiny kitchen, stiff and straight through his torso, his head and neck bobbing forward, nodding in place like a tired metronome.

***

“I don’t think we should see each other anymore,” Jonathan says later, sounding rehearsed, over the phone. I don’t like to do my dirty work in person, either, so I can’t complain about his choice of medium.

“Even if it had been mine, I wouldn’t have asked you to get married or anything,” he says. “I think you’re a very confused person.”

“Oh, really,” I say, trying to keep my voice neutral.

“You’re not in love with me, anyway, and you know it,” he adds. “You never were.”

“Get off your high horse,” I say, laughing. “You’re not in love with me, either.” I’m above reminding him of what he said on our first night together — it’s gone beyond such petty one-for-one recrimination to a whole new level, a swirling gray reach that makes me feel more tired than angry.

“No, but we should have been in love,” he says. “That’s my point. If the person I’m sleeping with gets pregnant, I want to be able to consider all the options, including marriage.” He sniffles into the phone, and I’m shocked to realize he’s been crying. “Obviously, I’ve never been faced with this before, but this whole situation made me stop and think. It’s too dangerous.” He pauses, and I can hear him breathing raggedly. “I made a mistake,” he says. “I’m sorry.”

For a minute all I want to do is hang up on him, smash the phone down like I’m smashing his face. It’s as if a more flippant attitude on his part would be easier for me to deal with, because — to a certain degree — I expected that.

“The person you’re sleeping with? People don’t get pregnant,” I say. “Women do.” He clears his throat, but says nothing, and then I know he’s only staying on the line out of politeness.

“Okay,” I say, after a few more moments of silence. “I agree. We shouldn’t see each other anymore.” I exhale, feeling each slow millimeter of my lungs’ deflation — the breathing not painful, yet, as it will be later, when I will have to use pillows to muffle the grief which will blow me to and fro, grief which I can no more harness or control than I could a demon, or a hurricane. I will be rattled, I will be shaken, I will be damaged.

“Goodbye, then,” he says.

“Goodbye,” I say, surprised by my voice’s new gentleness. Taking the phone away from my ear, I listen for the click and buzz and let it go, releasing the long, springy cord that I had stretched across the living room from the kitchen wall, the curved plastic form of the receiver skittering along the length of the coffee table like a live fish. And then I notice the strong afternoon light streaming in through the living room windows; how, despite its warmth, it makes the skin of my arms and hands look bleached, pale and waxy — almost like I’m already gone from this place.

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Filed under short stories

True Love, a short story

illustration true love

True Love

            Mythical, that’s how they looked — when she got up close, she experienced both hormonal lightning flashes and the peculiar sensation of having a trick knee.  The famous Gower brothers:  high foreheads, broad shoulders, meaty yet sculpted forearms.  Granted, for Amy, myth and heroism consisted of “Jason and the Argonauts,” and the Classic Comic Books version of “The Iliad and the Odyssey,” but she was on the right track.

“This is Amy,” said her friend Claudia.  She stood with her arm across Amy’s shoulders.  “This is my ex-husband, Burnett, and this is Carey — we call him Shorty.”

It was admirable the way Claudia and her ex hadn’t let their divorce get in the way of business.  Amy wondered if she were capable of such sophistication — perhaps it was bound up with the Bohemian temperament musicians were supposed to have.

“Nice to meet you,” Amy said.  “I’m enjoying your music.”

“Thanks, Amy,” said Shorty.  “That’s what we like to hear.”

“Mind if I sit here?” he asked.

“No, please,” she said.

He chewed his little red straw, stirring his drink with a finger.  The gesture was boyish, clumsy.

“How long have you been playing here?” she asked.

“Six months,” said Shorty.  “The owner is a jerk, but he’s hardly ever around.”

“Well, I’m glad the band stayed together,” said Amy.  “This is the most fun I’ve had in a long time.”

He tossed his head, and gave her an aw-shucks-ma’am grin, showing his teeth and squinting his eyes.

“Me too,” he said, touching her arm.

“You’re just as pretty as Claudia said you were,” he said.

“Oh, I bet you say that to all your groupies,” she said, laughing.  He laughed too, squeezing her arm.  She felt his large fingers against her skin, the calluses on his fingertips.

They had another job tomorrow night, he said, over at Lazy Susan’s.  Would she like to come listen?

“A friend of mine is having a party we could go to,” he added.  “It won’t get cranking until around two a.m. — you know, a bunch of musicians.”

“Sounds great,” she said.

“Stay for the next set, won’t you?” he asked her, tipping his glass to drain it.  The lime wedge fell on his nose, and he laughed, then put it in his mouth and sucked the pulp.

She sipped her wine.  A bit drunk, she was relaxed even more by the sound that poured over her, brushing her skin like velvet.

When the music was finished, Shorty walked her out to her car, opening and closing the door of the little Datsun for her.  Squatting on his heels, he rested his elbows on the open window, leaning his chin on his hands.

“I don’t do this very often,” he said, his face dusky under the streetlight.  “Ask anybody, they’ll tell you.  I’m not a flirt.  I don’t operate that way.”

He took her hand and held it, shaking his bangs out of his eyes.  Staring at her, his eyes were sleepy-looking.

“Yes, ma’am, it’s been a real pleasure,” he said, drawling the words out, going corn-pone, laughing.

***

Shorty was sweet, honest, Claudia said, a guy who would do anything for you.  It was true, he didn’t pick up women.

“But he’s kind of involved with somebody,” she said.  “It’s a weird thing:  they’re separated right now.  I know he’ll tell you himself, so don’t say anything.”

“Separated?”  Amy said.  Gruesome visions of surgery flashed in her head, the kind used for taking apart Siamese twins.

“Well, he and Bonnie have lived together, off and on, for years,” Claudia said.  “Lately, it’s been mostly off, but neither one of them has ended it.”

“Where is she now?”  Amy asked.

“Dallas.  She manages a restaurant out there.  Some relative of hers got her the job.  Everybody thinks she’s been bad to Shorty.  He needs to get on with his life.”  Claudia shrugged.

“I don’t understand how people can live like that,” Amy said.

“I know,” Claudia said, sighing.  “So if you get close with Shorty, you better keep Bonnie in mind.  They go back a long time.”

“I’m not looking for anything serious,” Amy said, twirling her hair.  “I just want to have some fun.”

In fact, whenever she broke up with someone, she’d swear she would never get “involved” again — she would become independent, self-sufficient.  Then she’d wake up months later — as if from a trance — realizing that she had somehow ended up in another relationship.

***

The musicians were taking a break when she walked in, and Shorty was standing in the entryway talking on the phone.  He mimed delight, his eyebrows raised, and he beckoned.  She stood near him:  bending, he put his arm across her shoulder, drawing her to his side.  He pulled her tight against his body, curling his arm around her neck and looking down at her curiously from that skewed, clumsy angle.  She could smell him; fresh, clean sweat that carried the smell of his aftershave, and underneath that, the blunted tang of alcohol and bar smoke.

“You sure are a sight for sore eyes,” he said.  “I’ve been thinking about you all day.  I was starting to think you’d forgotten.”  His face was mobile, relaxed, expressing shy fascination.

He wanted to stop home and change before the party.  “You don’t mind, do you?” he asked.

“Of course not.”  She followed him in her car.

Waiting in his living room, she flipped through his magazines:  RollingStone, Time, and Omni.  He emerged from the bedroom with a clean shirt on, hair wet, combed down tight, the tooth-mark pattern of the comb pressed into it and a few wet curls on the back of his neck dripping on his shoulders.  His skin was fair; a dark mole next to his mouth stood out against the flush of color brought out by the shower.

“Let’s take my car over to the party,” he said.

His back seat was folded down, the space crammed full of guitar cases and scuffed black boxes.  He sat with his hands on the steering wheel as if he were trying to remember how to drive.  Then he fished a half-smashed pack of cigarettes out of the side pocket on the door.  He lit one, dented and pressed flat, inhaling with a sigh, thin lengths of smoke swirling about his face.  He offered the crumpled pack to Amy.  “No thanks,” she said.  “I don’t smoke.”

“Neither do I,” he said.  “I like the way it looks sometimes, how your hands feel lighting up.”

Shrugging, he pulled out the ashtray, tucking the smoldering butt into one of the grooves.  In one smooth motion, he leaned over the gear shift and kissed her, cradling her head in his hands.  Then he let go and took her hand, laying it in his lap, against the rough-sewn corduroy crotch of his jeans, and he whispered.

“See what you do to me?” he said.

***

Later that night, she discovered the shoes.  On the floor of the bathroom, tossed in front of the linen closet, she saw a pair of running shoes, women’s, size five.  She held one of them up to her bare foot.  Her own size nine looked huge next to the tiny shoe.

Carrying it back to bed with her, she lay down next to him, holding the shoe up with one arm, over her face, the laces dangling down, almost brushing her nose.

“Whose is this?” she asked.

“That’s Bonnie’s,” he said.

Amy let the shoe drop to the floor.  The room was still, quiet.  She felt a protective third eyelid go down over something vulnerable inside her.  “Is she living here?” Amy asked.

“Hell, no,” he said.  “I haven’t heard a word from her in at least six months.”

She found herself possessed by quiescent maturity, a vague memory of some letter to the editor she’d read in Playgirl.  She would handle it in that abstract way; not a whimper would come out of her.  She took the shoe and put it back in the bathroom, coming back to bed, and drawing the comforter up over her bare shoulder.  As she had known would happen — her reward for being a good girl — he reached out under the blankets, pulling her to him and curling around her, her head hooked under his chin and her feet pressed against his shins.  He was warm and soft-skinned and large and solid, all at once.  She was in a masculine sort of womb.

“You’re the only one here with me,” he said.

She could see something that looked like love, the old kiss-me-until-I-die extravaganza.  She couldn’t tell him, could she?  Her blood swelled and pounded and she imagined saying it, imagined him saying it back, falling asleep next to him at last, her mind flickering through images like the arthritic film projectors she remembered from high school:  tiny shoes, and faceless petite women wearing nothing but a mist of blue glitter as they dove into murky tropical lagoons in the dark.

***

For Shorty’s birthday, they were going to an expensive restaurant.  Almost ready to go pick him up, she was slipping into her shoes when the phone rang.

“I’m sorry,” he said.  “I’m not going to be able to make it tonight.  Bonnie flew in this afternoon.”  He paused; Amy said nothing.  She didn’t intend the silence to be accusatory, but that was how he seemed to take it.  “Amy, I swear,” he said.  “I had no idea she was coming.  She called from the airport and said she was here to wish me a happy birthday.”

Amy breathed in, her chest stretching until it hurt.  For a moment she didn’t know how the air would get out — some sort of one-way valve had shut down — but then her chest was empty.  She waited.

“I’m sorry,” he said, whispering now.  “She’s in the next room.  I don’t know what else to say.”

“Well, have a happy birthday,” she said.  She placed the phone in the cradle in slow motion.

***

Amy drove over to the bar.  Burnett was there, of course, and some other guy on bass, filling in for Shorty.  She had his birthday present — a gold chain — shoved in her purse.  When the band went on break, she and Burnett walked outside.  They sat in her car in the darkness.

“He’s with Bonnie,” she said.

She took the small velvet box out of her purse, handing it to Burnett.  He held it for a moment, and then put it on the dash.

“My brother doesn’t know what he’s doing,” he said.

“Neither do I,” she said.

He picked the box up and held it, his eyebrows raised, questioning.  Shaking her head, she closed his fingers over it.  “This is really nice,” he said, when he opened it.

She took the ends of the clasp and put the chain on him — his neck damp, but round and full and hard as a barrel under her fingers.  As she worked with the necklace, the tiny lever on the clasp stabbed underneath her thumbnail.  She sucked on her finger, tasting blood.  The strand of gold glinted against his skin, his long hair sweeping past it and over his shoulders, the pale blonde glow of the hair as pretty as any woman’s.

She drove home with Burnett after the bar closed.  In his living room, sitting on a sprung green brocade sofa, they drank beer in silence, the room lit by one enormous rainbow drip candle.  Putting his empty bottle down, Burnett stood and held out his hand; she didn’t hesitate, just rose to follow.  His bedroom was tiny; the double bed used up all the space.  She had to hitch her way around the nightstand and halfway there, she toppled, falling panicked, then sprawled on the bed.  Burnett looked down at her, pulling his shirt tail out of his pants.

The brothers were like two sides of the same coin.  When she closed her eyes, they had the same feel, the same weight; they even smelled the same; except she knew it wasn’t Shorty because of the way the long hair trailed over her skin when he bent over her.  It tickled her skin like a spider’s web, it was so silky.

***

When Amy phoned Shorty, a woman answered on the second ring.  She didn’t hang up the way she had planned.  She asked for him.

“Hello?” he said.  He sounded tense.

“Hi.  It’s me.  Was that Bonnie?” she asked.

“Yes,” he said.  She could hear him breathing and Bonnie talking in the background.  “Who is it?”  Amy heard.  The sound got muffled; she tried but she couldn’t make out his answer.

“Listen, I’m sorry,” she said when he came back on the line, her voice low and even.  Her stomach rolled with a peculiar heaviness, making everything seem vague and faraway.  “I know you can’t talk now.  Call me when you can, okay?”

“I will,” he said.  “You take care of yourself.”  His voice was slower, his drawl back to its normal rhythm.  He sounded relieved — she was being so civilized, so unlike what he had probably expected.  Although it wasn’t Shorty’s fault — he hadn’t lied to her — somehow, she was being too nice.

***

Amy had a New Year’s Eve vision:  a slow-motion perfume ad, a fuzzy dream of sensual retribution.  Oh, how she’d make him regret what he’d passed by on the way to his dry banquet!  Her heart — the childish construct of it, the big red valentine — was beginning to resemble a checkerboard.  Amy loved New Year’s — for an hour at least, everything seemed limitless.

Claudia was equally superstitious, always serving a big Southern breakfast — beans, greens, ham hocks, cornbread — at midnight.  “Don’t tell me you didn’t know about eating black-eyed peas on New Year’s?”  Claudia asked.

“Honestly,” said Amy, “I’ve never heard of it.”

“Well, you need some luck then, girl,” said Claudia.

“Yeah,” said Amy.  “I guess I do.”

***

The very first person she saw at Claudia’s party was Shorty.  His back was to her, but she knew even that angle; no plane of his body was unfamiliar, and she realized that was about as close as she — as close as anybody — could get to a person.  Shorty was standing next to Burnett; the boundary between their bodies seemed arbitrary.

Burnett spotted her first.  Smiling and nodding, he tapped his brother and waved.  Shorty turned toward her:  both men stood, grinning in her direction.  She didn’t care; all her pretenses flamed out in one big burn.  She shocked herself and then knew — with the thigh-weakening flush of any decent sort of compulsion — it still wasn’t enough.

Shorty pressed through the crowd toward her.  When he put his arm across her shoulders, she understood; either Burnett hadn’t told him or — more likely — it didn’t matter.  Perhaps this way was better; now they were of a piece.

“I’ve missed you,” he said.  It was the truth, she knew, not just a line.  He wasn’t a flirt, he didn’t operate that way.

“I’ve missed you, too,” she said.  “How’ve you been?”

“Okay,” he said.  “Bonnie went off to Mexico for the holidays.”  Shaking his head, he frowned — as if to say, isn’t that woman a mess?  “I’m just glad to see you.”  She knew he was glad; he was as honest as they came.

Claudia floated up with Burnett, her arm around him, her thumb hooked in one of his belt loops.

“Hey, you two,” she said, smiling.  “I wanted to tell you the good news–we’re getting remarried.  Isn’t that wild?  We’re going to do it at 11:59, kind of romantic, huh?”

“That’s great,” Shorty said, pleasure warming his voice, deepening his drawl.  “I always knew you two would get back together.”

I guess I did too, Amy thought.  Burnett’s not a flirt, either.

But she said, laughing, “This way you’ll never forget when your anniversary is, right?”

“That’s right,” Burnett said.  Amy cocked her head, winking at him, so small a motion that anyone watching would have seen only her eyes flicker as she bared her teeth.  She thought she saw him wink back the same way, flinging his hair out of his face and over his shoulder with a toss of his head.

A few minutes before midnight, Claudia and Burnett exchanged their vows.  The bride’s eyes glistened, her lips red, her skin pale underneath her freckles.  As the groom kissed her she put both her hands on his buttocks and squeezed them.  Everybody hooted and laughed.  “Going to be one hell of a wedding night!” somebody shouted.

Yeah, Amy thought.  One hell of a wedding night.

“Let’s go,” Shorty said, leaning down to whisper in her ear, his breath tickling and smelling of beer.  “I’d like to get out of this crowd.”  Putting his arm around her, he slid his fingers under the waistband of her jeans, rucking up her blouse and brushing the bare skin of her hips.

Her head felt swollen, too large for the rest of her.  Who was she, now?  She felt dizzy but she didn’t stop:  she couldn’t stop.  She had known all along, hadn’t she?  Shorty was — the kind of guy who would do anything for you.

“Yes,” she said.  “Let’s go.”

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sous la langue (under tongue), by nicole brossard

illustration sous la langue

I did not write this, but it has long been something that I thought worth reading…

Author:  Nicole Brossard, (translated by Susanne de Lotbiniere-Harwood).

SOUS LA LANGUE (UNDER TONGUE)

The body salivates, yet nothing is foreseen, not the wealth of touching, nor the furtive slowness, the exact frenzy of mouths.  Nothing is foreseen, yet at eye level is where the body first touches everything, without foreseeing the naked skin, and it needs saying, without foreseeing the softness of skin that will be naked even before the mouth signals the state of the world.

Nothing here to suggest that at the slightest touch the gaze already falters wanting already to foresee such a rapprochement.  Nothing is foreseen other than the breathing, the sounds resounding flesh to flesh.  Does she frictional she fluvial she essential does she, in the all-embracing touch that rounds the breasts, love the mouths’ soft roundness or the effect undressing her?  Nothing is foreseen yet at body’s uttermost the skin will image the body for without image there is nothing at body’s uttermost images shatter the state of the world.

You cannot foresee so suddenly leaning towards a face and wanting to lick the soul’s whole body till the gaze sparks with furies and yieldings.  You cannot foresee the body’s being swept into the infinity of curves, of pulsings, every time the body surges you cannot see the image, the hand touching the nape of the neck, the tongue parting the hairs, the knees trembling, the arms from such desire encircling the body like a universe.  Desire is all you see.  You cannot foresee the image, the bursts of laughter, the screams and the tears.  The image is trembling, mute, polyphonic.  Does she frictional she fluvial she essential does she all along her body love the bite, the sound waves, does she love the state of the world in the blaze of flesh to flesh as seconds flow by silken salty cyprin.

You cannot foresee if the words arousing her are vulgar, ancient or foreign or if it is the whole sentence that attracts her and quickens in her a desire like a scent of the embrace, a way of feeling her body as truly ready for everything.  Nothing is foreseen yet the mouth of bodies commoving aroused by the words by instinct finds the image that arouses.

You cannot foresee if the state of the world will topple over with you in the flavour and surging motion tongues.  Nothing is foreseen yet the shirt is half-open, the panties barely away from the cleft and yet the closed lids and yet the inner eyes are all astir from feeling the tender in the fingers.  You cannot foresee if the fingers there will stay, motionless, perfect, for a long while yet, if the middle finger will move O ever so slightly on the little pearl, if the hand will open into a star shape at the very moment when the softness of her cheek, when her breath at the very moment when the other woman’s whole body will weigh so heavily that the book where it rests gives way under the hand, the hand, at the very moment when balance will become precarious and thighs will multiply like orchids, you cannot foresee if the fingers will penetrate, if they’ll forever absorb our fragrance in the image’s continuous movement.

Nothing is foreseen for we do not know what becomes of the image of the state of the world when the patience of mouths lays being bare.  You cannot foresee from among the waves the one the unfurling one the split second that will image in the narrative of bodies whirling at the speed of the image.

You cannot foresee how the tongue wraps round the clitoris to lift the body and move it cell by cell into a realm unreal.

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birth control in the ancient world, a poem

illustration Silphium stalkillustration silphium seed 200px-Cyrenecoin

Birth Control in the Ancient World

By the third century, our old favorite,
Silphium, was extinct. Overharvested,
the plant had been worth its weight
in silver for a generation.
Gone forever were the bright yellow

flowers, the glossy, deeply lobed
leaves. We turned next to a close
relative, asafoetida, a pungent spice,
yes, but much less effective.
Besides, our breath smelled

always of fermenting fish;
the men started to complain;
thus the population swelled.
Queen Anne’s Lace grew wild
in the countryside; we brewed strong

tea or simply chewed the hard little
grains dry after the act…. If that
didn’t work, we tried artemesia,
abortifacient, only toxic in excess —
Artemis, goddess of women, protector

of childbirth, let us down rather more
frequently than we deserved.
The truly desperate ones might
gorge themselves on pomegranates;
the red juice stained their lips,

made them look fevered; sometimes
that did the trick. By the twelfth
century, only a few midwives knew
which herbs prevented the seed from
planting itself; they were banished

as witches and we lost that knowledge
for five hundred years — not so long
a time that we didn’t remember what it
had felt like, to love as often
as we liked without consequences.

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the swiftness of dream-time, a poem

Taylor Swift Is A Paris Beauty

The Swiftness of Dream-Time

She confides unduly in strangers, asking
inappropriate, intimate questions. She has
startling, beautiful eyes, a pale luminous brown,

fringed by heavy black lashes. The fair skin
of her lids glistens like the wings of a moth,
and the expansive way she smiles makes her

delicate pink lips almost disappear. She lives
in the dream-time before marriage and children,
unschooled by the constant companionship of small

relentless demands, unaware of the eternal
ramifications of peeling herself raw
like a thick stalk of sweet cane, exposing her pithy

heart to people who don’t care to understand
the need to be loved, hidden warts and all.
Some people can never be trusted, she feels this

in her bones, yet she doesn’t want to believe it;
the ache of betrayal is like cancer of the marrow,
an oily red liquid pouring from her center

to drown the most fragile of her cells.
On personality tests, she engages in flights of fantasy:
happiness wings past just out of reach, grazing

her face with its sharp, heavy wings, ruffling her fine
hair with the remarkable swiftness of its passage.
Sitting in her green armchair, she becomes

engrossed in old forgotten novels, flipping
the tissue-thin paper with impatience,
sweeping the fallen crumbs of leather binding

off her taut, bony lap with fingers sticky
from futile perspiration. If the man she thinks
she loves asked her to marry him, she would say

yes without hesitation, but it wouldn’t make her
happy — nothing will ever satisfy her, for very long.
She doesn’t know what she wants and never will.

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impeach rick perry, now please

impeach rick perry, now please.

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love kills, a short-short story, (originally published in crossconnect)

illustration love kills tattoo

(originally published in CrossConnect)

Love Kills
They killed me, those boys. Every day, getting off the bus, they killed me. I’d be walking away from the stop already, trying not to look, hearing them draw together and trail at my heels like a pack of wolves. I’ve wasted too much time since then trying to figure out why I feel dead inside.

They don’t know what they did to me, but I’m not God, I can’t forgive them. One of them was the first boy I ever kissed. That was spin-the-bottle, behind the holly bushes at the end of the canal. The trashy, sandy space between the seawall and the bowling alley parking lot, where the branches of the mangroves trailed down into the murky water like the sad arms of ghosts. He kissed me there. His lips were wet, trembling, soft as a child’s, and softer than mine.

Why’d he kiss me, then? That’s what I’ve asked a thousand times. Girls, did you ever kiss a man you were ashamed of? One you wouldn’t be caught dead with in other circumstances? The answer is yes. We all did. But, following our mistake, did we then gather up our friends and acquaintances and confront the unfortunate man daily, taunt him with his ugliness every single day for a year? Did we, in a gang of six or ten, pant and bark at him as wild dogs, throwing flecks of spittle onto the back of his fleeing, burning neck?

On better days he wasn’t cruel, but fast and solid, when I bounced against him in a crowded game of flashlight tag. His immovable, sweaty arms encircled me one late spring twilight, and though I wriggled and strained to get away, I wondered what it was like; making love with a boy, how it would feel, our naked bodies pressed together, his aroused skin slipping into my aroused skin, male into female like a dull knife into butter.

There were also the black boys at the back of the room. They wore their clothes differently, as if the cloth covering them wasn’t important, wasn’t doing them any favors. The way their dark skin bled out of the shirt-cuffs like hot ink made me crazy. It was as if women were already part of them, not something foreign. One boy touched my ass, not sly or shy, just placing his open palm against my turned hip like it was a loaf of bread. He never looked my way without smiling.

Once, I was almost raped. I made a mistake and went to this older guy’s apartment, as clean and tidy as a church. That one climbed atop me again and again, rumpling his black-sheeted bed and it seemed like hours went by, my legs twin automatic pistons, pushing his nude weight off and away. He didn’t become violent, so finally he quit trying. But later, I let him teach me how to kiss. To leave off a man’s mouth slowly, gently, instead of rising away like a slap interrupted.

Seems like they all have a thing for plain, big-titted blondes, doesn’t it? The sweetest one I ever had, a model, brought me a warm washcloth, after. His whole body was as hard and smooth and glossy as a horse’s. He held my knees up and washed me like I was a baby, but I never saw him again. The flesh may mesh, but boys perfect like that don’t ever forget why you went with them in the first place. And, girls, truly — are there any other kind but the kind that kill?

I love the idea of a man, regardless.

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a-girl, a poem

illustration a girlillustration a girl african-american-embroidery-designsillustration a girl michelle obama imagesillustration a girl erykah badu download

Feisty owner behind wheel of A-Girl

The towing company has survived 15 years by moving into tough territory and trading on its pink trucks and unusual name.

By MARTY CLEAR
Published January 30, 2004
If you live in Hyde Park or Carrollwood or Temple Terrace, you may have never seen the bright pink tow trucks with the crudely painted words “A-Girl Towing” on the side.

If you live in College Hill or Belmont Heights or the un-redeveloped fringes of Seminole Heights, you probably know them well.

For the past 15 years, A-Girl’s tow trucks have been common and unmistakable sights in Tampa’s poorer neighborhoods.

“Nobody wants to go to those projects, but I don’t mind,” said owner Shelia Cole. “I’ve made a niche business for myself.”

Cole never set out to own a towing company. In 1989, with some money in the bank from a lawsuit settlement, she had planned to open a used-car lot. She would buy old cars and fix them up. As sort of an eye-catching gimmick, she would put fancy rims on all the cars in her lot.

“If I’d done that, I’d probably be rich,” she said. “Rims are huge now.”

While she was waiting to get her business licenses for the car lot, she acquired an old gray tow truck from a relative. She planned to use it to bring old cars to her lot.

“I didn’t know anything,” she said. “He showed me how to use it.”

Gradually, she started getting calls from people – friends, then friends of friends, then total strangers – who needed their cars towed,

“I’d get out of the truck and they’d say, “Hey, you’re a girl!’ and finally I said “That’s it!’ ” she said.

She realized that her gender was a better gimmick than fancy wheels. And she realized that even though she didn’t have any cars to sell, she already had a tow truck and some decent word-of-mouth business. She painted her truck pink, and A-Girl Towing was born.

(a note of preface:  i saw her tow truck years before the above article was published.  i wrote the poem a long, long time ago.  on a whim, looking for an appropriate picture to use in this entry, i searched “a-girl towing” and up popped the above article, at least a decade after i saw her on the highway while in tampa.  she was beautiful inside and out, then and now.)

A-Girl

The tow truck is ancient — dents,
fat rounded fenders, scattered
freckles of rust — but it’s painted

a shocking bubble-gum pink,
and across the door in a lavish
curly script is written, “A-Girl

Towing Service.” The appropriately
girlish driver is ebony-skinned, young,
possessing fine strong bones.

On her closely-shorn head
sits a circular, flat-topped cap,
embroidered in bright flowers.

The cap’s tassel flips saucily
in the breeze; our eyes meet
for a moment as she passes.

Her gaze seems calm, direct, filled
with the grace of one who understands
she owes absolutely nothing to the world.

When tow trucks are pink, is the world
necessarily a better place? Yes.
And suddenly I wish I could see:

who is this woman when surrounded
by her family, her dearest friends, her lovers?
Is she easy to laugh, does she enjoy

the scent of gardenias, can she whistle
with her fingers in her mouth
like I always wanted to but never could?

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made in heaven, a short story (originally published in exquisite corpse)

illustration made in heaven sheet

Made in Heaven

(originally published in Exquisite Corpse)

 

The Test

He believes in eugenics — his line was bred for sad brown eyes turned down on the outer corners.  He feels his Self slipping away, somehow.  The Self he was creating — he did it, he was tied to a woman, a woman who didn’t really want him, a woman who flailed at being tied to men like an unbroken yearling colt flails at the lead chain.  He fell in love with her watching her walk in the grass at the side of the road — bare arms, long brown dress, square brown handbag, pale white skin, waist-length brown hair.  He’d had ten cups of coffee pulling an all-nighter to teach his first medieval history class.  His role:  the nervous young professor.  He stopped to give her a ride — his first day on the job, he didn’t want to fail some test, by not stopping, and then she was just like some wild horse, he knew he had to marry her to keep the other predators at bay, they’d have chewed through her throat in a heartbeat.  He’d never seen eyes like hers.  Unattainable.  One morning, he woke up, he was married.

The Question

Sometimes he thought the way his wife acted in public was like doing a strip-tease inside the Dome of the Rock — asking for it; bad stuff going down out there, he said in his mind over and over whenever she started up, giving people looks of… what was it, exactly? Then one day, driving to work, dawn breaking, coffee clutched in hand, he watched a flock of birds pass by, bits of black looking like a school of fish coursing through the sky.  Landing on a new-mown field, the birds hopped among the grain stubble, picking up leavings.  His wife with her unsatisfiable longings was like that, a ballet too graceful to be endured.  How was he going to stay?  How was he going to leave?  He goes to the office and tries not to think about it, but it’s there every second, floating in the air in front of everything he tries to focus on, like text on an invisible TelePrompTer.  It wouldn’t matter — his wife could run off with the car, all the money, his heart — still he’d never stop asking her to come back.

The Wish

His newly-adopted hometown was full of squares and smiles:  people walking by, talking and laughing to the air.  For years, his wife had this best friend who always thought she, the friend, was dying.  Sometimes his wife got irritated with her best friend’s fear and wished the woman would get it over with already.  She’d been dying for over 10 years now.  Except one time, after his wife hung up on her friend disgusted by her seeming hypochondria, the friend actually ended up in the hospital with a heart attack.  His wife told him God was teaching her not to make wishes.  That night, she sat nude in front of the closet-door mirror bawling like she’d just gotten a bad haircut.  Which she had, at her own hand.  Hacked her hair off with kitchen shears like an insane nun taking her final vows.

The Need

Long ago, his wife says, she lived in a warmer climate.  Her first love was a coconut palm, phallic and bristly.  Round brown fruits.  She scaled the tree again and again, could never make it all the way to the top.  She got a crush on every boy that talked to her that year.  She quit reading the Bible when she got to Job — after her own father lost his two sons in separate car accidents, he just lay down on the couch and died, for which she never forgave him.  Maybe it was the fact her father willed himself to die, left her on her own too young — maybe that, and the two dead brothers, made her feel like any man was better than none.

The Surprise

A spade is a spade.  Death and time are as big as the universe.  Even your wife’s dying friend can be deceptively spry, hale and affectionate; she can give bear hugs.  The dying friend can move to Lulu, Florida, after she gets out of the hospital for what she doesn’t know will be the last time.  The sky over her can be blood blue with thin white clouds like cobwebs.  A dying woman’s dentures can deteriorate — first a missing eyetooth, then going brown in front in weird streaks.  Evidence of her inner corruption.  Even a dying woman can be financially abusive.  His wife always handed over his money like Kleenex to people with pathetic sob stories; whether they were dying or not, she’d have bankrupted him if he allowed it.  Surprise!  His wife’s so-called dying friend can actually die.  His wife cried and cried, even though she told him only yesterday she was afraid her friend only wanted her money.

The Rule

Yet, that impulsive woman he married, she got pregnant the first night, the condom slipped off and was found wadded up next to her cervix — she baked and baked, after she lost that baby.  Even the day of the miscarriage, her favorite Dixie Lily flour was soft and cool and white on the table, her nimble hands unevenly pigmented, strong and capable, dusted with the white powder, holding a green-handled rolling pin.  She was like a horse trainer, she’d never hit you with her hands, only with something held in them, usually a hairbrush, the bristly side.  She wanted you to obey, but not to fear.

The Nudity

Die, black smile — his wife was like any ordinary woman you fall in love with on the side of the road, touching her own lips, feeling her own breath.  She was not comfortable with him.  She was not comfortable belonging to any man.  She lost another man’s baby the year before she married.  Now she is fighting depression off with a big stick.  In his favorite picture of her, his wife’s flesh looks so soft as to be eminently pierceable by the polar bear tusks in the head she’s leaning on.  Sometimes she’d cry hard and couldn’t get out of bed, other times she was just plain hard and he couldn’t get through to her heart — like she was compensating for the too-naked times, by not allowing touch.

The Drug

They vacationed incessantly — Omega at the desert — she wore a backless sundress, and all her spinal knobs were visible to the casual observer.  She was verging on plump when he met her, then she became lean, tireless and angular.  He doesn’t care either way — he knows she’s no good for him but he can’t give her up.  Maybe it’s that he’s never had lovemaking that good with anybody but her.  An hour in bed makes up for the days of misery trying to live with the rest of her.  He understands now how addicts can keep shooting up, even when they know it’s killing them.

The Problem

At a frown from him, at the slightest disappointment seen or unseen, she’d bolt; he wouldn’t see her for days.  Then he felt as hollow as an abandoned house, weathered gray clapboard siding, rusty tin roof, part of the roof gone so you see the rafters underneath.  He took long walks early in the morning trying not to think about her; he saw a rising flock of birds, confetti against gray-blue.  He was walking through flatness, brown plains, splashes of green, a dull sky, murky at the horizon.  A grain elevator through the mist, far-off, looks small like a toy.  Is he a toy, for her?  He buys a cup of coffee at Love’s Truck Stop on Fountain Rd.

The Fear

Her name, he sees it written everywhere — on a metal tower with guy wires, the upper half of the tower obscured by clouds.  He sees her name on maps, even at City Hall on a quick stop in Broken Arrow, Oklahoma, for coffee and smokes.  Diana, the huntress — but she can’t bring herself to butcher her kills.  She leaves them to rot.  Or maybe she stores the carcasses in some psychic smokehouse, preserving them within herself for some imaginary future famine.  As if she’ll ever be alone, as if she’ll ever lose her gift for making others feel sorry for her, sorry enough that they pick her up hitchhiking and end up married.

The Disease

Heat and a white smile — he visited another sick friend, imagining making love to Diana in a hospital bed.  What would it be like, to care for her until death?  Would it make him forgive her at last?  Would she be able to forgive herself?  Diamond logic cuts through psychological scar tissue, removing old growths, old infections, but then comes pain, bleeding, and the collapse of drained and emptied dreams.  When he aches for her, but in the same moment rejoices in her absence, assault-eating seems like his only option.  He sits in front of the sports games on TV, bags of snacks next to him.  The cat sleeps on his feet.  It doesn’t matter who is playing, he always roots for the underdog.

The Conundrum

Before she came back after their first separation, he decided that the flat glare of the sun loved him more than any woman he’d ever known — he wasn’t even surprised when he read in the newspaper how two thugs beat a gay college student, tied him to a fence and left him for dead.  She is ill, mentally, spiritually; he knows this but something equally twisted in him needs to be around that illness, in order to feel himself healthy.  Who, then, is the worse off?

The Return

She came back to him over and over, and every time she was hard at her music again, trying to get perfect that rhythm only she could hear; practicing, pure mindless female energy — dressing up in fur and spangles, frothy material, fancy.  When she got like that, you could tell she wanted to persuade some mysterious Somebody to do a secret Something for her.  She wanted to tempt, to bewitch.  He let her practice her music on him, he took it into himself, her beauty, her nature, her vengeance.

The Desire

He had pity — she was piteous — her legs moving like a deer’s, then wrapped around his waist — thin, delicate, poised for fleeing.  Once she told him she loved to feel womanly, but the only way she could achieve that was to see herself as physically, mentally and spiritually complementary to whatever man she was with.  She could then mold herself to accommodate his subtle shape the way the space between her legs accommodated him, and the womanly experience came to her through that forming, that clinging.  Yin/yang, two halves of a sphere, with herself having structure only when against the man’s half.  And sooner or later, she always stopped assuming that complementary shape, as soon as she started seeing things in a man’s shape she didn’t want to cling to — what man doesn’t have weaknesses — and that left her feeling like a neutered being, not male, not female.  Barely alive.

The Change

A spade is to be pitied for having to bury a woman like her, he thought upon waking early one morning to stare at her sleeping face, drained of pain and fear, sweet as a baby’s — but the light was all wrong for this time of morning, damn that daylight savings time.  Change, he hated any kind of change.  She should stay in one place; there can be no love without commitment and full knowledge.  Yet even regarding her deep within the throes of her struggle, primed with the proper amount of pity, he felt their beauty together, as a couple, was almost equal to infinity — but then again, mating cockroaches could fly toward the light too.

The Ultimatum

One day when she said, “Let me out of the damned car, now,” he stopped, let her go — thought “finis.”  She ran toward an idle hay baler & mountains of mown hay in a field; after that, she ran through a field of milo.  Then came a sheet of rain.  While he waited for her to return, he picked handfuls of yellow flowers beside the brown stubble.  She was his ultimate fantasy — her hooded eyes, high cheekbones, firm jaw, and full lips.  Gleaming brown hair.  He said to her the next morning, grinning like a chimp, “I live for simple things now:  coffee and a cigarette in the morning, beer and a cigarette at night.  That’s my life.”

The Petition

Scent-paths are the most primal in the brain — one day he read about how, in the next state, a cyanide suicide’s body gave off fumes and made nine others ill.  His wife’s baby breath slowly turned into dragon breath.  A crazy tarot card reader told him seven was the optimal number for a point of view, whatever that meant — then during the month of July, his own mother walked the Great Wall of China, worrying about his pending divorce.

The Secret

Money could always make her come back — who was it that wrote, “Wealth is power?”  King Cotton.  After all, his family had bales of cotton the size of railroad cars, covered with blue or yellow plastic.  Chicken houses the size of football fields.  Tractor-trailer cars stacked with white chickens, still alive.  Numerous Arkansas mountain shanties.  On one particular tract of farmland, there was pampas grass and a rotting tin-roofed general store.  Not to mention abandoned buildings, too numerous to count.

The Charade

He felt his smiles turning into complex equations, numbers, letters, factors squared.  Also that July, his wife fell madly in love with Puerto Rican twins.  She sat in the college Spanish lab for hours, trying to acquire the accent of a native speaker.  Later, she asked him to take her in for an abortion.  Him, a male, like a wide column of stationary air before her warm front, her hurricane eye — she left him wishing he were a virile but tender auto mechanic instead of a college history teacher.

The Truth

Dig up the heart that was properly buried and leave it defenseless again — in a dream the next night, baby fists flailed against him, their full force like the blow of colliding with large bumblebees.  Heavy but miniature.  His wife, woozy with painkillers, crawled into bed beside him, woke him up, told him how in college a virgin boyfriend of hers, frustrated because she wouldn’t sleep with him, punched a brick wall, injuring his fist.  Crooked paths lead to God — his wife then told him how it was with the elder Puerto Rican twin, Emilio, that she first stayed awake all night long, so hungry, but then he pissed her off with his blond boyfriend:  using her as a cover so nobody would know he went both ways.

The Aftermath

The sun’s light always reminded him of diamonds — his favorite teacher once told him, “Don’t waste your gifts.”  He was too much in love with the teacher to ask what gifts she meant.  Now he thought he knew.  The sun ate his heart anyway, it didn’t care about his promises — he was bereft beyond bereft when his wife left him for the last time.  All his friends and acquaintances told him how he’d be better off.  He was, and yet he wasn’t.  Everything he has dreamt since then, since she was gone, was in black and white — he wanted to hear the white noises of the wind, he wanted to fly down the tunnels of green, he wanted the warm salt water to gently burn his eyes clean, he wanted all his enemies dead, he wanted the memories removed.

The Legacy

His wife loved white sheets — they made love that last time in a bed so white it looked like barely repressed violence.  In the center of all that pain, something brought them both rising smiles — together, they were convulsed by spasms of laughter, uncontrollable as an orgasm.  It seemed like laughing at a funeral — insane but maybe the sanest response of all.  She gave him one lasting gift, his black smile at infinity… infectious.  Even as he walked around, zombie-like, memories of the failed marriage ringing in his skull like aftershock of a car crash, total strangers started propositioning him out of the blue.  Male and female.

The Effort

The heart, it seems, can expand, then collapse, both to an infinite factor.  He noticed, one day at lunch downtown, lots of little people he’d never seen before.  Or maybe he saw before, but he didn’t notice.  Had she left him that ability as well?  Fat, strangely shaped people, people who looked mentally disabled, odd angles of eyebrow, odd expressions of puzzlement.  Then, he noticed a very pretty woman in a garden-print shift & orange straw hat, no makeup on except blood-red lipstick.  She could be his wife’s twin.  She ordered grilled turkey & Havarti with cucumbers.  Unlike his departed wife, she was apparently an effortless mother; her child was immaculate, dressed in hand-sewn clothes.  If she ever left her husband, the world outside might swallow her whole — but he’d do his best to convince her she had to — for both of them — at least try.

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